Steve Jobs

Danny Boyle and Leonardo DiCaprio For The Beach

The last time we saw Leonardo DiCaprio in a Danny Boyle movie, he was in an internet cafe checking his email. That wouldn’t be such a striking image in most movies, but it is in The Beach, a feature released in 2000 in which the actor spends most of the running time in a secret, self-sustaining Southeast Asia island utopia. And now it’s an interesting place for the actor and director to have left off because, according to The Hollywood Reporter, their next collaboration is probably going to involve a lot computers, and there will likely also be a very significant piece of the movie set in 2000, which is when Apple began work on a little something called iTunes. Yeah, that’s right, this reunion will be for the Steve Jobs biopic written by Aaron Sorkin that David Fincher recently departed. Cue the photoshops of Leo in a black turtleneck. Wait, never mind, there’s the one taken by Terry Richardson for GQ right over here.

read more...

David Fincher

Think back all the way to 2013, when a biopic about a man named Steve Jobs surfaced starring Ashton Kutcher. Okay, now forget that Jobs ever existed because David Fincher and Aaron Sorkin would like to make another biopic about the Apple co-founder like right away, please, if that’s okay with everyone. After tackling the story of one petulant billionaire technology boy king of Silicon Valley with The Social Network, the writing and directing duo would like to conquer the tale of Jobs, based on the best-selling biography written by Walter Isaacson that Sorkin has already finished adapting. Though the story of Apple’s creation and Job’s rise to relevance is already pretty much public knowledge at this point, even if you didn’t see Jobs last year or one of its thousands of inspirational promos, here’s a refresher: Jobs and his friend Steve Wozniak were free-wheelin’ visonaries for a technological industry, who built Apple from the ground up — only for Jobs to have it all taken away when his power became too polarizing. Under Apple and throughout his pretty remarkable life, the tech giant helped revolutionize personal computers, cell phones and music. His volatile personality got him in trouble fairly frequently over the years, getting him ousted from his own company at one point, as mentioned, but he maintained an unapolagetic stance for all of his actions.

read more...

Christopher Nolan

In tonight’s edition of Movie News After Dark, Christopher Nolan and Michael Bay share tools, Captain America starts the march toward more Avengers movies, Steve Jobs gets a tree and YouTube takes a step back in time. Also, The Simpsons…

read more...

Ashton Kutcher in jOBS

While some of might still be holding out for that Aaron Sorkin-penned Steve Jobs biopic, there’s still Joshua Michael Stern‘s Sundance-premiering, Ashton Kutcher-starring jOBS to look forward to. Yet, surely, no one is looking forward to this one quite as much as Kutcher, who looks tickled pink to not only be starring in what sounds like a quality film (sorry, Just Married!), but pretty excited by how much he looks like the Apple founder, as evidenced by a brand new still from the film. We can’t wait for Kutcher to fill out those black turtlenecks later in the film, however. jOBS will serve as the Closing Night Film of the 2013 Sundance Film Festival, and its official fest synopsis tells us: “The true story of one of the greatest entrepreneurs in American history, jOBS chronicles the defining 30 years of Steve Jobs’ life. jOBS is a candid, inspiring and personal portrait of the one who saw things differently.” The film also stars Dermot Mulroney, Josh Gad, Lukas Haas, J.K. Simmons, and Matthew Modine. The film was just picked up for Canadian distribution by Remstar Films, in collaboration with Entertainment One. The film also has Swiss and Italian distribution lined up. While there is no word yet on domestic distribution or release, it seems like a safe bet that won’t last soon, as jOBS will surely sell very soon, likely before it even bows at Sundance. [ComingSoon]

read more...

Aaron Sorkin

Aaron Sorkin‘s Steve Jobs film will consist of only three scenes – and you will love each of them equally, you will cherish their rapid-fire dialogue and wit, you will feel as if you know Steve Jobs and Apple when they end, and you will also probably have to try to remember what in the hell “NeXT” was. Reporting from their own “Hero Summit,” The Daily Beast (via THR and /Film) shares some very interesting details regarding the set-up and structure of Sorkin’s Sony-landed Jobs biopic. Namely, the project will consist of just three scenes. Pardon, Sorkin, can you expound? “This entire movie is going to be three scenes, and three scenes only, that all take place in real time.” Uh huh. But wait! Sorkin’s plan is actually, well, somewhat masterful (hell, the man is an Oscar winner). See, these won’t be just three random scenes, but three thirty-minute scenes that are all set in the lead-up to three major Apple product launches. Those three launches? The original Macintosh computer (1984), the NeXT Cube (1990), and the original iPod (2001). Now if that doesn’t illuminate both Jobs and Apple on one heck of a brilliant, microcosmic level, nothing else will.

read more...

Pixar Character Logo

If there’s any outfit that celebrates the team sport aspect of filmmaking, it’s Pixar. What began as the Graphics Group at LucasFilm has evolved into its own behemoth of wonder and magic. Not just pioneers of technology, they’ve sought to invent in order to put stories out into the world – using computer animation for the ancient purpose of spinning tales and crafting characters. Led by Ed Catmull, the production house (which was bought by Disney in 2006) boasts luminaries like John Lasseter, Brad Bird, Pete Docter, Andrew Stanton, Lee Unkrich and many more. There newest film, Brave, is in theaters this week, so here’s a bit of free film school (for fans and filmmakers alike) from RenderMan and company.

read more...

Tron Uprising

What is Movie News After Dark? It doesn’t matter. Just go with it… We begin tonight with a very cool bit of concept art from Tron: Uprising, the new animated show that has spun off from the Tron: Legacy film and the rebirth of the Tron franchise in general. This feels like a much better idea than a sequel to Legacy, as this universe has always seemed built for animation anyway. To add to the buzz around the show, Gamma Squad has Six Reasons Why You Should Watch Tron: Uprising.

read more...

Movie News: Brian De Palma

What is Movie News After Dark? It’s a nightly column that has been returned to the hands of its rightful owner, for now. But before we get to my triumphant return after a week of vegging out and eating BBQ, lets give a round of applause to Nathan Adams, Luke Mullen, Kate Erbland, Kevin Carr and Robert Fure, who did a wonderful job last week during guest week. I don’t know about you, but I lizzed a few times while reading their work. Lets hope that I can bring the same verve to this week’s return. We begin, of course, with naughty bits… Several new images from Brian De Palma’s Passion this past week, courtesy of the Cannes Film Festival. That includes the above image, depicting a very devious, scantily clad Rachel McAdams burning a hole in my heart of hearts. It’s the eyes that do it. And the stockings. Definitely the stockings.

read more...

In October of last year, Sony picked up the rights to Walter Isaacson‘s biography of Steve Jobs. This was shortly after the Apple CEO’s death and shortly before announcing that their shortlist of screenwriters included Aaron Sorkin – a writer who was once offered a Pixar gig by Jobs and who had previously helped adapt Isaacson’s “Moneyball.” Now, according to a Sony press release, Sorkin is officially on board for what’s being creatively called Steve Jobs. This is stellar news, placing incredible talent next to incredible talent to write about an incredible mind. Isaacson’s biography was thorough (and authorized), and the relative familiarity that Sorkin and Isaacson have (alongside the screenwriter’s past dealings with Jobs) make this team uniquely qualified to deliver a compelling telling worthy of the modern icon. One thing they don’t have? Ashton Kutcher. Which raises the question: with all the talent in the room, what actor deserves a shot at bringing Jobs back to life on the big screen?

read more...

Does that look like Steve Jobs to you? Five Star Institute is hoping it will, but that’s not the most important question. The most important, is whether Ashton Kutcher will actually make a believable Steve Jobs beyond the cosmetic layers. Isn’t that the real worry for Jobs: Get Inspired? That this movie about a recent monumental figure will be plagued by the third of two and a half men? That there will be an inescapable television quality to the whole thing? With Kutcher in the lead and Swing Vote director Joshua Michael Stern at the helm, it seems like an icon like Apple’s former CEO deserves a lot better. Check out the pictures alongside the source and judge for yourself:

read more...

Ashton Kutcher and Steve Jobs

Variety’s Jeff Sneider swears this story is not an April Fool’s joke. If it is, he’s gone quite far to make it happen. For one, Variety isn’t exactly the type of publication one would call “playful,” nor is The Hollywood Reporter, who also confirmed the following story. As it stands, Ashton Kutcher has been cast to play a young Steve Jobs in the indie film Jobs, which Swing Vote helmer Joshua Michael Stern will direct from a script by Matt Whiteley. The film is said to follow the years between Steve Jobs’ founding of Apple to his exile from the company and his return, which ultimately spawned the current resurgence that has led Apple to become the most valuable company on the face of the planet. It’s an interesting bit of casting, as Kutcher certainly resembles a young Steve Jobs, but its unknown yet whether or not he can actually become Mr. Jobs. Time will tell, we suppose. It’s worth noting also that Sony Pictures is developing its own Steve Jobs biopic, based on the bestselling book by Walter Isaacson. As it turns out, Steve Jobs is about to be the new Snow White.

read more...

The Holiday Gift Guide: Books for Movie Lovers

It may shock you to realize that you, dear reader, are a reader. You are reading this right now! Bizarre, right? And, if you can read things on the Internet, you can certainly read things that come in the traditionally accepted reading format, better known as a “book.” And if you can do it, surely the people in your life that you love enough to buy holiday presents for can do it, too! Enter The Holiday Gift Guide, and more specifically, enter this particular contribution: 18 Books for Movie Lovers. So shiny and wrap-able! So easily order-able and ship-able! So key to preventing widespread illiteracy! After the break, check out seventeen (but really eighteen) books for the movie lover in your life for holiday season gift-giving. Unlike some of those other guides, not all of these books hit shelves in the past eleven months, as I stretched beyond just this calendar year to come up with some unexpected literary picks to make your gift-giving that much more original. Did I make an egregious omission? Of course I did. Put your obvious suggestions in the comments. And, hey, if you gift one of these books and it’s a big hit, let us know which one it was. It’s always nice to hear praise. Happy Chrismakwanzakuh, you guys.

read more...

Hell on Wheels

What is Movie News After Dark? It’s preparing for it’s Thanksgiving day off. Lots of movies in its future. So it’s going to make this quick. But don’t worry baby, it isn’t about how long it lasts. It’s about the motion of the ocean. We begin tonight with something very near and dear to my heart: shows that I like. Sure, it’s about television and not movies, but this column, while accused of being many things, has never been accursed of being consistent. Anyway, Vulture is reporting that Hell on Wheels has seen a ratings dip. We need to curb this, people. It’s a damn good show. So watch it and ensure that it doesn’t get cancelled. Seriously. Common is on that show.

read more...

Modern American design and its history have become major preoccupations within contemporary cosmopolitan circles. Gary Hustwit recently finished his third documentary on the subject, Mad Men makes us nostalgically long for clean copy and clear utility, and the death of Steve Jobs brought forth considerations of the important connections between user-friendliness, sleek aesthetics, and the construction of products around human intuition. Making the case that we have still yet to exhaust what continually proves to be a fascinating and increasingly relevant subject, Jason Cohn and Bill Jersey’s historical documentary Eames: The Architect and The Painter traverses the fascinating life of a couple whose contributions broadly determined what modern postwar American life looked and felt like. As narrator James Franco romantically points towards the beginning of the film, Charles Eames was an architect who never got his license, and Ray Eames was a painter who rarely painted. Perhaps the most fascinating aspect of their influential lives was that they rarely operated within the confinements of either of these titles. They couldn’t be pigeonholed as architects, marketers, filmmakers, etc,. And as such, their work reflected an impending new world of convergence where art, commerce, and visual culture all became deeply related during the second half of the twentieth century. The many lives they influenced can be evidenced by the occupational variety of well-regarded professional people who lend their sound bites to the lives of Mr. and Mrs. Eames including filmmaker Paul Schrader, TED founder Richard Saul Wurman, and architect Kevin Roche.

read more...

Culture Warrior

One of the great misconceptions about Hollywood is that it is a liberal institution. Several false assumptions inform this misconception: thinking of “Hollywood” as a monolithic entity in any way besides its shared corporate infrastructure, confusing public endorsements of celebrity politicians by celebrity movie stars as political activism, thinking that left-leaning consumers of movies see Hollywood as representing their political beliefs in any way, selectively reading a limited number of texts (e.g., Green Zone “proves” Hollywood’s liberalism, but every superhero movie ever isn’t proof of its conservatism), and, most importantly, thinking that the most public figures associated with Hollywood (i.e., stars and filmmakers) are Hollywood. This last point I think is one that has continued to be the least considered when such straw man critiques are drawn, because Hollywood here is equated only with its most visible figures who overshadow its intricate but also not-so-shrouded political economy. It’s no mistake that despite the fluctuating numbers of major and minor Hollywood studios in the past 100 years, the most powerful studios, like the biggest banks in the nation, have been referred to as “The Big Five.” And indeed, to the surprise of no one, both Big Fives have had and are continuing a lucrative relationship with one another. Hollywood’s agenda, of course, has always been profit, and the representatives of this ideology are not George Clooney and Matt Damon, but Michael Lynton and Amy Pascal (Chairman/CEO & Co-Chairman, Sony/Columbia), Stephen Blairson (CEO, 20th Century Fox), Brad Grey (Chairman/CEO, Paramount), Ronald Meyer […]

read more...

The Los Angeles Times is reporting that Sony has gathered a shortlist of screenwriters for its Steve Jobs biopic, and that the chief name among them is Aaron Sorkin‘s. Considering his track record and recent success, along with the type and high profile of the project, he might just be the best possible choice out there to capture the balance between jargon and jangling heartstrings. The movie will be based on the book by Jobs biographer Walter Isaacson, but no definite decision has been made on who will be writing it, and it’s unclear as to whether Sorkin is even interested considering he personally knew the subject of the film and has a brand new television project to keep him busy. On the other hand, a movie of this magnitude and emotionality (considering how recently Jobs passed away) might be the kind of challenge needed to attract Sorkin. For some reason, The American President comes to mind. In that, Sorkin crafted a flawed character that was still a major public figure and the central presence in a triumphant story. The tones might be different, but the potential is there for similarities. Maybe a blend of Social Network and American President? Who knows. Either way, Sorkin is a strong choice (if not the strongest).

read more...

Culture Warrior

Amongst the many reactions to Steve Jobs’s death last week, I found one comparison that people drew to be quite compelling. In order to find a fitting historic analogy to illustrate the cultural significance of Jobs’s life, comparisons ran the gamut from Nikola Tesla to, erm, John Lennon (“think different,” I guess?). But several people, including, Roger Ebert, brought to light continuities with Thomas Edison. Edison, like Jobs, was an industrialist: part inventor, mostly capitalist. But specific to his own life, Edison spent most of his career securing patents and making improvements to existing technologies rather than building something from scratch. Edison’s reputation associates him with a great deal more invention than he was actually involved in. I’m not trying to be cynical about Jobs. Far from it. In fact, I’ve been more than a little annoyed with the backlash to consumer mourning about Jobs than any initial hyperbole associated with Jobs’s death in the first place. I don’t give a flying shit about executives in pretty much any industry, but saying “he’s just a CEO” does not negate the great intellectual worth and cultural interest of Jobs himself. Jobs, like Edison, developed a cult of personality that extended well beyond the person.

read more...

Antonio Banderas and Cats

What is Movie News After Dark? It’s about to get a little strange, that’s what it is… We begin tonight with… yes, a picture of Antonio Banderas and a few cats. This should serve as an official warning that tonight’s entry into the Movie News After Dark series may get a little silly. Mr. Banderas recently participated in a “Cat Premiere” of Puss in Boots at the Paramount Lot in LA. I can haz movie premiere? Si, mis amigos. Si.

read more...

Coming just two days after the death of Apple co-founder and chairman Steve Jobs, Sony Pictures is reportedly ironing out a deal for the feature rights for the upcoming biography of the innovator, the simply-titled Steve Jobs. The authorized look at Jobs’ life has been penned by Time managing editor (and former CNN chairman) Walter Isaacson. Mark Gordon (Source Code, Saving Private Ryan, Speed) will produce the project. The film will hopefully only further Sony’s recent track record of spinning real-life business-based bios into massive popular and critical hits (a la The Social Network and Moneyball). Isaacson’s biography of Jobs’ life is surely set to be the definitive piece on the man’s life, comprised of “over 40 interviews with the Apple co-founder and over 100 conversations with friends, family members, colleagues and competitors.” Jobs himself choose Isaacson for the project and gave him his full cooperation. As of mid-August, Jobs had reportedly not read the current draft, so it’s unclear as to how much Jobs had read of the book before his passing. It has been confirmed, however, that Isaacson conducted the last interview Jobs gave before his death, an interview that, on its own, would likely be a hot property. The book was originally supposed to be published in March of next year, before being moved up to November 21, with a final change pushing it to an October 24 publishing date. Jobs’ early years have already gotten the feature treatment, with Martyn Burke’s 1999 television movie Pirates of Silicon […]

read more...

What is Movie News After Dark? It’s sorry that it didn’t send flowers. How was it supposed to know that it was your birthday? It’s only a nightly movie news column.. We being this evening with an image of Joss Whedon directing the shit out of The Avengers alongside Cobie Smulders and Samuel L. Jackson. It’s part of a group of images that hit the web this week. In moving images news, reports are now saying that a trailer for The Avengers will drop on Tuesday, October 11. They just had to beat the new iPhone to the punch, didn’t they?!

read more...
NEXT PAGE  
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Comic-Con 2014
Summer Box Office Prediction Challenge
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3