The Gambler


Though she’s still a spectacularly young lady, Brie Larson has been a presence in the acting world for quite a while now. If you look back at her filmography, her earliest work came in the late 90s, when she must have still been knee-high to a grasshopper. Still, it’s only been in recent years—let’s say since her reoccurring role on TV’s United States of Tara ended—that her career has started to show signs of giving off sparks that are bound to start a fire. Since 2011 Larson has shown potential in head-turning but small roles in things like Rampart, The Spectacular Now, and most recently Don Jon, she proved herself to be likable on a mainstream level by killing it as the main romantic interest in 21 Jump Street, and she proved herself to have the dramatic chops necessary to anchor a film as its star with the small scale drama Short Term 12. Brie Larson isn’t yet a name that many people know, but she’s starting to become a “that girl” that people recognize, and it seems like it’s only a matter of time before she gets that one important role that takes her to the next level and establishes her as one of the hot new faces of young Hollywood. It’s said that cream always rises to the top, after all.


news wahlberg gambler

It’s been hard for Mark Wahlberg these last few years. He’s starred in both of Michael Bay’s most recent movies: this year’s Pain & Gain and next year’s Transformers: Age of Extinction. Standing near explosions, day in and and day out, and all he gets in return is more money than you or I could possibly dream of? It’s a tough life. But things might just be on the up and up for the former Funky Buncher. Variety is reporting that Wahlberg is in talks to star in The Gambler, an update on the 1974 film The Gambler (which, in turn, was based off a Dostoyevsky novel called – you guessed it- “The Gambler”). As well, Rupert Wyatt, last seen directing Rise of the Planet of the Apes, is in talks to direct.


Todd Phillips

After dominating the world with the comedic stylings of three hungover delinquents, Todd Phillips is making the wise decision to transition into serious drama. It makes sense. There’s a whisper thin line between laughs and abject sorrow, especially the kind of laughs that Phillips is used to eliciting, and he’s the kind of storyteller that can almost assuredly handle both with equal skill. According to The Hollywood Reporter, Phillips is about to take over the seat for The Gambler from a huge name in filmmaking. Martin Scorsese was previously planning on directing from a William Monahan script (which is, you know, not a bad partnership), but now Scorsese is out and Phillips is in talks with Paramount to craft a remake of the 1974 Karel Reisz movie starring James Caan as a literature professor who demolishes his own life with a gambling addiction. Obviously, obsessed men with behavioral problems fit right into Phillips’ wheelhouse, but the question is how he’ll work Mr. Creepy into the script. If the Monahan screenplay is still in play, Phillips may have just landed in a hell of a position to surprise a lot of people. Paramount would be wise to draw up the paperwork.


Yes, Martin Scorsese is planning a remake of 1974’s The Gambler with Departed screenwriter William Monahan (and trying hard to get Leonardo DiCaprio in the lead role). Yes, the original’s writer James Toback isn’t happy that he wasn’t told about the project. Yes, he wrote a letter to Deadline saying so. But, with all due respect to Toback and the slight that was committed against him, the boring interpersonal drama of who didn’t call whom is nowhere near as fascinating as the rest of the story that he relates – namely, him selling a very personal script, finding the right lead, and the impact the film had. There are at least a half dozen times in his brief recounting that will draw either genuine laughter, or the kind that comes when no other response will do. His situation with getting his check signed at Paramount is outrageous, but it has this spark of what working in that world can sometimes be like. At any rate, it’s a compelling tale of Hollywood success and confusion that deserves to be read.

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