When faced with impending doom, people fit into two camps: fight or flight. Most basic instincts tell them to run from disaster, while risk takers and crazies instead rush right into the line of fire. In film, it’s a lot more exciting to watch those lacking common sense battle Armageddon, pirates, or hired thugs. We pick our sides and sit back as other people fight against an unreal force. However, movies have led us to believe that we must outlive the baddie in less than two and a half hours, or we’ll just become collateral damage. The world coming to an end has such a sense of urgency that it is almost impossible to avoid getting swept away by films like War of the Worlds, Zombieland, and Deep Impact, regardless of quality. Uncontrollable circumstances make it both exciting and unbelievable, but what about the films trying to be more than just an action piece? Romantic relationships shoved into the subplot of any film can feel contrived more often than not, and it’s most noticeably offensive when the world is coming to an end. Using whatever ingrained war skills or developing a game plan for the impending (and completely likely) zombie apocalypse should be priority number one over hanky panky. Or making it out of the dilemma zone of a volcano should take precedent over locking lips. Sometimes sex furthers the plot, rounds out a genre, or is just straight up gratuitous, but sex has its place in action films. However, […]



Let’s face it. The Eyjafjallajokull volcano in Iceland has us all frightened. If not because it’s intimidatingly hard to spell, then because it could have killed a bunch of people. Time to get prepared for next time with a little help from films.



Two writers have been hired by DreamWorks to write a script that makes fun of the incredibly relevant, not at all outdated cultural phenomenon of reality television survivalist shows.

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published: 01.29.2015
published: 01.28.2015
published: 01.28.2015
published: 01.28.2015

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