The Lobster


Yorgos Lanthimos is one of those filmmakers whose reputation proceeds any new movie he makes, but when you first gain worldwide attention by making something as shocking as 2009’s Dogtooth, that’s bound to be the case. It’s not just the content of Dogtooth that made it so memorable to those who watched it though, it was the way in which Lanthimos was able to introduce his viewers to a world that was intensely jarring and disorienting, all while keeping his eye on the human heart of his story and giving the audience just enough of an emotional anchor to hold on to so that the film didn’t degenerate into substanceless shock or absurdity. The same was also true, though probably to a lesser extent, with his 2011 film Alps. Now that he’s getting ready to make his first English-language film with his first cast of familiar Hollywood actors, however, it’s going to be interesting to see what, if anything, changes about his approach to storytelling. He once again wrote the script for his new film, The Lobster, with his regular collaborator, Efthymis Filippou, so one might think that there wouldn’t be too much of a stylistic shift between it and his past work, but, on the other hand, now that there’s a report that Lanthimos’ new film will be starring names as mainstream as Colin Farrell and Rachel Weisz, is it possible that he could be utilizing their talents to make something as weird and niche as his last few […]



Jason Clarke, Lea Seydoux, Ben Whishaw, and Olivia Colman have all joined forces for Greek filmmaker Yorgos Lanthimos‘ first English language film, The Lobster. The futuristic romance is a bit out there, but nothing too strange from the man who brought us 2009’s Dogtooth. In Lanthimos’s dystopian future, being single is illegal and all those caught breaking the law are arrested and transferred to The Hotel. A far cry from The Four Seasons, Deadline Hollywood reports that the hotel guests are forced to find a mate within 45 days; should they fail, they get transformed into an animal and released into the woods. Problem solved! Don’t worry; it’s any animal of their choosing – it’s not like they’re cruel or something. Of course, one of the men taken to the Hotel escapes to the woods and falls in love (with a human? with one of the humans turned animal?), though it’s against all the rules of their society. There’s no word yet on who is playing what role, though it really seems like these four shouldn’t have any problem finding a mate – right? riiiiight? It’s also hard to judge from the simple synopsis what to make of the film’s tone. Billed as an unconventional love story, it has the trappings to either go the deeply sinister route (think about it, a lot of people probably don’t survive in those woods for very long), or darkly comedic (turning people into animals because they’re not married is kind of funny).

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published: 02.01.2015
published: 01.31.2015
published: 01.30.2015
published: 01.30.2015

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