The Breakfast Club


One major criticism against Disney’s Million Dollar Arm is that it should have focused on the two Indian characters, Dinesh Patel and Rinku Singh (portrayed by Suraj Sharma and Madhur Mittal), rather than white sports agent J.B. Bernstein (Jon Hamm). After all, the real story there is that two young foreigners won a reality show and in turn experienced the American Dream by coming to the U.S. and signing to a major league baseball organization. Focusing on Bernstein has the stink of the “White Man’s Burden” trope, as if he’s a hero for discovering and then saving them from a life of poverty more than they’re heroes on their own for being talented — and, yes, lucky to a degree, but mostly for their own athletic achievement. If only there was a documentary version. As I looked into the making of Million Dollar Arm it made me even more disappointed that one didn’t exist. The project began with sports television producers Neil and Michael Mandt filming Patel and Singh during their 2008 tryouts after they arrived in America. The result of that shoot was a nine-minute short/trailer they sold to the studio. I don’t know that we’ll ever see that footage (maybe on the DVD?), but it’d be great to eventually see it combined with material from the Indian reality show (also called Million Dollar Arm) and news reports and segments like the one from ESPN’s Outside the Lines program below plus proper interviews with the real main characters of this story, which I’m certain would be better told […]



In the new movie Pitch Perfect, a boy (Skylar Astin) introduces a girl (Anna Kendrick) to The Breakfast Club. It’s a believable scene, on it’s own. Even if I don’t necessarily think the 27-year-old John Hughes film, classic status notwithstanding, is a hugely important thing to the generation currently heading into college, I can accept that the guy is a movie soundtrack dork who seemingly loves only titles from before his birth and that she genuinely has never seen it. But it is a bit much that the signature Brat Pack film’s ending, with its iconic Simple Minds tune and Judd Nelson freeze-framed fist thrust, is played over and over, and the film figures so prominently into the romantic plot throughout. It all just feels like something from out of the mind of a thirty-something screenwriter rather than that of these modern-day teen characters. And the movie’s writer, Kay Cannon, is indeed a child of the ’80s and admits that The Breakfast Club is something she loves from her youth. Apparently, though, Say Anything was originally the teen movie of that era to be honored and made fun of in the new a-cappella-based comedy. She also is a big fan of Hughes’s Weird Science but couldn’t make it work. But for kids born around 1995, which is the target audience as well as the roles on screen, aren’t there more relevant films to reference? Maybe Mean Girls, Bring It On, Twilight, Rushmore, Juno, High School Musical, Superbad or — going […]



What is Movie News After Dark? It’s a nightly movie news column that melts in your mouth, not in your hand. It also delivers a taste that doesn’t linger. Because we know you need to sleep soon, and we don’t want to disrupt such an important ritual. Lets be honest with ourselves for a moment. Even though we know that it will be a kindred spirit of Zack Snyder’s 300, we still can’t escape from the fact that Tarsem Singh’s The Immortals looks pretty badass. The evidence of this is all over the place, most notably in a new gallery of Immortals images over at Screen Rant. Tonight’s lead image features Theseus, the hero, vs. a Minotaur. I’ll watch that.


Over Under: A New Perspective on Films New and Old

Seeing as this is the first go around, you might be wondering to yourself what “Over/Under” is, and rightly so. It’s a new weekly column in which I will take to task a film that has gotten more than its fair share of success and praise, and then champion a related film that comparatively gets little play. This isn’t necessarily to say that the first film is bad and the second one good, just that the disparity in love between the two is a wrong that needs to be righted. But if you choose to believe that what I’m writing is more mean-spirited and antagonistic than intended, that’s fine with me too. Let’s spar in the comments; I could use the attention. For our inaugural column we’ll be looking at John Hughes’s 1985 detention drama The Breakfast Club, a film that the teenagers who work for me still mention as being a classic, and David Seltzer’s 1986 nerd meets girl movie Lucas, a film that I can’t get a darn one of those kids to give a chance.


Adam Charles

You’ve stumbled upon Circle of Jerks, our sporadically published, weekly feature in which we ask the questions that really matter to our writers and readers. It’s a time to take a break from our busy lives and revel in the one thing that we all share: a deep, passionate love of movies. If you have a question you’d like answered by the FSR readers and staff, send us an email at This week’s question comes from Managing Editor, Cole Abaius: I recently re-watched Ghostbusters for probably the 10th time in my life, and for the 10th time I loved it. There’s no question that it’s a fantastic, funny comedy, but there was always one scene that never worked for me. It kills an otherwise great moment. I’m talking, of course, about the scene where a ghost unzips Ray’s pants, and he giggles like a schoolgirl. Is it a dream? Does a ghost really fellate Ray? It’s unclear. But it’s clearly awful. It can’t be all bad, though, because it led me to this question: what’s a scene you hate from a movie you love?



For somebody associated with making some of the most resonant teen comedies in modern cinema history, John Hughes still doesn’t receive enough credit—mainly because, before John Hughes, there really was no such thing as the teen comedy.



The man who brought us everything from The Breakfast Club to Ferris Bueller to Home Alone died today at the age of 59. What’s your favorite Hughes film?


Are you the type of person who loves to share movie quotes and one-liners with friends. Who doesn’t love the funny or iconic dialog from their favorite films. Well I found something sure to brighten up your day.


Ever since I took in the film at its world premiere at Sundance in January, I have been curious to see how a studio would market such a documentary. I guess, now we know — you take the subjects, who are a diverse group of high school students from Indiana, and you put them in context with a John Hughes movie.

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published: 01.29.2015
published: 01.28.2015
published: 01.28.2015
published: 01.28.2015

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