The Abyss

All this week, Film School Rejects presents a daily dose of our favorite articles from the archive. Originally published in November 2011, David C. Bell explores some of the toughest roads to the big screen for a score of great movies. Most films tend to be technological and logistical nightmares right from the start; clusters of egos working together with complicated equipment in an attempt to capture what is essentially a really elaborate lie tends to be a rather surreal process, so it’s not really surprising to hear that a whole lot of craziness can go down during the making of a movie – however as unsurprising as it may be, it’s still damn entertaining. That’s why DVD documentaries, in my opinion, are like the ultimate kind of reality TV: stick a bunch of millionaire actors, union laborers, and eccentric artists in a room with expensive and possibly life-threatening electrical equipment and you’re surely going to get something worth watching. These are the sets that were no doubt the worst to be party to, and the best to be a fly on the wall for – that is if you happen to be a really sadistic fly.

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IntroFirstContact

There seems to be some kind of popular misconception that if aliens were to land on our planet, they’d somehow want to beat us up. In reality, it’s probably going to be the other way around. Want proof? How about the fact that we assume they’d do it to us. But not every film paints the extraterrestrial as the bad guy, as the following eight clearly show us, good old humanity, as the total asshole side of the exchange.

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In 1989, James Cameron explored the fictional deep in The Abyss, and when he dove nearly 7 miles into the Mariana Trench, he unfortunately didn’t meet any gooey alien-like beings, but he did beat a solo dive record and figuratively witnessed a different world inside our own. But hasn’t that always been the job of a good storyteller? To witness and share other worlds within our own? Cameron is a visionary storyteller, and we have a lot to learn from him even as we enjoy his movies. Here is his TED Talk from 2010 where he discusses his unreal worlds and his limitless curiosity – something that seems incredibly relevant right now.

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What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s newest late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this stuff late at night, what do you expect?

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Every day, come rain or shine or internet tubes breaking, Film School Rejects showcases a trailer from the past. It’s the most original adventure of the summer of 1989. After Terminator, James Cameron chose to hop in a submarine and head down to the only uncharted territory on the planet. A bottomless pit. Two and a half miles straight down. Think you know what it is? Check the trailer out for yourself:

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culturewarrior-digitalcreatures

This week’s Culture Warrior explains why puppet Yoda is far superior to digital Yoda.

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published: 12.23.2014
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published: 12.22.2014
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published: 12.19.2014
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