The Weather Man

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Cameron Crowe is one of those directors who people just love. He’s made some stinkers along with with his good movies though, so when people talk to you about how much they love Cameron Crowe, generally what they mean is that they loved Jerry Maguire and Almost Famous. Or maybe even Say Anything, if they’re old school. Generally speaking, however, Jerry Maguire is Crowe’s big hit. This Tom Cruise-starring tale of a sports agent who experiences a moral epiphany got great reviews, became part of the pop culture lexicon of the late ’90s, and made about five times as much as Crowe’s next best loved film…give or take a bunch of millions or so. To call it a success would be putting things lightly. Gore Verbinski is another director who’s amassed a pretty loyal following, despite having made a couple of stinkers. When people say that they like his movies, generally they mean that they’re into the first Pirates of the Caribbean movie or Rango, or maybe they might even mean Mouse Hunt, if they’re the hip sort who likes to go back to the deep cuts. Certainly they very rarely mean that they like his strange followup to his runaway Pirates success, 2005’s Nicolas Cage-starring The Weather Man. It got mixed-to-scathing reviews, didn’t make a blip on the pop culture radar, and brought in pretty much zero money. Which is weird because—oh, my God—it’s basically the best movie ever.

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Robert Levin takes aim at the popular hobby of hating Nic Cage and asks that we appreciate great trash.

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