The Cabinet of Dr. Caligari

Anna Kendrick in

We’ve made it to December, which hopefully means you have plenty of vacation days coming up with which to curl up next to a fire, throw on some Netflix, and indulge in various boozy nogs. Honestly, you’d be a fool not to spend your month this way, because, baby, it’s cold outside, and a whole bunch of great movies have been made available to stream in the last few weeks. Here’s a list to keep you going. As always, click on the movies’ titles in order to be taken to their Netflix pages. Pick of the Month: Happy Christmas (2014) Looking for a new movie about the holidays to watch this year that isn’t all snowflakes, togetherness, and gooey sentiment? Then Joe Swanberg’s latest release, Happy Christmas, could be just the gift you’ve been dreaming of. Swanberg’s movies always have good stuff in them, and it seems like he’s been threatening to make something that I’d completely love for a while now, and finally Happy Christmas is it. This is a film that’s so dark and introspective and full of awkward social tension that Lena Dunham shows up playing the grounded, easygoing character. Think about that. Anna Kendrick stars, playing a lost soul in her late 20s who’s kind of a brat, and definitely a fuck up, and most of the movie is us watching her behave badly after moving into the basement of her older brother (Swanberg), his wife (Melanie Lynskey), and their new son (Swanberg’s real life, mental […]

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HOUSEBOUND discs

Welcome back to This Week In Discs! If you see something you like, click on the title to buy it from Amazon. Housebound Kylie (Morgana O’Reilly) has made a series of poor decisions of late with the most recent one seeing her sentenced to several months of house arrest in the home where she grew up, and the prospect of living beneath the same roof as her mom is more terrifying than jail. The two clash almost immediately, but their battle of wills is interrupted by the realization that the house may be haunted by the restless spirit of a teenage girl who was murdered there before Kylie’s mom bought the place. With the help of Amos (Glen-Paul Waru), a security guard with a belief in the supernatural, she sets out to identify the murderer and set the trapped spirit free. It should surprise no one that this may not be a wise decision. I’m not sure what New Zealand has been pumping into their water supplies, but this makes the second film from the country this year to deliver an immensely entertaining mix of horror and comedy. The other one, What We Do In the Shadows, puts a much heavier focus on the laughs than it does the thrills, but Housebound is still a frequently funny film that also happens to feature plenty of scares and overall creepiness. The pair will make for a damn fine double feature once they’re both available, but for now fans of high energy scares with […]

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Kino Lorber has been in the specialty DVD/Blu-ray business for years now, but while some labels make their home in niches based on genre (Scream Factory, Synapse Films) or ” important” films (Criterion Collection) Kino’s focus has been on quality world cinema both contemporary and classic. Their various imprints release films as diverse as The Long Goodbye, Elmer Gantry and Burt Reynolds’ Gator. They don’t dabble in horror a lot, but they don’t exactly shy away from the genre either as evident by titles like To All a Goodnight, Jennifer and Nosferatu. Their two latest horror releases — The Bubble and The Cabinet of Dr. Caligari — fall heavy on the classic side as they’re 48 and 94 years old, respectively. The Bubble is the lesser known of the two and features a plot device that will feel familiar to fans of Under the Dome or The Simpsons Movie, while The Cabinet of Dr. Caligari is still regarded as a highly influential film nearly a full century after its release.

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Culture Warrior

Part of the appeal of Christopher Nolan’s Batman films is that the basic conceit informing their aesthetic seems so natural. Batman is one of few major superheroes that isn’t actually a super-hero. Batman mythology, then, lends itself to a degree of plausibility more than, say, Superman or Spider-Man, so why not manifest a vision of Batman that embraces this particular aspect that distinguishes this character from most superhero mythologies? But realism has not been a characteristic that unifies Batman’s many representations in the moving image. Through the eyes of Tim Burton and Joel Schumacher, the Batman of tentpole studio filmmaking has occupied either a world of gothic architecture and shadowy noir, or one of schizophrenic camp. From 1989 to 1997, Batman was interpreted by visionary directors with potent aesthetic approaches, but approaches that did not necessarily aim to root the character within a landscape of exhaustive Nolanesque plausibility.

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From 12 noon on Saturday, October 15 through 12 noon on Sunday, October 16, horror fans will descend on the Grandview Theater in Grandview, Ohio, a suburb of Columbus. The line-up includes 35 mm prints of rare, historic, and foreign films along with trailers, cartoons, and various short subjects. Other activities during the movie marathon will include the annual costume contest and scream contest. Just this weekend, marathon organizers announced the final line-up of films, which includes a rare 35 mm screening of the controversial A Serbian Film, presented unrated and uncut. This will likely be one of the few times horror fans in Ohio will be able to see Srdan Spasojevic‘s international shocker on the big screen. The other anchor film will be the Midwest premiere of Midnight Son. Although Shock Around the Clock is only the third annual horror marathon at the Grandview Theater, these events go back to 1988 with the Night of the Living Drexel 24-hour horror movie marathons. All-night horror marathons struggled to find a home in Columbus during the 90s after the historic Drexel North theater was turned into a drug store and later a health club. Various incarnations of the event took place at different theaters in the central Ohio area, sometimes only in the form of 14-hour marathons from 10 pm until 12 noon the next day. With the opening of the Grandview Theater in 2009, the 24-hour line-up returned.

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Every Sunday in October, Old Ass Movies will be teaming with 31 Days of Horror in order to deliver a horror film that was made before you were born and tell you why you should like this. This week, Old Ass Horror presents one of the first zombie films ever committed to moving pictures – a horrifying man, a troubled hero, and the constant threat of death at the hands of a living dead puppet. Come along as we open up The Cabinet of Dr. Caligari.

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published: 12.23.2014
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published: 12.22.2014
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published: 12.19.2014
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