Sullivan’s Travels

As far as I can tell, regular folk don’t care for movies about movies or films about filmmaking. They used to, back when Hollywood was a more glamourous and idolized place for Americans. Classics like Sunset Boulevard, Singin’ in the Rain, The Bad and the Beautiful and the 1954 version of A Star is Born were among the top-grossing releases of their time. But 60 years later, it seems the only people really interested in stories of Hollywood, actors, directors, screenwriters, et al. are people involved with the film industry — the self-indulgence being one step below all the awards nonsense — and movie geeks, including film critics and fans. If you’re reading Film School Rejects, you’re not one of the aforementioned “regular folk,” and you probably get more of a kick out of stuff like Living in Oblivion, Ed Wood, Get Shorty, State and Main, The Hard Way, The Last Tycoon, The Stunt Man, The Big Picture, The Player, Bowfinger, Who Framed Roger Rabbit? and Argo than those people do. While it is true that The Artist faced the challenge of being a silent film, another major obstacle in the way of box office success must have been its Hollywood setting. Argo isn’t really literally about filmmaking, though, and that might be working in its favor. Ben Affleck‘s period thriller, which is expected to finally take the top spot at the box office this weekend, is about not making a film, so it should have the opposite result of most movies in which […]

read more...

Criterion Files

Of the 600+ films in The Criterion Collection, almost 200 are listed as from the United States. While not all of these films are explicitly thematically based  around life in the US, the American selections for the Collection do make up a mosaic of diverse perspectives on life in this country, proving that there is no sustainable solitary understanding of what it means to be an “American,” but there exists instead an array of possibilities for interpreting American identity. What the American films do have in common, though, is provide proof that excellent films have been made in the US for quite some time. So, after exhausting yourself with Independence Day Parades, firecracker-lighting, and Budweiser, settle down with a great American movie. Here are a dozen great titles from the Criterion Collection about “America” and “freedom” in the many senses of those terms.

read more...
Twitter button
Facebook button
Google+ button
RSS feed

published: 12.19.2014
A-
published: 12.18.2014
C-
published: 12.17.2014
B+
published: 12.15.2014
B


Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3