The Texas Chainsaw Massacre

Leatherface in The Texas Chainsaw Massacre

We all know Leatherface, the human flesh-masked villain of the Texas Chainsaw Massacre series, but do any of us really know him, like on a personal level? Maybe he had hopes and dreams and plans for his future before he started capturing unsuspecting tourists, impaling them on meat hooks and turning them into prize-winning chili. No judgment; maybe his aspirations and goals were actually to become the town’s most feared and respected cannibal chef — if so, he definitely succeeded. But a new film is finally going to reveal exactly what went on in the days before The Texas Chainsaw Massacre taught audiences a thing or two about the phrase “stranger danger.” Simply and effectively titled Leatherface, according to The Wrap this prequel is an origin story for one of the horror genre’s most iconic faces (covered in other faces, so many terrible faces) set in the 1970s. At this point, the plot details are being kept under wraps (again, like someone’s horrible face), so it’s unclear what Leatherface’s actual life before the whole “gruesome torture and murder phase” entailed, but it’s a safe bet that things weren’t all sunshine and roses.


Friday the 13th

Naturally, Showgirls is the scariest movie of all time, but there are no masks involved. Which means that trying to come up with the scariest horror movie mask feels a bit neutered. Still, there’s no denying the pants-wetting power of 1) hiding your face 2) sometimes with someone else’s face. To determine the worst of the best, we turned to FSR writers to nominate their favorites and fight for them with words. Oddly enough, no one chose Ghostface from Scream (where I stole that awesome Showgirls joke from), so if it terrifies you the most, please feel free to tell us how dumb we are in the comments section. Now, who’s facial seams reign supreme?


Tyler Bates

If you have ever grabbed your arm rest in fright while watching the recent Halloween remake or buried your face in your scarf (as I often do during the scary parts of movies) when a particular stanza in the Dawn of the Dead score made you jump, you are already familiar with composer Tyler Bates‘ work. With Halloween upon us, I thought it only appropriate to sit down with Bates to pick his brain about all things horror from his favorite scary movies to what he loves about composing for them to his favorite Halloween memories (and costumes.) Read on to hear about his experience working with directors Rob Zombie and Neil Marshall, how his early exposure to horror films may have set his current career in motion, and what may happen when you attend a wedding on Halloween.


Reject Recap: The Best of Film School Rejects

As we get closer and closer to Halloween, the industry is doing its part to help with great holiday-themed content. We got a trailer for Iron Man 3 to either remind the kids of that superhero as a costume idea or to provide fresh suggestions. Who wants to be so antiquated as to go as something based on this year’s movies when you can leap frog into 2013 ideas? Are Mandarin and Iron Patriot hot last-minute costumes now? And then we got the news about Arnold Schwarzenegger returning to the Conan franchise, which should give many elderly folks encouragement to dress up as a character they’re way too old for. Come on, grandmas, “sexy ___” outfits are for you too. Oh, and Cloud Atlas is out this weekend, which may well inspire some last-minute blackface, whiteface, yellowface and zombie Willy Wonka face costumes. Speaking of the film, before we round up this week’s best features, I need to remind you of the latest reviews of new releases (Cloud Atlas, Pusher, Gut, The Thieves). Also this week, we saw new trailers for Holy Motors, the next Die Hard, the remake of Evil Dead and a seemed remake of Kingdom of the Fairies that would make Melies crap himself called Empires of the Deep. And we continued our new weekly recap reviews of TVs The Walking Dead while also reviewing American Horror Story: Asylum and 666 Park Avenue. Now, check out our biggest and best stories and original content from the past week after the […]


Texas Chainsaw 3D Trailer

There’s a certain segment of the filmgoing audience who’s going to go see every movie about a group of hard-partying young people who go out to a remote location to get sadistically slaughtered by hillbillies, no matter how many times the plot gets overdone, and no matter how many entries in this cookie-cutter genre end up being just plain bad. If you’re one of these people, then boy does the new trailer for Texas Chainsaw 3D look like it’s advertising a movie for you.  Texas Chainsaw Massacre is a movie franchise that’s already been sequalized, rebooted, and reborn into the ground, but it’s yet to have an entry presented in glorious three dimensions, so it seems the suits in charge have deemed that there’s still some life to be sucked from this old girl yet. From the look of things, Texas Chainsaw 3D seems to be telling a very simple story, that of partying young people and chainsaw wielding maniacs. But it also seems to be working in the same old aesthetic that’s responsible for all of these horror movie remakes being so forgettable. This movie looks glossily generic, and fails to capture any of the gritty grossness of the original Texas Chainsaw Massacre that’s made it such an enduring horror favorite down through the decades.


Terrifying Parents

It’s always smart to look up to those who’ve managed to stay alive for considerably longer than we have; clearly they did something right. In the world of villains and murderers – this quality goes double, for it means that they are not only capable of murder but also cunning enough to get away with their evil deeds. Here are some older mentors and parental figures that you straight up do not want to mess around with. Stone-cold killers in wrap-around sunglasses.


Chainsaw Massacred

When I was talking with some friends a while back about how much my wife and I enjoyed Insidious (probably one of the first genuinely well-made horror films in ages), I started thinking about how they’re almost sure to greenlight a sequel any day now (still waiting on that) for some studio to run into the ground like James Wan and Leigh Whannel’s previous collaboration, the Saw series. Saw got dumber and shittier as it went on, probably due to the fact that by fourth film or so the plot was incomprehensibly stupid. What’s the point of all this again? And Jigsaw had how many apprentices now? By the end of the series, I was expecting him to have solved the financial crisis by employing the majority of Americans to set moronic traps for each other. But the thing that’s easy to forget is that the first Saw movie was actually a pretty damn good movie. It wasn’t unique by any means. It owes a lot to Dario Argento and his fellow Italian Giallo filmmakers, but that’s not the point. The point is, Wan and Whannel paid attention. They actually put forth an effort to make a film that wasn’t a remake or a sequel or a cheap knockoff. They showed their hand as far as influences go, but fuck, so does Quentin Tarantino. Hell, even Saw II and Saw III weren’t bad. So maybe that’s the secret to making a horror film that’s not ball-crushingly idiotic. Maybe it just […]


Texas Chain Saw Massacre

It is a known fact that the Alamo Drafthouse is one of the best places to watch a movie on planet Earth. That said, sometimes the confines of a movie theater are too restrictive for the level of awesome that the Drafthouse wants to achieve. The Rolling Roadshow was born as a result and it was good. Junkfood Cinema auteur Brian Salisbury and I had decided to sample this year’s offerings together. So it was with thoughts of cold Shiner Bock and hot chainsaws that we found ourselves driving out to Kingsland on a warm Texas evening for the second stop on the Alamo’s annual Rolling Roadshow tour. Kingsland, for those who are unaware, is the site of the now infamous house used in Tobe Hooper’s classic horror film The Texas Chainsaw Massacre. While shooting originally took place just north of Austin around Round Rock, the house was moved to Kingsland in the 90s to avoid demolition. In any case, it is the very house used in the film and there was something eerie about seeing the house on a large inflatable projector mere feet away from the actual building. Being able to glance back and forth and notice small details made for quite a cool experience.



The Alamo Drafthouse, the ultimate cinematic power in the universe, is set to once again kick off its annual Rolling Roadshow this weekend. While past Rolling Roadshow tours have criss-crossed all over these United States, the programmers have decided to stage this year’s tour in their own backyard, namely the great state of Texas. As always, the films selected have been paired up with locations pertinent to the production in some way. Past tours have seen Rocky shown on the steps in Philadelphia, Robocop shown in Detroit and Close Encounters of the Third Kind at Devil’s Tower. While this year will see things kept a little closer to home, the schedule is certainly no slouch.

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published: 01.27.2015
published: 01.27.2015
published: 01.27.2015
published: 01.27.2015

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