Stephen Gaghan

Christoph Waltz and Brad Pitt

Stephen Gaghan isn’t exactly a household name, but he’s a creative type whose work you’re likely familiar with. Not only does he have a hefty screenwriting résumé that includes titles like Rules of Engagement and Traffic, but he was also the writer/director of the George Clooney vehicle, Syriana. Why is this all important? Because The Wrap has news about what his next project is going to be, and it sounds pretty interesting. The film, which is being produced through Lionsgate, is called Candy Shop, and it’s said to be something of a crime thriller. The story’s protagonist is a deep cover operative dedicated to fighting an evil global organization who ends up losing everything and having to give up the life. Retirement doesn’t prove to come too easy though, because soon after he disappears into Brooklyn to live out the rest of his days as a fairly anonymous beat cop, he finds that the exact same organization he was dedicated to bringing down is operating right in his new neighborhood. If that doesn’t sound exciting enough, get a load of the actors that Gaghan is already courting to join his cast…

read more...

Culture Warrior

For the past few weeks, cinephiles, journalists, and critics have been grappling with the notion of what ‘post-9/11 cinema’ is, has been, will be, and/or looks like. What they’ve come up with are a group of wildly different, potentially specious, but ultimately quite fascinating explorations on the relationship between art, commerce, and life – and by ‘life’ I mean, in this case, that rare type of event whose effect takes on an enduringly profound, universally personal, omnipresent ripple. The overwhelming conclusion that most of these observations end with is, rather appropriately and naturally, “I don’t know, but here are some thoughts.” Besides those works of audiovisual media that were directly inspired by, intentionally referenced, or somehow directly related to 9/11, it’s difficult to say exactly what a post-9/11 film is unless one allows for literally every film made afterward to potentially enter such a category. But perhaps we’ve been asking the wrong question.

read more...
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Comic-Con 2014
Summer Box Office Prediction Challenge
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3