The Attorney

discs ERNEST AND CELESTINE

Welcome back to This Week In Discs! If you see something you like, click on the title to buy it from Amazon. Ernest & Celestine Celestine is a young mouse still learning the ways of the world, and part of her ongoing education is learning that the bears who live on the surface above the subterranean city the mice call home are vicious, mean and constantly intent on eating any mouse they come across. She’s never met one, but she sees no reason why mice and bears can’t be friends. She finds her opinion challenged when one of her excursions up top brings her in contact with a bear named Ernest, and soon the two are on an adventure that goes against all the laws of both bear and mouse society. This French award-winner is a whimsical delight from beginning to end as it tells a sweet tale of friendship that doubles as a metaphor for inter-species relations. Maybe I read too much into that part, but it does work as a story about celebrating commonalities instead of fearing differences, and in that regard it’s a big success. The soft animation, complete with unfinished lines and watercolor stylings, creates an immersive and warm world, and scenes like the duo’s garbage can meet-cute and a wonderfully chaotic chase with police show a diversity that the style handles with equal strength. See it with the bear (or mouse) in your life. [Blu-ray/DVD extras: Making of, animatic, interview]

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review the attorney

It’s easy to forget for those of us in the United States that as recently as the mid 1980s South Korea was under a military-led despotic rule. Post-war Korea saw universities and libraries at risk of closure, free speech and freedom of the press curtailed, and the concept of democracy destined to be little more than a dream. That ended less than thirty years ago, but for many South Koreans it must seem like only yesterday. Their action/revenge films may be the ones that most frequently reach our shores, but the Korean film industry also has a subgenre of films exploring this delicate and frightening time in their relatively recent history. Im Sang-soo’s excellent and absurd The President’s Last Bang is one of the more well-known examples, and Yang Woo-seok‘s The Attorney begins roughly around the same time in the late ’70s. Song Woo-seok (Song Kang-ho) is a lawyer whose lack of “proper” education has forced him to be craftier in his trade than those around him. His tactics earn him scorn and derision along with a healthy income, but his thirst for cash takes a backseat when he stumbles into a case involving government-sanctioned torture of Korean citizens. On the surface, The Attorney is a David & Goliath-type tale about a lone lawyer standing up for what’s right against the power and threats of a corrupt police department and legal system. It works well enough on that front to satisfy viewers looking for a dramatically thrilling story, but the film earns […]

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