The Last Temptation of Christ

Casino Royale

You’d think it would be self-evident that there’s no way to tell whether a movie is good or bad until actually seeing it, but it’s not always the case. Although it’s increasing in fervor lately, the anticipatory intensity leading up to a movie’s release has always swayed movie fans’ perception one way or the other. Sometimes the pre-conceived notions of a movie’s quality are accurate, sometimes things thought to be sure-thing masterpieces are anything but. Sometimes, things everyone spends months dreading turn out to be terrific; the stellar reviews for The LEGO Movie indicate that it may very well be one of them, and even the Robocop remake, getting some positive early notices, might be one as well. Here are five more movies we all covered our heads for before seeing the light.


The Time of the Doctor

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The Man Who Fell to Earth

Last week, David Bowie released The Next Day, his first album of entirely original music in a decade. That the seemingly retired former glam-space alien suddenly revealed himself to have laid down a full album’s worth of studio sessions in complete secrecy shocked rock journalists and fans of the shape-shifting pop star, inspiring many assessments of Bowie’s career at large and what this album means with respect to it. The Thin White Duke himself seems to be engaging in that exact same conversation, as promotional materials around the album incorporate Bowie’s past iconography: the cover for The Next Day appropriates the 1977 cover of Heroes with a block of white text over it and the word “Heroes” marked out, and the video for the aptly-titled single “The Stars (Are Out Tonight)” features a model imitating 1976-era Bowie and a magazine cover featuring a still of Bowie from the film The Man Who Fell to Earth from the same year. Bowie’s multifaceted personae have become manifest through album covers, live performances, and, of course, his diverse and shifting musical stylings. But Bowie, while hardly a traditional rock star/film star hybrid, has also exercised much of his persona through his selective cinematic appearances, which exhibit his chameleonesque performance capabilities across media. Whether playing a WWI veteran in David Hemmings’s Just a Gigolo, a vampire in Tony Scott’s The Hunger, the Goblin King in Jim Henson’s Labyrinth (my childhood introduction to Bowie), Andy Warhol in Julian Schnabel’s Basquiat, or Nikola Tesla in Christopher […]


Vintage Trailer of the Day Logo

Every day, come rain or shine or internet tubes breaking, Film School Rejects showcases a trailer from the past. This trailer draws a perfect circle in the gravel. It’s a fascinating piece of movie marketing because the tone of the trailer is a tribal fever dream complete with steady drum beats and wild imagery from the desert-set movie itself. All it needs to say to sell you: “Martin Scorsese brings us a startling vision.” Sold. Think you know what it is? Check out the trailer after the jump.



It’s understandable that movie fans are in a bit of an existential crisis – trying to decide whether to watch Airplane! in memory of Leslie Nielsen or to watch The Empire Strikes Back in memory of Irvin Kershner. That’s why we always keep two televisions handy at Reject HQ. It’s also understandable that your hand would race to the E-section of your alphabetized film collection after hearing the sad news about Kershner, but he had a handful of other great films that are worth celebrating. None are quite like Empire (in every way that can be read), but if you’re a fan, you owe it to yourself to peruse his other movies to find something new to love.

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published: 02.01.2015
published: 01.31.2015
published: 01.30.2015
published: 01.30.2015

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