The Unkown Known

2014-halfway-best

2014 is half over, and while that means we’re still six months away from our official ‘Best Of’ lists it also means it’s time to point out several great movies that you may very well have missed so far. Granted, if you’re a regular reader here at FSR than you’ve probably already heard us praising some or all of the films below, but either way the list of films here should serve as a guide of movies to seek out when you’re in the mood for something other than studio releases. As we did last year Landon Palmer and I have selected ten fantastic films from the past six months that we think deserve more attention than they received. It’s worth noting though that we’re not including festival-only titles and instead are limiting ourselves to small releases that have had some degree of exposure in theaters or on VOD. This made it a little bit tougher as half of my own top ten of 2014 so far only played Sundance (or other fests) while the other half are wide releases. But while these ten films may not be the ten best of the year so far they are great movies well worth watching.

read more...

TABLOID_-_ErrolMorrisStill

In 1988, a documentary about a man in Texas convicted of a murder he did not commit made it to the top of numerous critics’ best-of lists, became one of the most widely-seen non-fiction films of its era, and even created enough publicity to overturn the conviction of the film’s subject.  However, The Thin Blue Line, despite the considerable attention and critical praise it attracted, was absent at that year’s Academy Awards because it was reportedly not considered a documentary. One can easily make a case inverse of the Academy’s evaluation, that this particular work actually defined what the documentary is, and can be, in North American filmmaking since. In what seems to be a decade-plus-long mainstream renaissance of the non-fiction form, The Thin Blue Line’s influence is palpable to a level nearing ubiquity. At the same time, nobody makes films quite like the intimidatingly intelligent and perceptive Errol Morris: filmmaker, investigative journalist, essayist, perceptive tweeter, and arguably (depending on who you ask) the first postmodernist documentarian. So here’s some free film school (for fans and filmmakers alike) from the man who inspired Werner Herzog to eat a shoe.

read more...
Twitter button
Facebook button
Google+ button
RSS feed

published: 10.30.2014
B-
published: 10.29.2014
D+
published: 10.27.2014
C-
published: 10.24.2014
C-


Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3