T-Bone Burnett

True Detective Titles

One of the best things about True Detective is the complicated relationship between detectives Rust Cohle (Matthew McConaughey) and Marty Hart (Woody Harrelson) with McConaughey’s Rust working as the perfect philosophical foil to Harrelson’s gregarious man’s man. The two have the ability to rub each other the wrong way personally, but they also make each other better detectives. Viewers who love the relationship between Rust and Marty (and McConaughey and Harrelson) were likely disappointed when the show’s creator, Nic Pizzolatto, announced that not just two, but three, new detectives would be taking the reins in season two, leaving Team Rust/Cohle behind. True Detective will not only be changing up the cast, but also leaving the bayous of Louisiana to explore sun-soaked California. These changes may be less than great news for fans of season one’s location and character dynamic, but this approach is an exciting way to keep the series feeling fresh and expansive from season-to-season. For a series rooted in unraveling mysteries, it makes sense that certain elements need to change to keep viewers on their toes, always guessing and always questioning what may happen next. But there is one element of True Detective that should remain constant – the music.


Another Day Another Time

In a Q&A after a recent screening of Another Day/Another Time: Celebrating the Music of Inside Llewyn Davis, T Bone Burnett was asked why he wanted to create a four hour concert celebrating the music of Joel and Ethan Coen‘s latest film, and Burnett simply replied that he wanted to “keep the movie alive.” To which he quickly added, “Even though that seemed lame.” But Another Day/Another Time is anything but lame — it’s a true celebration of the music featured in, and inspired by, the Coen brothers’ folk odyssey. Burnett, along with Marcus Mumford (who served as an associate music producer on Inside Llewyn Davis and who also appears on the soundtrack), brought together a variety of musicians to put on a concert at New York  City’s Town Hall, which director Christopher Wilcha then turned into a documentary by filming the days leading up to the concert along with the concert itself. Just as Inside Llewyn Davis focuses on the performances and lets the film’s singers play without interruption, Wilcha created a stripped down music documentary that features the performances rather than the stories behind them. Another Day/Another Time gives audiences a front row seat and makes you feel like you are actually in Town Hall, only realizing you’re not when Wilcha slyly cuts from performance footage to shots of rehearsal.


inside llewyn davis 01

Editor’s note: Our review of Inside Llewyn Davis originally ran during this year’s Cannes Film Festival, but we’re re-running it now as the film opens today in limited theatrical release. The eighth In Competition banner for the Coen Brothers at the Cannes Film Festival is their first in six years, since their eventual Best Picture Oscar winner No Country for Old Men. Though there isn’t a chance for the intrepid filmmaking duo to repeat the same success here, the feeling coming out of Inside Llewyn Davis is that the brothers would not have it any other way. Indeed, while terming their latest work the worst thing they’ve put out since The Ladykillers might send alarm bells ringing, when you consider their body of work since — No Country, Burn After Reading, A Serious Man and True Grit – it begins to seem not quite so bitter a pill to swallow. Tackling the New York folk music scene of the 1960s, the Coens’ latest sees the titular character (Oscar Isaac) stumbling through the city by the seat of his pants, trying to make it as a musician in an ostensibly difficult niche. Hopping from sofa to sofa, LLewyn drifts through life, propelled almost singularly by a desire to meet music maestro Bud Grossman (F. Murray Abraham) while his personal life, namely a surprise pregnancy by way of occasional partner Jean (Carey Mulligan), crumbles around him.

Twitter button
Facebook button
Google+ button
RSS feed

published: 01.25.2015
published: 01.25.2015
published: 01.25.2015

Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3