The Internet’s Own Boy

We-Live-in-Public

Last week, National Geographic debuted a three-part documentary special called The ’90s: The Last Great Decade? Although it didn’t spend a lot of time on the rise of the web, the history of that period obviously noted some of the more significant moments in the early days of the Internet’s widespread popularity. There was the dot-com bubble, the breaking of the Clinton/Lewinski scandal on the Drudge Report, the first browser war, the screech of dialup and the reason Apple started naming products starting with a lower-case i. It was a great piece of nostalgia, reminding me that this month marks my own 20th anniversary of using the Internet — an occasion I know of because it coincided with a pre-college program I attended in the summer of 1994. Also last week, the New York Times posted a new Op-Doc by Brian Knappenberger called A Threat to Internet Freedom. The short film tackles the net neutrality issue in a brief yet concise five minutes, and there’s not a better director out there for this particular topic. Knappenberger continues to be the best documentary filmmaker when it comes to presenting histories, biographies and current events and debates of and related to the Internet. In fact, his two most recent features are both among the top 10 documentaries about the Internet. Those and the eight others are all from the past 13 years, none of them produced in the ’90s, and few of them even focus on subject matter pertaining to the net during the 20th century. The further we get from the dawn […]

read more...

It takes a special kind of nerd to walk through the streets of London obsessively looking at the driver of every taxi in the hopes of spotting Tony from the Up films. That was me on Saturday during a brisk walk through the rain on my way to catch a train to Sheffield for this year’s Doc/Fest. Also in that wet walk: a brief stop at Covent Garden for a feeling of disappointment that it doesn’t look as it does in Lindsay Anderson‘s 1957 short Every Day Except Christmas. Or My Fair Lady — because I’m not just into docs. I also stopped into the original Forbidden Planet to look at Doctor Who toys and almost bought a t-shirt that says “Keep Calm and Don’t Blink.” Again, a special kind of nerd. The last time I was in England was 1995, for an art class trip. In those days, I might have been all over the opening night festivities involving a screening of the new concert film Pulp: A Film About Life, Death and Supermarkets followed by Jarvis Cocker spinning records at an after party for three hours. Never mind that I didn’t officially become a Pulp fan until that fall when Different Class came out. I’ll admit that I would still have enjoyed seeing both of those highlights now, but the choices I did make on my first day of the 2014 Sheffield Doc/Fest were quite memorable just the same. I watched a film in a cave, after all. READ MORE AT NONFICS

read more...

evaporating-borders-1

The best film I saw this year at SXSW was not a documentary, but it was made in the style of one. Jemaine Clement and Taika Waititi’s What We Do in the Shadows is a hilarious mockumentary about a foursome of vampires living together as flatmates in Wellington, New Zealand. I mention it not only because I think most doc fans appreciate a good mockumentary but to note the irony since the best documentary I saw this year at SXSW was made in the style of a narrative. Actually, I’m trying to not make that claim these days. I should instead say that it was not made in the conventional documentary style. In general it felt like a weak year for the doc program. I didn’t love any of the jury award winners (some at least make my honorable mentions spotlight below), was disappointed in not only the quality of many premieres (especially the absolutely worthless Wicker Kittens) but also the lack of many bigger buzz titles from Sundance in the festival favorites section (it baffles me that Simon Chinn was in town but without The Green Prince). I didn’t hear a lot of talk of docs I missed, though I left still curious about Yakona, The Immortalists, Print the Legend and definitely PULP, which is pretty much the only music doc I heard any positive chatter for. Due to a few reasons, including the fact that I was covering other stuff for Film School Rejects and because there wasn’t a good vibe anyway, I didn’t see a whole ton of […]

read more...

internets own boy

Barely a year passed between the death of Aaron Swartz and the premiere of a documentary honoring him. Normally something like this quickly turned-around film, The Internet’s Own Boy, would be all respectful tribute and emotional testimony. Much of it is, and on the latter point there is understandably a lot of tears from the interviewees, most of them family and friends who are speaking very soon after Swartz’s suicide in January 2013. But while director Brian Knappenberger primarily offers up a loving, elegiac biography aimed at those who already or will see the subject as a hero, there’s a lot more to this doc than who Swartz was, why he was great and how much of a tragedy it is that he’s no longer around. All of that basic stuff can be sufficiently gleaned from a Wikipedia page, and that’s surely an appropriate place to do so given that Swartz created a similar site of his own as a preteen computer prodigy and continued working on projects devoted to free information over the next 14 years of his short existence. To note some of his achievements, we have Swartz to thank in part for RSS, Reddit and Creative Commons as well as for the defeat of SOPA, the infamous Congressional bill to fight piracy that would have drastically altered the web for the worse. He also became the target of federal prosecutors looking to set an example of deterrence following his arrest for stealing academic articles from JSTOR. And […]

read more...

Meat Loaf and a member of the KISS Army in STAGE FRIGHT

Seems like just two months ago we were knee deep in Sundance coverage, but already we’ve moved on to the next big thing in film festival coverage. SXSW is the annual film/music/interactive extravaganza that draws film, music, and interactive(?) fans from all around the country to descend into Austin, TX for one hell of a good time. We here at FSR come for the movies (and the food and the friends), and this year our team is four strong and ready to rock. And by rock we mean sit in theater seats of varying levels of comfort, enjoy the culinary wonderland that is Austin’s food scene, and hang out with other like-minded characters. This year’s fest features a lot of titles we’re excited to devour with our eyes, but of the dozens of films we’ll be seeing this coming week we’ve narrowed down our top fourteen below. Neil Miller had to be talked out of putting The Raid 2 on here multiple times, Christopher Campbell moved outside his comfort zone to show interest in some narrative films, and Jack Giroux failed to realize that “anticipated” should really refer to movies he hasn’t seen yet. Keep reading to see which fourteen films we’re anticipating most at SXSW 2014.

read more...

aaron swartz documentary

One of the best documentaries of last year is We Are Legion: The Story of the Hacktivists, a film that looks at the history of Internet activists/hackers/pranksters Anonymous while remarkably tying together stuff like LOLCats and the Arab Spring and the Occupy movement (stream it now via Amazon or download from iTunes). Now that doc’s director, Brian Knappenberger, is taking on another web-based story, which will show how the movie WarGames led to the suicide of one of the 21st century’s greatest geniuses. Not that it will put any blame on a 1982 movie starring Matthew Broderick nor focus on that particular chain of events. The Internet’s Own Boy will tell the short life story of computer programmer Aaron Swartz, one of the minds behind numerous Internet-related projects including RSS (at age 14!), Reddit, Markdown, Watchdog.net, and Creative Commons and an activist against SOPA and for WikiLeaks. Sadly, he hung himself in January of this year (at age 26), following two years of being hit with felony charges stemming from illegally accessing and downloading material from the online journal database JSTOR.

read more...
Twitter button
Facebook button
Google+ button
RSS feed

published: 12.19.2014
A-
published: 12.18.2014
C-
published: 12.17.2014
B+


Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3