The Flash

2014review_tv

Television! The original moving picture-centric method of in-home entertainment. The boob tube has gone through significant changes over the past few years, earning some long-fought-for respect and gifting the world with the kind of bold and original programming that doesn’t always find its way to the big screen. Alternative networks, from Netflix to paid premium channels like HBO, continued to flex their creative muscles, and the result has so far been a new, if not golden, at least silver age of television. Of note: this year’s list is a combination of returning shows that exhibited some extra achievement and newbie series that display significant promise. It’s not perfect — no list is, after all — but it serves to illuminate the shows that, for various reasons, were truly the best of the year. From series approaching the end of their runs to recent debuts that have already impressed us, it’s a massively mixed bag, but the quality is consistent. These are the shows you should be watching.

read more...

The Flash CW

This was a big week for the small-screen spandex set. Three separate comic book series (Agents of S.H.I.E.L.D, The Flash, Arrow) wrapped for a long winter hiatus, and each mid-season finale dropped a bombshell with mass quantities of comic book significance. As well they should. TV superheroes shouldn’t be relegated to the small-fry stuff that characterized Agents in its early episodes (drawing on weighty comic lore like stuff left over from Iron Man 3, stuff left over from The Avengers and a little-known, little-cared for mutant named Scorch). Bigger is better, and comic staples like the Inhumans, The Reverse Flash and the Lazarus Pits are size XXXXXXL. But long are the days when you could make whatever Smallvilles or Blade: The Series and not worry about the larger ramifications. None of what we saw this week exists in a vacuum; even the CW’s output exists in the context of DC having two separate live-action expanded universes coexisting at the same time. So let’s examine how this week’s winter finales might effect the superhero films of tomorrow.

read more...

FOX

The annual passing of Labor Day is more than just a reminder that your favorite shows will be premiering again soon, it’s also a time to rid yourself of seasons and series past, opening up space on both your DVR and in your heart for new shows. Unfortunately, there’s not much this year premiering on promising cable channels like FX and AMC, but there is still a legion of network series vying for your attention. We’ve skimmed through them all and selected the most promising. Get ready to open up that heart of yours.

read more...

Agents of SHIELD Cast

While doing press for the Fargo series, Billy Bob Thornton was asked over and over again why he decided to give TV a try. His answers tend to sum up two main thoughts that he has about the small screen right now: this new wave of great television mirrors the 1990s independent film movement, and currently this is really the only place for adult dramas and comedies. He’s right, and he’s certainly not the first person to say it. Movies for grown-ups are hard to come by at the multiplex, and when they do arrive they don’t do very well  (a lot of them don’t deserve to do well, either). Meanwhile, we’ve got smart and sexy programming up the wazoo on cable and occasionally network TV. Fargo is yet another in the pile that has included True Detective, Top of the Lake, Game of Thrones, Louie, Veep, House of Cards, Girls, Mad Men, Breaking Bad, etc. Everyone knows all about all that. Even though they’re nothing new, Thornton’s comments had me thinking about why those kinds of movies for adults disappeared from theaters. The easy answer is that fewer adults were going to the movies and the lack of a large audience made those kinds of releases unprofitable. And that’s made more room for superhero movies, which are all over the place these days. I don’t think the superheroes chased out the serious drama stuff, which hasn’t completely left movie theaters, and of course each type still has its own season — superheroes in the summertime; awards fodder in […]

read more...

Rex Tyler is your average genius pharmaceutical analyst. He’s got a steady job, an estranged ex-wife and son, and a few latent desires to sneak out at night punch evildoers in the face. So when Rex realizes that the visions he’s had since childhood are actually a form of superpower – he’s actually been seeing events that will occur one hour into the future – he dons a nifty hooded cloak and christens himself “Hourman.” Chances are, you’ve never heard of Hourman, and neither has the vast majority of the civilized world. Not surprising, considering that the DC superhero’s popularity peaked during WWII and hasn’t shown any signs of recovery in the last seventy years. Until now, apparently. The Hollywood Reporter has news that The CW is developing an Hourman series to fall in alongside the network’s Arrow and the upcoming The Flash, with Michael Caleo  (writer for The Sopranos and Ironside) working on the script and executive producing. This is significant news for The CW – Hourman means the network is secure enough in its superhero properties to start taking chances with a character nobody (excluding devoted comic readers and octogenarians) have ever heard of. As well, Hourman seems to mark the beginnings of an interconnected TV superhero world, not unlike what Marvel‘s been doing in film for the past decade or so.

read more...

The Flash

With Batman in the bag and Superman on the way, Warner Bros. is still in the kind of long-term trouble a superhero team understands all too well. Like a group of heroes blindsided by a syndicate of villains that pulled off a world domination ploy, Warners is scrambling to come up with a plan to challenge Marvel Studio’s $1.5 billion The Avengers world take-over. We all know what that plan is: assemble the Justice League movie. We also know the big question Warners is frantically facing right now is how they’re going to do that. The studio can balk at mimicking a competitor’s model all they want, but the way to get everyday non-comic reading people to really care about a Justice League movie is to roll out the individual hero projects first. Warner Brothers can’t assume people want a Justice League movie simply because everyone knows who Batman, Superman and Wonder Woman are, or that post-The Avengers there is a guaranteed appetite for superhero mega-mixes. For a team-up flick to have maximum impact – i.e. maximum box office returns – without sacrificing integrity or quality, Warners needs to build a demand. The only way to do that is construct a road paved with exciting, entertaining, excellent movies (give or take an Iron Man 2 or two) that compound anticipation and audience faith.

read more...

Last week, the utterly shocking news broke that not only was Warner Bros. pursuing a Justice League movie, but it also was in no way at all ever influenced by the unbridled financial success of Marvel’s The Avengers. We can all believe that, can’t we? After all, we read it on the internet. With Man of Steel coming out next year and a no-brainer Batman reboot coming now that Christopher Nolan’s movies are wrapping up this summer, this is an opportunity for Warner Bros. and DC to set a new stage. Plus, with adaptations of The Flash and Lobo, and the potential for a Green Lantern reboot, Warner Bros. and DC have things laid out for them to work out very similar to the pre-Avengers line of films. But this is Hollywood, and so many things can go potentially wrong with a project like this. Here are seven ways Warner Bros. can avoid a potential disaster as they develop this film series.

read more...

Justice League Alex Ross

Sure, The Avengers being really awesome probably had a lot to do with the fact that it’s now the third most money-making movie of all time. But, more than that, the film probably has Marvel’s long term planning to thank for its extreme level of success. Instead of just making a movie about a team of superheroes, Marvel first introduced each member of the team in their own films, they dropped hints about the fact that they would all be coming together at some point, and, when it was all said and done, The Avengers finally premiered after six years of build-up and anticipation. That’s pretty unprecedented. Seeing as they own DC Comics, Warner Bros also has a fairly impressive stable of superheroes at their command. And they’ve even managed to leverage their properties into a bunch of successful animated television shows in the past. But, in recent years, the only character they’ve had any real success with in the live-action feature format is Batman. They’re not even close to doing something with DC’s premier superhero team, The Justice League, that could be on par with what Marvel did with The Avengers.

read more...

Green Lantern and The Flash

It’s become clear that Warner Bros. has a lot of confidence in the Martin Campbell directed Green Lantern movie. They must be seeing something incredible from the Louisiana set. Because putting money into the first film in a B-level superhero franchise is one thing, but starting work on sequel before principal photography is wrapped on the first is something different entirely.

read more...

The Flash

In a big presentation for Time Warner investors this week, Warner Bros. revealed that it is very close to giving the go-ahead on one of their hotly anticipated DC Comics franchises, The Flash.

read more...

This week, on a very special episode of Reject Radio, we talk for three full hours about God Knows What (and The Oscars).

read more...

This has been a pretty crazy week for comic-book movie news hasn’t it? David Goyer is writing the upcoming Superman reboot! One of these five interchangeable young actors (or the guy from The Office) may play Captain America! But now news has hit that trumps both those stories. The Flash may have a director!

read more...

As if it were gift wrapped and sent with chocolates, this story win’s this week’s award for most pun-prone news item. Apparently The Flash movie isn’t moving so fast…

read more...

Officially Cool

I do consider Batman my tie for favorite comic character, tied with Wolverine. So it is really hard to watch this video without getting a little angry, but even harder to watch it and not laugh. Make sure to watch through the credits. It shows Superman and The Hulk picking teams for softball.

read more...

Officially Cool

I may be $20 closer to the poor house, but at least everyone will know I’m a bum with style.

read more...

George Miller’s Justice League of America is coming along in leaps and bounds, they’re even ready to release the cast list! Too bad they are still just rumors.

read more...

post-theflash.jpg

Wedding Crashers director David Dobkin has signed on to helm the solo project for The Flash. Will there be gratuitous sex involved?

read more...
Twitter button
Facebook button
Google+ button
RSS feed

published: 12.19.2014
A-
published: 12.18.2014
C-
published: 12.17.2014
B+


Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3