Editor’s note: With Tai Chi Zero now officially released in theaters, here is a re-run of our Fantastic Fest review, originally published on September 30, 2012. The martial arts genre has always featured period films fairly prominently, but it seems the Hong Kong and mainland China film industries have made a home there in recent years with no intention of leaving it anytime soon. Truth be told the biggest problem with the pseudo genre is that it’s swallowed Donnie Yen whole. He hasn’t made a contemporary film since 2007’s bone-crackingly brilliant Flash Point! But Yen aside, there are so many of these films that it’s getting difficult to tell them apart. Writer Kuo-fu Chen and director Stephen Fung recognized this fact and set out to tell a tale that would stand apart from the herd. The ace up their sleeve is a visual style that brings slow-mo, onscreen graphics and the inclusion of steam-punk elements to their story of a young man who travels to a remote village to learn a very specific and equally powerful form of martial arts. His quest is interrupted by Western-led intruders bent on leveling the town to make way for a railroad. On paper, and in trailer form, Tai Chi Zero seems like a success, but the end result is a mixed bag of frenetic action, humorous asides and a silliness that just won’t quit.