The Shining

FSR is usually steeped in high-mindedness and moral fiber, but there’s no reason not to highlight something as cool as LEGO versions of iconic movies scenes. Consider it a Friday distraction tucked between a review of the latest Todd Solondz movie and (spoiler alert) breaking news about a possible new Jackass movie. Somehow it makes complete sense. Especially because these images are undeniable. The fine folks at BostInno discovered this internet wonder – a series of sharply photographed movies scenes (from Hitchcock to Tarantino) done with LEGO figures. There’s a LEGO movie in the works, there are movie scenes done in LEGO and the snake of culture continues to eat its tail. Check out the images for yourself:

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Stanley Kubrick has appeared in the credits for at least 17 films since his death in 1999. How is that possible? There’s a ton of people thanking him and making movies about him. His influence stretches even beyond his impressive body of work. The infamous control freak has taken us to the Overlook Hotel, to a War Room where there’s no fighting, on an odyssey in space and beyond. He’s an indelible part of the film conversation who had a rare gift for challenging conventions while embracing components of traditional commercial filmmaking. Last Friday’s Short Film of the Day was a hint at which director this column would take on next, so here it is: a free bit of film school (for fans and filmmakers alike) from a chaotic mind with a gorgeous eye. Or, as Kirk Douglas put it, “a talented shit.”

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Culture Warrior

Editor’s Note: With Landon Palmer busy (read: probably writing a thesis on Sexual Deviancy in John Wayne Films in the Greater Context of Post-WWII America As Seen Through the Work of Southern Filmmakers), the excellent, insightful Adam Charles has stepped in to write this week’s entry. Enjoy. Few things have been as equally discussed and deliberated over the past few weeks than that of who Lionsgate was going to choose to take the reigns from Gary Ross to direct the second installment in The Hunger Games franchise. The first film had one of the biggest opening weekends in history (and it didn’t even require 3D price-hikes to get there), earned a positive majority from critics, and has a dedicated fanbase that defies demographic lines of fandom; and they’re chomping at the bit to see the next adaptation in the series, Catching Fire, as quickly as possible. Neither Lucas, Spielberg, or even Peter Jackson’s franchises could replicate just how much of the domestic populous is waiting for the next picture.

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What is Movie News After Dark? It’s a nightly link round-up column that has a severe addiction to ice cream. And Ron Burgundy’s mustache. We begin this evening with a bit of silliness in the form of photographer Federic Chiesa’s 80s horror movie icons as creepy senior citizens. He leaves no stone unturned — from a drunk old Freddie to a homeless, still masked Jason — and has created something quite fun. The creepiest of all of these is the one above, featuring the little girls from The Shining, all grown up. Not the actual girls — at least not that we know of — but creepy, all the same.

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If you’re the sort of person who loves conspiracy theories, hidden meanings, codes, ciphers, clues, and other mysteries that bear unraveling, then Room 237 is right up your alley. Director Rodney Ascher has put together a fascinating movie that will most likely change the way you watch Stanley Kubrick’s The Shining forever, or will at least make you search out some of the things that are discussed in this documentary. Ascher, the director of the hilarious (and creepy) short from The S From Hell about the Screen Gems logo that was shown at Sundance 2010, is behind this clever documentary that mostly uses footage from Stanley Kubrick’s films (including The Shining, of course) to tell the stories of several different interview subjects: who each have a different view of the secret meanings of The Shining.

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Vertigo Title Card

A good beginning credit sequence is really all it takes for me to like a movie. That seems like a really stupid thing to say – but when you think about it, while not all good movies have creative credits, almost all creative credits belong to good movies. It shows that the filmmakers actually cared enough to do something meaningful with their title sequence as opposed to just throwing out some stock effect… After all, the beginning credits are the opening number to a film – the handshake – and if it doesn’t make you excited about what you’re about to watch then there really isn’t a point is there? Here are a collection that got be friggin’ pumped right from the start.

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Awesome Camera Rigs

It’s hard to get excited about something as technical as that thing that makes cameras not fall down on film sets, especially these days, when you can make a successful film without even going through the effort of picking up a camera at all. Even if you are shooting a live action film, thanks to the realism of CGI, computers are now able to put a lens wherever you need it to be – this is why I think we need to take a second to celebrate some of the hard working pieces of lightweight metal that were behind a few of the more bitchin’ shots out there. These rigs got the shot done, computers be damned!

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Every week, Landon Palmer and Cole Abaius log on to their favorite chat client of 1996 as OhDaeSu2039 and CatsandDogsLvng2Gether in order to discuss some topical topic of interest. This week, the duo try to avoid the pitfalls of bad novel adaptations by exploring some of the best. How do you take a work by one and turn it into a work by thousands? How do you appease fans while introducing a new audience to the story? Does it always involve whale genitalia? What are the rules of making a great film adaptation of a book?

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Culture Warrior

This editorial features some spoilers for Hanna and Kick-Ass. Consider yourself warned. In preparation for this post I ran a quick Internet search on child assassins and found this video from New York Magazine. While I wasn’t promised a video exclusively on child assassins here, and instead got something that explores the notion of child killers at large, this video conflates two categories of child killers that I think deserve remarkably different types of consideration. The great majority of killings performed by children in this video are from horror movies. From Rosemary’s Baby to The Omen to The Brood to Firestarter to the other Omen and beyond, the child/killer is an exhaustively repeated horror trope to the point of cliche (and is often confused with the simple overlapping category of “scary children,” like in The Shining and The Sixth Sense). But every so often a child-killer horror film comes along that works in line with the formula (The Children, anyone? Bueller? Okay, how about Let Me In?), reminding us why child killers still have the capacity to be engrossing and entertaining even if they’ve lost the ability to be outright horrifying: because they play on our society’s veneration of childhood innocence, replacing the ignorant bliss of childhood with benevolent, malicious intent to do harm to the much taller individuals that surround them. But child assassins are quite different from the overall category of child killers. And while two recent films in two subsequent spring movie seasons that feature child assassins, […]

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This May, iconic director Stanley Kubrick steps outside his wheelhouse and into a haunted wheelhouse. But can the auteur tackle horror?

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A highly anticipated sequel, Scorsese and De Niro back together, and another from a Japanese legend round out our list of what we’re looking forward to most this year.

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Cinematic Creepy Children

There is nothing creepier than small children. Except clowns. Oh, crap, what if someone makes a horror film featuring child-clowns? We’d be screwed, but until that frightful day, these are the Ten Creepiest Children in Film.

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Officially Cool

I just picked some of my favorites from films like Back to The Future, Shaun of The Dead, Robocop, Eternal Sunshine of The Spotless Mind, Jaws, 2001: A Space Odyssey, The Shining and Being John Malkovich.

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Officially Cool

Anyone who has seen The Shining, should remember the climactic scene of Jack Nicholson breaking through the door with an axe. “Here’s Johnny!”. DeviantArt member KennyDodge has created a desktop to immortalize the scene, but in a very creepy and very cool way.

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What if Top Gun was a love story between Maverick and Ice Man?

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