The Event

For years now NBC has laid dormant in fourth place behind CBS, ABC and FOX. The decline was slow and gradual, but once it became the butt of every Leno/Conan joke and started showing in the networks programming, it became clear that NBC was in a bad place. Then a glimmer of hope shined through, after years of mismanagement at the hands of Jeff Zucker, the network president was kicked out by new parent company Comcast who took over the majority share of NBCUniversal from General Electric this past year. The new bosses first move? Hire people that won’t just seal the cracks in the wall, but instead will take a sledgehammer to the house and build a new one from the ground up. The result? The hiring of former Showtime president Robert Greenblatt. Greenblatt is the man responsible for shows like Weeds, Dexter and Nurse Jackie. So for the first time in years, it looks like NBC has someone behind the wheel who has mastered the art of precision driving. And that bring us today and the recently announced fall 2011-2012 schedule. A schedule that is a… re-tooling to put it lightly. As new Broadcasting Chairman Ted Harbert said at the upfront on Monday, the schedule is “a little less reinvention of the wheel and a lot more Broadcasting 101″ which is probably the best way to describe it. Because what it appears is that the fourth place network is finally embracing the two words they have avoided for years “counter-programming.”

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Continuing with our on-going coverage of all things TV for the next few days, NBC has made yet another pick up announcement for four more series orders. The four pilots that have been picked up to series are “Are You There, Vodka? It’s Me, Chelsea, starring Laura Prepon, Free Agents, starring Hank Azaria, Bent, starring Amanda Peet, and BFF (formerly Best Friends Forever)” according to TV By The Numbers. The astute reader will notice that all of these series are comedies. Could NBC be planning another day worth of prime time comedy in addition to their already stacked Thursday night comedy block? It’s looking very likely. As for the cancellations? The peacock has decided to finally pull the plug on the god awful demon spawn that is The Event. The show has been an absolute mess since day one with a forcefully, and annoyingly convoluted plot. Let this failed show be a sign to all other networks, just because one sci-fi show is successful (LOST), doesn’t mean all of them will be. Of course, that’s not all that got cut.

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With premiere week over I’ve compiled a list of the week’s top premieres from each night. The winner of each night is based upon the quality of the writing, the shows entertainment value and if it’s a new series, the shows sustainability. This year had some extremely heavy hitters and some of the best performances we have seen on the small screen. So without further ado, here are the winners of the FSR Fall 2010 Watch List (please note that this list only applies to shows that started before or during the week of September 19th). Sunday: Boardwalk Empire In what should come as no surprise, Boardwalk Empire was top dog on Sunday. I’m not big into period pieces which is why I really never got into Mad Men, but Scorsese has made me fall in love with the 20′s and Atlantic City. Steve Buscemi is a great lead and a guy I can’t wait to watch every week. If only Scorsese could direct every episode and not just the pilot.

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Now that you’ve gotten your Sunday night fix of Boardwalk Empire, it’s time to move into the beginning of the work/school week. Monday night is a time for action, suspense and comedy from all networks, and there’s plenty of each to behold this year. Many television classics such as 24 and Las Vegas have come out of the worst work day of the week. As I’m sure you’re all just looking to decompress after a hard day, get your DVR remotes handy becomes it’s time for Part II of The FSR Fall 2010 Watch List. THIS LIST IS NOT THE EVENT!

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Lost Cast

Like all of you, I have my own emotional and intellectual response to the Lost finale: its meaning, its significance, and whether or not it was satisfactory. But since Sunday the Interwebs have run the gamut of all possible responses to the show’s farewell night, so my response to Lost instead is a look at what its run may mean for the future of televisual storytelling.

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