The Fly

The Weinstein Company

It’s November, which means the air is getting crisp, fallen leaves are crunching beneath people’s feet, and we’re missing all of it because we spend all of our time sitting on the couch watching Netflix. Starting to run out of things in your queue due to your couch prowess? Don’t worry, you won’t have to go outside or anything. New movies are being added to the service all the time, and here we have a list of good ones that have shown up recently. As always, click on the films’ titles to be taken to their Netflix pages. Pick of the Month: Django Unchained (2012) Quentin Tarantino’s first few movies are pretty much universally loved. Not only were they great, they were also at the forefront of a new movement in Hollywood, so they’re guaranteed to be remembered for a long time coming. Around the time he put out Kill Bill things started to change, though. His movies became more about style and less about substance, and the reactions to everything he put out from that point on began to vary quite a bit. Well, for my money, Django Unchained is the best thing this already legendary director has put out since the 90s, which makes it well worth your time. Not only does this movie have plenty of that patented Tarantino style to spare (all the riffs on Spaghetti Westerns, the carefully cultivated pop song soundtrack, etc…), it also deals with heavy subject matter that comes pre-loaded with emotion, […]

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American Werewolf in London

Driven by the full moon, I’ve been moving through the Universal classics at a steady pace, including 1941’s The Wolf Man starring Lon Chaney Jr., as well as its sequels Frankenstein Meets the Wolf Man, House of Frankenstein, House of Dracula and the farcical Abbott and Costello Meet Frankenstein. The transformation of the character of Lawrence Talbot (Chaney) into the Wolf Man was groundbreaking back in the 40s, and it still looks great on screen today. Of course, modern movies employ heavy CG work, often leaving practical effects in the dust. That’s why we are treated to shots of a shirtless Taylor Lautner morphing mid-leap into his baby-mind-raping teen wolf form in the Twilight movies. As effects have gotten more sophisticated, scenes of werewolf transformation have become more fantastical and less realistic. But what would a more “realistic” transformation be like? What would a real Wolf Man be like?

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Universal Pictures

Hey, it’s almost Halloween, so let’s all get ready by putting this on repeat for the rest of the month and talking about some horror movies. Specifically, let’s take a look at the dreaded horror remake. Everyone’s gotten one now — Freddy, Jason, Michael Meyers, and even the freaking Amityville Horror have all seen attempted remakes of their films. Why the hell are the production demons in Hollywood foisting these turds on us? Everyone knows that horror remakes always suck. Except when they don’t, anyway.

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IntroTransformations

There’s really no such thing as pleasant renewal when it comes to metamorphosis in a horror movie – only flesh falling off to expose whatever nightmare lurks beneath. It’s not unlike puberty, actually. Since we’re almost hitting the dark lord’s birthday, I thought we could celebrate by remembering some of the most nauseating horror movie transformations ever mashed onto the screen…

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David Cronenberg

David Cronenberg has made many types of films, but all of them are unmistakably Cronenberg. From B-horror movies to a beat literature adaptation to a film about the working relationship between Freud and Jung, the Canadian filmmaking veteran’s oeuvre exhibits a versatility of subject matter that somehow maintains consistency in style. Cronenberg’s films are known for their complicated portrayals of sex, in-your-face depictions of violence, and unmitigated explorations of human transformation, whether that transformation be from a human to a fly, a patient to a psychologist, or an east coast mobster to a Midwest suburban father. David Cronenberg got his start in underground experimental films, then made interesting low-budget B-movie horror features, and has since risen to prominence as one of North America’s most respected and revered auteurs. In August, the 69-year-old Cronenberg’s 18th feature film will be released, and he may follow it up soon with his first ever sequel. So here’s a bit of free film school from an experienced filmmaker hailing from America’s favorite hat.

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Top-tier director David Cronenberg hasn’t released a movie in four years, so anticipation to see more of his work is kind of at a fever pitch. I know first hand, as I just tried to buy a ticket to a festival showing of his new 2011 release A Dangerous Method and discovered that it was completely sold out. Why is there so much excitement over Cronenberg releasing a new film? Well, it’s because the guy always makes movies that are edgy and cool, and more often than not, they end up also being pretty good. That’s why I was interested to hear that Shock Till You Drop got ahold of Cronenberg while he was doing publicity for A Dangerous Method and asked him about the possibility of doing sequels to a couple of his best films, and his responses were encouraging enough that I thought I’d pass the info along. When asked about the rumors circulating a couple of years ago that he was working on a remake of his 1986 sci-fi/horror classic The Fly, Cronenberg revealed that a reboot wasn’t exactly the real story, but that something a bit more interesting is a possibility. He explained, “The Fly is not exactly a remake, it’s sort of a sequel, kinda. Yeah, that was a thing. I’ve written a script of that, and I don’t know if that’s going to really happen, but that has to do with Fox.” Watching Jeff Goldblum slowly morph into a slobbery fly creature left a […]

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Twenty-five years after its initial release, David Cronenberg’s The Fly is thought to be a modern classic, a highly effective mixture of science, romance, and terror that pulled in a much greater audience than the horror fans looking for a cheap thrill. Cronenberg has always been a director poised on horror as a higher art, a filmmaker who understands the grotesque and how much it is apparent in real life. Some, myself included, call The Fly his master work, and Cronenberg, a very intelligent speaker about all things, not just his own work, has much to offer the viewers of his film and the listeners of the commentary he provides that film. So here, without any further ado or buzz or flitting around your head or what have you, the things we learned from David Cronenberg’s commentary on The Fly.

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Every day, come rain or shine or internet tubes breaking, Film School Rejects showcases a trailer from the past. What’s this trailer working on? A machine that will transport Jeff Goldblum from one side of the room to another. In a word? Teleportation. But the machine demands inner pure. He was not pure. Now, his medicine cabinet has become the Brundle Museum of Natural History. Wanna see what else is inside it? Think you know what it is? Check out the trailer after the jump.

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This week, on a very special episode of Reject Radio, Luke Mullen and Brian Salisbury stop by to dig into the problems of the MPAA, review three terrible awful no-good very bad films, and share with us 6 things they’ve seen on film that they can’t un-see. It’s incredibly effective, and you’ll be moved. Plus, we make jokes about Pepe Le Pew. En Francais.

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For 36 days straight, we’ll be exploring the famous 36 Dramatic Situations by presenting a film that exemplifies each one. From family killing family to prisoners in need of asylum, we brush off the 19th century list in order to remember that it’s still incredibly relevant today.

Whether you’re seeking a degree in Literature, love movies, or just love seeing things explode, our feature should have something for everyone. If it doesn’t, please don’t make us watch as your body parts fall off.

Part 27 of the 36-part series takes a look at “Fatal Imprudence” with The Fly.

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1950sbmoviebanner

Is there anything more worth celebrating than B-movies of the 1950s? The aliens, the UFOs on strings, the rubber-suited monsters. There’s nothing else like it in cinema, and the genre is back in the spotlight with this week’s releases.

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Transformers

Whether it’s a mythical beast or a horrifying monster, we love it when characters change into something right before our eyes. Here’s a look at the best flicks featuring transformations.

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Hold Onto Your Breakfast. It

Hold onto your breakfast. With Neil at Sundance, I can do whatever I want with the site, and I’ve decided to keep it classy by presenting this list of the Best Cinematical Barf Scenes.

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Keanu Reeves’ The Day The Earth Stood Still remake got us thinking about other impending re-imaginings of science fiction classics. That in turn got us thinking about “classic” sci-fi films that should never get remade. Which in turn got us thinking about a few that probably should.

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published: 12.19.2014
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published: 12.18.2014
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published: 12.17.2014
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