The Killing Season

If you weren’t a fan of the kiddie nature of Mirror Mirror, screenwriter Evan Daugherty has helped craft the film for you, in a near 10-year process. Daugherty began Snow White and the Hunstman as a pure labor of love. While fellow NYU students were most likely telling the same tales about a struggling artist, Daugherty began to write his epic and serious take on the tale of Snow White, with complete control and freedom, in his dorm room. What he ended up with is a dark and atmosphere-oriented take on the Snow White tale, thanks to the twisting and spinning of the staples of the story we all know. Snow White and The Hunstman, at times, even bridges on becoming a horror film, clearly showing this isn’t your grandfather’s Snow White. Here is what screenwriter Evan Daugherty had to say about the visual wonders and horrors of the Dark Forest, director Rupert Sanders‘s painterly approach, the power of simplicity, and the genesis of this very, very serious Snow White:

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published: 04.16.2014
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published: 04.16.2014
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published: 04.16.2014
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published: 04.14.2014
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