The Last Emperor

Criterion Files

Merry Christmas Mr. Lawrence is a truly unique film by several definitions. Japanese master filmmaker Nagisa Oshima’s first English-language film (and it is worth noting here that much of it is in Japanese) embodies some dense discourses about Japanese identity, yet in many respects this is a film without a nation. But that’s exactly the point, for Merry Christmas Mr. Lawrence embodies a host of contradictions in terms of how we’re used to experiencing films of its relative ilk: it is a film about war, yet it is never about patriotism or combat; it is a film about an intersection of cultures, yet it never seeks to deliver a message of sameness of common ground; and it is a film about sexual tensions between males, yet homosexuality is never explicitly addressed in a way that would place it fittingly in the canon of “queer cinema.”

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published: 04.18.2014
A
published: 04.18.2014
B+
published: 04.17.2014
B-
published: 04.17.2014
D+

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