The Calling

WE ARE THE BEST discs

Welcome back to This Week In Discs! If you see something you like, click on the title to buy it from Amazon. We Are the Best Three girls form a tight friendship over their shared interest in hairstyles, punk music lyrics and remaining true to themselves in a sea of disco-loving, brightly dressed automatons. Two members of the trio have never even held an instrument before, but their infectious determination drives them forward and helps them navigate the all too recognizable perils of being a twelve to fourteen year old. Lukas Moodysson‘s latest film is an absolute pleasure to watch and experience, a rare treat that fully immerses you in a world that’s foreign yet familiar with its story of the time in our lives when we still believed anything and everything was possible. Watching We Are the Best! is a genuinely positive experience, one that leaves you smiling inside and out even days later as you think back not only on scenes from the film but also to memories of your own life and friends from that magical time of your life. Rob Reiner’s Stand By Me said it best — “I never had any friends later on like the ones I had when I was twelve. Jesus, does anyone?” Turns out that sentiment is the same the world over. [Blu-ray/DVD extras: Making of, featurette, photo gallery, trailer]

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Aural Fixation - Large

With The Amazing Spider-Man swinging into theaters this weekend, I wanted to take a moment to look back on past superhero movies – not to analyze the characters, the various actors who have played them, the directors, the reboots, remakes, or re-imaginings – I want to talk about the music. (Because, you know, that’s what we do here.) The music, which accompanies these larger than life films full of cutting edge technology, vehicles, and gadgets, but often sounds like it was pulled straight out of the ‘90s rock scene. I have rounded up five songs from various superhero movies that seem a bit out of place alongside the web slinging, Hulk smashing action on screen. These songs usually end up playing over the film’s credits (and rarely end up in the movie itself), but even as a footnote, these particular tracks never sound quite on par with the films they are featured in. The songs attempt to add to the emotional undertone of the film or provide one last blast of adrenaline as you walk out of the theater, but with all the high octane action seen on screen, it is strange to see these films paired with songs that do not quite match their tone and pacing.

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