Sucker Punch

Sucker Punch Movie

Recently, we’ve lived through trailers for Jurassic World, Terminator: Genisys, and Star Wars: Episode VII – The Force Awakens.  Some people are getting way excited, but it’s worth keeping in mind that trailers are built specifically to make the movie look good. Now, we’re not saying anything about the quality of those movies. Just beware before you plunk down your hard-earned cash in case they end up like…

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Like many of my fellow Rejects, I am currently recovering from the insanity that was Fantastic Fest 2011. Over the course of four days I viewed a relatively tame amount of films (10 – I’m not a champ this time around), each one, even the crap ones, expanding my movie watching mind. It shouldn’t come as a surprise that I selected the most sexually involved films I could, pausing briefly for a palate cleanser of adorable in A Boy and His Samurai, and I look forward to sharing some of my insights on the loneliness of loving a sex doll in the coming weeks. But for now, let’s jump right into the eccentricities of loving something we shouldn’t. As a sex writer, I’m constantly asked to voice my opinion on any frisky business ranging from the sweet nibbles of a new lover all the way to the “am I weird for liking this and that?” Typically, I provide a sort of get-out-of-jail-free card by giving a basic of sex-positive response along the lines of “you like what you like” or “your kink isn’t my kink, but your kink is okay” (unless the kink involved is so taboo I have to flip a table and walk away). But last week the same topic kept coming up: The sex appeal of the bad girl. Yes, there’s nothing new in feeling attracted to a girl who can beat you up, take your money, and then kiss you on the cheek before she leaves […]

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Drinking Games

Just because the hot girls in Zach Snyder’s visually assaulting film Sucker Punch aren’t old enough to drink, nothing is stopping you from watching the movie and playing this drinking game… unless you’re as old as the main characters of the film. While Sucker Punch has its ups and downs, it’s a visually interesting flick with plenty of fishnets, stockings, push-up bras and a bad Russian accent courtesy of Carla Gugino. What’s stopping you from watching it on DVD or Blu-ray and knocking back a couple sips of your favorite spirit? You know you want to.

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This Week in DVD

Who’s ready to import some DVDs? Hopefully the answer is “you” because there are two fantastic releases hitting the UK this week available for quick and easy import from AmazonUK. But even if overseas purchases aren’t your bag this is a pretty solid DVD release week on the domestic front as well. Of course some of them are still in a foreign language… As always, if you see something you like, click on the image to buy it. Cold Fish (UK) A mild-mannered pet shop owner leads an uneventful life with his detached 2nd wife and rebellious teen daughter, but when they’re forcibly befriended by a successful competitor they find themselves drawn into a world of corruption, murder, and perversion. Murder, sex, and salt-water aquariums… we’ve all been there haven’t we? This is the latest film from Sion Sono (Suicide Club) and while it shares many themes with his other films it has the distinction of being the first of his to be based on a true story. The film is a slowburn, unless you compare it to the director’s other films, but builds to a gloriously over the top and bloody finale. Check out Cole Abaius’s full review here. *NOTE – This is a UK region 2 release so you’ll need to play it in a region-free player or your computer.*

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Boiling Point

Pointing out the flaws in Hollywood is easy – there are hundreds of them. Unfortunately for the entertainment system, I’m a fan of taking the low road and always pointing those flaws out. After all, it’s not easy to be mad every week without taking a few cheap shots. A child of the 80s, I’m a big fan of action. Guns, knives, swords, bullets, punches, jump kicks, Van Damme, you name it, I dig it. Hell, I’ll watch the shitty UFC/WWE vehicle movies that go straight to DVD just to see somewhere get punched in the eye socket. You’d think action movies would be easy to make and send to theaters. Toss in some fireballs, some blood, some roundhouse kicks – easy, right? Apparently not. I mean, sure, we get good action films every now and then, maybe even once a month – but how many more just fall flat? What’s wrong with Hollywood and action movies when one of the best, if not the best, action movies so far is the animated Kung Fu Panda 2?

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What is Movie News After Dark? It’s a nightly movie news round-up written (at least this evening) by an exhausted, cranky bastard. He is in need of a vacation, which means one of two weeks: he either needs to convince Todd Phillips to let him join The Wolf Pack or he needs to find an appropriately film-themed resort somewhere in the Middle East. As it turns out… The image above image is a concept for a $1 billion dollar Star Trek resort in Jordan to be fashioned by Rubicon Group Holding and themed with the stylings of Gene Roddenberry’s 23rd century, as seen through the lens of J.J. Abrams’ Star Trek. I mention Abrams because the original story references it. It almost feels like developers are ignoring a few years of Star Trek lore there… Alas, it will be extravagant and if it’s got a Captain’s Chair in my suite, I’ll go there. When I can afford to travel to Jordan. I’ve got until 2014 to make it happen.

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The second film of the day, following Midnight in Paris this morning, Sleeping Beauty is the only Australian film included this year, starring Emily Browning (who hopefully won’t be a high-profile casualty of Snyder’s sickly Sucker Punch) as a University student drawn into a mysterious hidden world of beauty and desire. Or at least that’s what the marketing material says. Regardless of what they position this erotic, chiller had already been picking up a lot of buzz, possibly because the official synopsis that I read as part of the bulging press pack (stuffed lovingly into my press PO box this morning) suggested a film about a girl who willingly becomes a Sleeping Beauty – or someone who takes a sleeping pill and allows herself to have “erotic experiences” with “old men” that she has no control over. Funny that, because Browning’s whole role in Sucker Punch can be labelled as overly eroticized and submissive too. Zing!

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Culture Warrior

This editorial features some spoilers for Hanna and Kick-Ass. Consider yourself warned. In preparation for this post I ran a quick Internet search on child assassins and found this video from New York Magazine. While I wasn’t promised a video exclusively on child assassins here, and instead got something that explores the notion of child killers at large, this video conflates two categories of child killers that I think deserve remarkably different types of consideration. The great majority of killings performed by children in this video are from horror movies. From Rosemary’s Baby to The Omen to The Brood to Firestarter to the other Omen and beyond, the child/killer is an exhaustively repeated horror trope to the point of cliche (and is often confused with the simple overlapping category of “scary children,” like in The Shining and The Sixth Sense). But every so often a child-killer horror film comes along that works in line with the formula (The Children, anyone? Bueller? Okay, how about Let Me In?), reminding us why child killers still have the capacity to be engrossing and entertaining even if they’ve lost the ability to be outright horrifying: because they play on our society’s veneration of childhood innocence, replacing the ignorant bliss of childhood with benevolent, malicious intent to do harm to the much taller individuals that surround them. But child assassins are quite different from the overall category of child killers. And while two recent films in two subsequent spring movie seasons that feature child assassins, […]

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What is Movie News After Dark? It’s the hero you need right now; a way to get all the most interesting movie news without having to read through a bunch of padded articles. It’s quick, to the point and personable. An efficient killer of your will to waste time reading a thousand movie blogs before you go to bed. It’s also way into girl power, whatever that means. Hanna director Joe Wright, whose latest film is filled with the legitimate girl-power of a teen assassin played by Saoirse Ronan, has called out director Zack Snyder’s Sucker Punch, saying that the girl-power angle of the film was all “marketing bullshit.”

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The Reject Report

It ain’t Easter, right? It ain’t Easter. It ain’t white rabbit day. Don’t tell Universal that. They’re looking to bring in the golden egg with the seasonal Hop, and there’s a very good chance of that happening. Duncan Jones’s second film, Source Code, and the new horror film from the guys who brought us Saw – thanks, guys to be named later – may have something to say about that, but whatever that is will probably fall on deaf bunny ears. See what I did there? Well, see some more this week with the Reject Report the hollow chocolate bunny edition.

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What is Movie News After Dark? It’s interested only in providing you with movie news, it does not seek to earn your affection. Alright, maybe not your affection, but definitely your obedience. So be a good little soldier and read it every night before you lay your head down to sleep. We open tonight with a peek at the French poster for Terrence Malick’s Tree of Life, which may or may not be debuting in the UK right before it opens at the Cannes Film Festival. All I know is that I’m interested to see it, because reports have been all over the place. And all over the place usually isn’t a bad thing when it comes to a Terrence Malick film.

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Boiling Point

What’s with our current know-everything obsession? With the availability of information on the internet, instantly, it seems we’ve come to demand more, more, more, now, now, now. It’s not just the internet – there’s fast food, instant downloads, and RedBox. Waiting is not something we want to do. Not knowing is not something we want to feel. Well, how about a change? I submit to you sometimes it’s better not to know. Know what? Anything. Everything. Let movies surprise you again. Is it really necessary that we have casting stories not only post every day, but be updated? Do we need to tell people that Amy Adams is Lois Lane and then a few hours later update to let you know it was a cell phone call and not a land line call from Zack Snyder? Is it absolutely necessary that we know Joseph Gordon-Levitt is in  the next Batman film and do we absolutely need fourteen articles guessing what he’ll be doing?

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Sucker Punch feels like Zack Snyder‘s response to all those awkward and sexist nerds he and his cast deal with in Hall-H nearly every year. You know, the ones that can’t help but to shout out how “hot” the actresses are during the panel, and without actually asking any real questions or treating them respectfully. Those nerds are the sideline oppressors of Sucker Punch: the revolting-looking Chef and Mayor, the ones that love seeing their women in degrading and sexualized outfits, but don’t care about how or why they’re in said outfits. As long as they get their joy out of sexy women doing sexy things, and nothing outside the basic titillation, they’ll be happy. This is the subtext that many seem to not talking about from Sucker Punch. Snyder’s work has always been divisive, but never has one of his films been this polarizing, and he knows that. Snyder is well-aware of the response the film has been getting, and he’s the type of self-aware filmmaker who probably expected this type of reaction from day one of shooting. The fact that Sucker Punch isn’t a film for everyone surely must have caused problems along the way, and as Snyder states, the test-screening process was no help in that regard.

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The Reject Report

You have to wonder if Warner Brothers is getting a little nervous about Zack Snyder taking on the Superman franchise next. Not only was his latest film, Sucker Punch, trounced by critics, its “sure-fire” walk to the #1 spot in this weekend’s box office was done away with. It wasn’t the latest blockbuster that beat the sci-fi, action movie out. It wasn’t even a comedy vehicle for someone like Adam Sandler. It was the second film in what is sure to be a lucrative franchise for Fox, the Diary of a Wimpy Kid sequel. Sure, Diary of a Wimpy Kid: Rodrick Rules beat Sucker Punch for the coveted #1 spot. You have to wonder, though, how much of this was the result of Wimpy Kid being such a strong film and how much was the result of Snyder’s latest getting all kinds of poor word of mouth. Diary of a Wimpy Kid opened pretty much in line with expectations, slightly higher than its 2010 predecessor but nowhere near eye-opening. It didn’t even crack $25 million. On the other hand, Sucker Punch performed much poorer than expected. That $30-35-million estimate for the film seemed possible after its $8-million opening Friday. Then its numbers dropped liked a defective blimp. $6.7 million on Saturday and and estimated $4.2 million on Sunday. Likewise, Wimpy Kid’s $7.3 million on Friday rose to over $10 million on Saturday. In fact, Sucker Punch was the only film in release this weekend whose Saturday numbers were poorer than […]

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This piece contains spoilers for Sucker Punch. If you haven’t seen the movie yet, go watch it before diving in. Once the first images hit, or when the first synopsis hit, or maybe even when Zack Snyder dreamed up the concept for Sucker Punch ten years ago – a time bomb was set to explode twice, and it finally did this weekend. The first explosion was the basis for the existence of the movie, and it continued exploding many, many times during the runtime. The second was the question of feminism. Now that the movie is out, it has also exploded. The reactions from before the film was released varied, and they still do. Some see it as feminism merged with geek culture (which assumes geek culture isn’t sexless to begin with). Some see it as an affront to the advancement of women parading in thigh high boots. One who gives a strong argument for the latter is Angie Han of /film, who writes the hell out of an editorial called “On Zack Snyder’s Sucker Punch: Why Ass-Kicking and Empowerment Aren’t Always the Same Thing.” You should absolutely go read it before reading this, although I’ll do my best to condense her arguments (in a fair way) in order to respectfully counter them.

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The Week That Was

What is The Week That Was? Lets take a guess here, shall we? If you’ve been reading this site for a while, you’d know that we put a lot of words on the internet. Chances are that you didn’t have time to sit by your computer screen and wait for every single update. Though if you did, congrats, you’re our favorite. That said, by Saturday the rest of you might be struck with the depressing realization that you didn’t read all of the best articles the FSR staff put together this week. But don’t worry, I’ve got you covered with a round-up of all the best that this site had to offer over the course of the last seven days. Go forth and enjoy.

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Right around ten years ago Zack Snyder had an idea. An idea that would come to take up about thirty seconds of Sucker Punch, but lend to the film its main character, its title, and its sex appeal. That original idea revolved around a girl named Baby Doll who escaped into the recesses of her mind while dancing for some very bad men. He then partnered with his school buddy Steve Shibuya to start working that into a script. Things were probably going pretty okay on that, but they were about to get a lot better when Snyder found himself helming Dawn of the Dead, my personal choice for best zombie movie ever. You heard that right, Romero. Sitting next to Snyder at the press junket, the man did no less than doodle an X-Wing on a pad of paper while talking, as if he needed anything more than Watchmen to solidify his nerd-cred. Before talking about the visually complex Sucker Punch, Snyder, sitting alongside wife and producing partner Debbie, the director took a moment to give us a glimpse into his filmmaking past, revealing as one might expect he was an early overachiever. One of his student films in the basic introductory film classes was a World War I epic, complete with trenches dug by a rented backhoe. Before you get antsy, I’ll tell you what he said about his upcoming Superman movie: nothing. As in, he’s not allowed to speak of it. Duh. What he did express was […]

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This week, Fat Guy Kevin Carr felt so trapped by the weight of the world that he escaped into an amazing world inside his mind. Ironically, this world bore a striking resemblance to Zack Snyder’s Sucker Punch, what with all the scantily clad, kick-ass hotties running around. Once free of oppression, Kevin took his kids to check out the new Diary of a Wimpy Kid movie in a desperate hope for Rachel Harris’s approval.

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Whether you’re trying to avoid the releases this week or augment them with even more movies, Your Alternate Box Office offers some options for movies that would play perfectly alongside of (or instead of) the stuff studios are shoving into the megaplex this weekend. This week features a bunch of lingerie-clad girls killing dragons and giant samurai, the sequel to a wimpy kid’s story, an orphan girl stuck in the middle of the Arab-Israeli conflict (without any lingerie or dragons), and a family’s most intimate secrets made public.

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If you are a movie fan, read this website regularly or have ever heard of Mondo Tees…then you know about their amazing poster series. If not, well go on eBay and take out a mortgage on your house to grab some of the older gems from the past. Mondo Tees is always trying to deliver amazing new prints from amazing new artists, and their newest addition is no different. Sometime later today, Friday March 25th, Mondo will be releasing two versions of a new print inspired by the Zack Snyder film, Sucker Punch. These were created by Ken Taylor, who is one of my favorite Mondo artists. Not only are both of these awesome, but they come with some great news as well. Not too long ago, Mondo released their Director’s Series with a few Guillermo Del Toro prints. I think it’s obvious with this post, but you can expect the newest Director’s Series to be inspired by the films of Zack Snyder. New prints will come from films like DAWN OF THE DEAD, 300, LEGEND OF THE GUARDIANS and WATCHMEN. The details on these other prints haven’t been released yet, but knowing Mondo…you can expect some amazing artists to tackle prints for these visually arresting films. Check out Ken Taylor’s work below:

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published: 12.18.2014
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published: 12.17.2014
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published: 12.15.2014
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published: 12.12.2014
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