Ted Danson

The One I Love trailer

The One I Love premiered at this year’s Sundance Film Festival, and it did so to quite a bit of acclaim. Critics saw it as an intelligent and neatly wound little romance — one that happened to be built around a swirling black hole of weirdness. You see, The One I Love has a twist (over at Film.com, our own Kate Erbland wrote that “the film is brisk, funny, smart, and artful, a strong pairing of high concept and relatable storylines”). And the film’s trailer, which dropped today, is more than happy to tell you all about it. “Oh, such a twist it is,” the trailer croons, twirling whatever the movie trailer equivalent is of an elaborate mustache. “You’ve never seen anything like it. It’s revolutionary, I dare say.” Meanwhile, the characters all refer to it in nearly every string of dialogue, while the blurbs praise its Charlie Kaufman-esque ingenuity. The trailer is seriously set on this twist. It just won’t tell us what it is.



The deluge of rumors concerning James Gunn’s Guardians of the Galaxy continues unabated. This time around the source is Comic Book Movie, who says they have a shadowy operative close to the production and his or her latest round of snooping has led them to believe that not only is The Office’s John Krasinski the latest in a parade of actors to read for the role of Peter Quell, but that there’s also a shortlist of actors being considered for the role of the Guardians’ resident green guy, Drax the Destroyer. Rumor has it that Generation Kill actor Brian Patrick Wade; that guy from the Old Spice commercials, Isaiah Mustafa; and former professional wrestler Dave Bautista are all being looked at. Presumably they’re in some Hollywood back lot right now, letting Gunn take test footage of them destroying things.



If you’ve never seen Jonathan Ames’s recently cancelled HBO show Bored to Death, you might want to brush up on the premium cable mystery/comedy show, for costar Ted Danson recently suggested in an interview with French journalist Pierre Lenglas (according to Lenglas’s Twitter account) that a feature-length Bored to Death movie might be in the works. To be fair, nothing official has been announced and, according to Vulture, HBO qualified Danson’s statement my stating that the creators and talent of the show are only in the early stages of conversation. But with Jason Schwartzman and Zack Galifianakis rounding out the show’s cast, a Bored to Death movie might make quite a bit of sense. Bored to Death ran for three seasons from 2009-2011, and chronicled the misadventures of Jonathan Ames (Schwartzman), a struggling writer who becomes an amateur detective in order to get over being dumped by his girlfriend Suzanne (Olivia Thirlby). His best friend Ray (Galifianakis) is a deeply insecure comic book artist who struggles to maintain power in his relationship with his on-again, off-again girlfriend Leah (Heather Burns). Danson plays Ames’s boss, George Christopher, the editor of a New Yorker-style magazine and a ginormous pothead. While the show lost steam for me in its third season, Bored to Death was a clever and surprisingly warm show about the difficulties of commitment, the changes in New York City’s boroughs, the death of the printed word, and narcissism. It’s the type of show that could only have aired on HBO.



We are told early on in Big Miracle that “everybody loves whales!” It’s both an excuse and a rallying cry and, had Ken Kwapis‘ film stuck with its first moniker, it would have also been the title of his latest film. Someone apparently had the foresight to slay that terrible name, but it’s still managed to worm its way into the finished feature, where it’s pronounced earnestly, practically begging for its audience to nod and say, “yep, it’s true – just everybody loves whales.” Strangely enough, it’s that tossed-aside title that sums up Big Miracle quite neatly – earnest, insane, and conducive to crowd participation and (positive) involvement.



What is Movie News After Dark? As per usual, it’s a nightly movie news column that finds a way to get a little silly on Monday nights. It’s mostly weekend hangover related, but also a product of its own environment. On weekend, it plays a clown in a traveling circus. It lives a diverse life like that. We begin tonight with an image of the Monolith from 2001: A Space Odyssey. As you know, Halloween is coming up and we’re all looking for good costume ideas. Over at io9, the nerds from the future have it listed as one of their 20 zero-effort, high-concept Halloween costumes guaranteed to alienate your friends. For those of us who dislike both effort and friends.



Hipster is a term that is difficult to define, mainly because its definition has changed so much over time. The term (arguably) first entered mass culture with the publication of Norman Mailer’s 1957 essay, “The White Negro: Superficial Reflections on the Hipster,” which recounts the rise of the jazz-age hipster from the 1920s-40s and its later manifestation in Beat culture. In this controversial piece, Mailer states, “You can’t interview a hipster because his main goal is to get out of a society which, he thinks, is trying to make everyone over in its own image.” Thus from the very outset early in the twentieth century, the hipster remains elusive in terms of providing a self-definition. The hipster thus became defined instead by those observing from the outside. To self-identify as a hipster in early-mid twentieth century subcultures was to, in effect, not be a hipster at all. Thus, the very definition of a hipster, if we can even call it that, becomes a self-contradicting Catch-22. In the age of jazz and the Beats, hipsterism was a means of deliberately constructed self-identification within an authentic counterculture (though such identification remained purposefully vague to those outside that culture). 20th century subcultures and countercultures have continually defined themselves through association with a certain brand of decidedly non-mainstream music. While the term “hipster” has moved in and out of use, the notion behind it has remained through each decade with each major shift in countercultural expression, from psychadelia to punk to goth to grunge […]



It’s been a long time coming for Steve Guttenberg, or “The Gutt” to his friends. He’s headed back to the big time, back to the marquee… back to the 80s well.



Remember Steve Guttenberg? The comic wit? The smirk? The abnormally well-defined pectoral muscles? No? Well he remembers you, and like that stalker ex-lover of yours he wants back in your life.



Doing a made-for-TV mini-series starring Ted Danson just simply isn’t enough for some people. It was announced this morning that Jack Black will co-produce and star in an adaptation of the classic story Gulliver’s Travels.

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published: 01.25.2015
published: 01.25.2015
published: 01.25.2015
published: 01.24.2015

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