Steve Burg

In 1983, the California Institute of the Arts, being a liberal arts college in, what was then, a remote part of the Santa Clarita Valley had garnered a few reputations. It was not unusual to see helicopters hovering around the dormitory on weekends because of the “clothes optional” pool (if you enjoyed seeing naked hippy-types). There were also the drugs. It was well known that on the west side of the dorm building was the “fourth floor walk up” which was the only floor not accessible by an elevator. I visited that corridor once and it was like walking into an opium den. The air was thick with marijuana smoke and half of the dorm room doors were open all of the time. However, I believe what CalArts had become most infamous for was their Halloween party. Every year, attending students and alumni who were fortunate to call in early and request tickets would gather in the Main Gallery room for a party that resembled something out of a Hieronymus Bosch painting. You name it; it was there. I can best illustrate with this short story:

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For those of you new to the column, I am revisiting formative events in my life that have made me what I am today: A Special Effects Make Up Artist searching for relevance in the 21st Century. I left my home in a suburb of Gretna, Louisiana, traveled to Valencia, California where I attended the California Institute of the Arts. I am nineteen… Being in college, in California, in 1981, was like being in the front seat of an incredible roller coaster. Unlike how it was in New Orleans, where I would be lucky if I was able to get a hold of a genre magazine like Cinefantastique because it was not consistently available in news stands, now I felt like I was closer to “the hub” than ever. Magazines, trade papers, Hollywood poster stores, all were up to date with what was happening in motion pictures. There was also the benefit of being in one of the two (or three) “preview” cities for new films. Altered States, for instance, had opened in late November rather than at Christmas time when it opened wide, nationally. This, for a fan and initiate to Make Up Effects, was like being at ground zero.

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