The Crying Game

Culture Warrior

Warning: This article contains spoilers for Cabin in the Woods Carol J. Clover‘s 1992 book Men, Women, and Chainsaws was one of the rare academic books to become a hit amongst a larger, dedicated movie-going public. The book introduced the term “final girl” (the virginal “good” female who often becomes the final victim or lone survivor at during the final act of a horror film) into the zeitgeist, and it’s an idea that seems so obvious, and is so pervasive throughout the genre, that the fact that a similar term had never been popularized before was simply confounding. It’s also the central organizing conceit to Drew Goddard and Joss Whedon’s Cabin in the Woods, the most overt act of genre deconstruction to enter multiplexes in quite some time. The final girl does not emerge in Cabin as it does in its normal generic form (as a narrative inevitability, a cliché), but rather Clover’s coined conceptualization of “the final girl” encompassingly structures the film – it is the critique of generic conceit, rather than the routine employment of a generic norm, that acts as Cabin’s narrative impetus.

read more...

The release of Catfish, a movie that will cause you to be beaten to death by the internet if you even mention its name, brings to mind a few movies of the recent past that we couldn’t talk about. These films were more than just big twists. They were entire experiences that audiences, in rare form, decided were too incredible to spoil for anyone. It seems we’re getting farther and farther away from that here in the Information Age, but Catfish (whether or not the hype is deserved) is a great reminder of films that gained mystique because you “had to see them for yourself.” Here are a few of those films.

read more...

We don’t come to mourn Miramax, but to bury you in great films to add to your rental queue.

read more...

Pour one out for one of our favorite studios as it finally sees the end. R.I.P Miramax – 1979 – 2010.

read more...
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Comic-Con 2014
Summer Box Office Prediction Challenge
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3