Star Wars: Episode VII (2015)

Star Wars 7 PosterRelease Date: December 18, 2015

Directed by: J.J. Abrams

Written by: J.J. Abrams, Lawrence Kasdan, George Lucas (characters)

Starring: Harrison Ford, Carrie Fisher, Mark Hamill

Synopsis:

A continuation of the saga created by George Lucas

Boba Fett and Han Solo

One thing I know after seeing Godzilla is Gareth Edwards doesn’t need a good script to deliver a great blockbuster. I don’t think I could even tell you the plot from memory right now, and yet I stand by my opinion that the monster movie reboot was one of the most spectacular and thrilling pieces of cinema released last year. Before that, with Monsters, he wowed me with a tired story recycled from It Happened One Night by throwing in some giant aliens and crafty direction. He could go ahead and make his Star Wars spin-off with no screenplay at all, and I’m sure I’d be happy. But I can’t speak for the rest of the franchise’s fans out there — especially if any overlap with the large group of people who hate what he did with Godzilla – and I certainly can’t speak for Disney and LucasFilm. They need a script, and according to The Hollywood Reporter, they’ve brought in Chris Weitz to deliver.

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LucasFilm

Here’s a difficult revelation for those of us who grew up trusting in George Lucas, regardless of what we think of the Star Wars prequels: the franchise’s creator had ideas plotted out for Episode VII and beyond, but Disney scrapped them all for their upcoming trilogy. In an interview with Cinema Blend to promote Strange Magic, Lucas states that he sold the sequel outlines along with Lucasfilm and the rights to all things Star Wars, and “[Disney] came up to the decision that they didn’t really want to do those. So they made up their own.” On the one hand, maybe they were bad, as in focused on trade agreements or something similarly convoluted. But on the other hand, Lucas devised the Star Wars universe to such an amazing degree back in the beginning that there’s never been anything comparable in terms of movie world-building. Disney already scrapped the expanded universe, and here we have proof that the new guard on the franchise has also dismissed the vision of its originator. Its god, if you will. And that could result in a cracked foundation for Star Wars: The Force Awakens and the rest. 

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movies-of-2015-compendium

As the calendar flipped over from December to January, we gave you a massive list of our 52 most anticipated movies of 2015. And in our own ego-driven madness, we were certain that such a list would serve as the final word on the upcoming films of the new year. As it turns out, everyone is making a list. It’s for good reason: 2015 is about to be one of the most awesome years of movies we’ve seen in a long time. We’ve got huge comic book movies, funky sci-fi, the rebirth of several major franchises and all kinds of stuff in-between. With the largeness of looking off into the horizon in mind, we’d like to share with you some other lists of note in an attempt to provide context, compile a consensus and ultimately just give you a bunch of movies to drool over for the coming year.

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LucasFilm

The start of a new year is the start of new possibilities. As we reflect back on the past year (which we did pretty thoroughly), we also look forward to the year still stretched out in front of us and, in the case of us cinephiles, all the different films that year looks to bring. You never know what surprises await – and that is part of the fun.

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MAN OF STEEL

I want to say I’m sorry. I am one of the many who loved the beginning of Man of Steel enough to say I’d watch a whole movie set on Krypton. Those scenes felt like a new Star Wars episode when they arrived last summer. It was a thrill. But then so did parts of Thor: The Dark World and then Guardians of the Galaxy,and now we’re seeing footage from an actual new Star Wars episode coming soon, and the Man of Steel space opera opening just isn’t as special anymore. I no longer need a feature-length Kryptonian prequel. And I certainly don’t want a television series-length Kryptonian prequel. But reportedly there’s one of the latter in development at SyFy from Man of Steel screenwriter David Goyer. Am I partly to blame for maybe somewhere writing or tweeting about wanting something like this? If so, I apologize. Of course, the success of Gotham is likely more to do with it. That show is about Batman‘s world before Batman exists. Krypton will somewhat similarly be about Superman‘s world before Superman exists. Unlike with Gotham, there will not be a young Superman floating around, occasionally appearing as a reminder that it’s tangentially his origin story while also, more superficially, the start of many of his eventual nemeses. Kal-El, as he’s born on Krypton, quickly departs his planet within his first days of life. We can bet, however, that the show will still offer up some Superman bad guys in their early days, as a few are from or have […]

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Delicate Art of Puppetry

This week we received an email from a filmmaker about his crowdfunding campaign for a feature called The Delicate Art of Puppetry. It’s a high school movie focused on a nerdy kid who is a fledgling puppeteer, and I guess his two hand puppets are sentient and take control of the boy’s life. Yes, once again the puppets are evil, not unlike such cult-classic horror flicks as Magic and the Puppet Master series. That isn’t to say The Delicate Art of Puppetry is a bad idea — in fact, the comedic project shows promise for a low-budget debut — but it got me wondering if a movie could be made featuring puppet characters who are simply characters, not necessarily villains or purposefully bad or edgy, without that movie being a Jim Henson Company production or something involving the late Jim Henson‘s creations. In other words, is there a Muppet monopoly? It should be noted that there are a few distinct categories for puppet-based movies. There are those where the puppets are actually puppets within the movie story, even if they come to life, a la The Delicate Art of Puppetry and The Beaver. There are those where puppets are used as a creature effect, as in the case of Henson-produced or involved works like <strongLabyrinth and Babe or the Star Wars movies and anything featuring the talents of Bob Baker (who just died last week), including Close Encounters of the Third Kind and Bedknobs and Broomsticks. And then there are those where puppetry is a form of animation and puppets make up all the characters, like Team America: […]

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The Matrix Zion Rave

The difference between a 120-minute movie and a 115-minute movie can be surprisingly huge. Pacing and editing are the most underrated parts of the filmmaking process, so it’s baffling when a movie spends a bunch of time on a scene that, in the end, doesn’t even matter. Turns out there’s not really a good technical term for it, except “a bunch of bullshit they put in to pad the runtime or something.” But these are parts of movies that wasted a bunch of your time and you’ll never get it back. Enjoy!

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Star Wars

If you’ve so far avoided checking out the first trailer for Star Wars: Episode VII – The Force Awakens because you don’t consider yourself a fan of one of the most famous, popular and profitable film franchises in cinematic history, well, that’s kind of weird. On the other hand, it’s not too late to get on board with the series, especially since we have an entire year to go until J.J. Abrams’ entry in the franchise zips into a theater near you. That’s plenty of time to catch up on six three films! Not sold on the idea? That’s okay, because we’ve picked out six elements from the first teaser trailer — which is only 88 seconds long — that just might enthrall even the biggest Star Wars novice. Come on, give it a try.

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Walt Disney Studios

The first teaser for J.J. Abrams’ Star Wars: Episode VII – The Force Awakens has finally dropped! (And the “Episode VII” part has apparently been dropped as well.) Now we only have to wait another fifty four weeks for the actual film to open. Little is known about the film’s plot, but much is suspected and rumored. We do know that the story takes place roughly thirty years following the events of Episode VI and that familiar faces (Harrison Ford, Mark Hamill, Carrie Fisher) will be returning alongside newcomers including John Boyega, Adam Driver, Lupita Nyong’o, Oscar Isaac, Domhnall Gleeson and Daisy Ridley. We probably won’t see his face, but Andy Serkis‘ body movements will be on display as well. Check out the first teaser for Star Wars: The Force Awakens below.

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Sandra Bullock in Gravity

A lot of people love the music in Gravity. Our review agreed that “Steven Price’s gorgeous and terrifying score only tie[s] up the film’s peerless technical package.” It even won the Oscar in that category. But there are also a lot of people who hate the music. And then there are people who like the score on its own but aren’t particularly fond of its use in the movie. The main reason given is that Gravity begins with titles regarding the lack of sound in space (not that non-diegetic things should ever be a weight on authenticity). For them, Warner Bros. is looking out. This February, the studio is releasing a two-disc Diamond Luxe Edition Blu-ray of Gravity, which is mostly being touted for its Dolby Atmos audio but which also offers the choice to watch the movie sans score. Called the “Silent Space Version,” this option is labeled a “surprising cinematic experiment.” As far as I can tell, it’s the first of its kind. For a modern sound film release, anyway (for silent cinema, you just mute the whole thing, especially if you’re watching some bad public domain copy). While there are plenty of DVDs and Blu-rays that allow you to watch a movie with just the score, I can’t find any others where you can isolate all except the music. I mean, why would there be? Are there any other movies where we’d want that? In response to the Blu-ray, The Guardian compiled a short list of movies they’d like to see without their soundtracks, […]

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LucasFilm

It’s here. It’s real. It’s no longer the subject of constant fan theorizing. Star Wars: The Force Awakens. It’s… a little unsatisfying, don’t you think? Maybe not- maybe you’re cheering over J. J. Abrams‘ perfect choice of title (and if that’s the case, then lucky you). And maybe the hype surrounding Episode VII was so high that we’d find fault with anything that wasn’t Star Wars: Awww Shit Yeah it’s Luke vs. the Mecha-Wookies. The Force Awakens isn’t the worst title in history (something that will forever be contested- I’ll always hold a spot in my heart for the buffoonishly unscary It’s Alive III: Island of the Alive), but it seems safe to say that the hype surrounding The Force Awakens is more my god, Episode VII has a subtitle and less my god, the Force is awake. We didn’t even know it was napping. There’s another layer to The Force Awakens, though- and whether you’re pro-title or anti-title, it’s hard to deny- it’s an uncanny ringer for all the other sequel subtitles coming out of Hollywood in the last year or two. Specifically, the subtitle world’s most recent trend- Movie: New Era of Something Cool. Seen below are the biggest culprits.

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Film scores

Film series are a great way to tell a story that cannot be contained to a single film. Successful films usually end up getting sequels, but series are stories intended to be digested over the course of several films. The cast will (usually) stay the same throughout a series, but there is another important element that should remain consistent to help link each film to the next – the music. While it is not a requirement to stick with a single composer throughout a series (and sometimes you have no choice but to change things up due to schedules and prior commitments), having a singular musical voice working on a film series helps keep a consistent feeling from film to film. Most film series have kept the same composer throughout the series, and the few that have changed composers from film to film had it fit the story or ultimately ended up returning to the original composer.

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Gwyneth-Paltrow-and-Luke-Wilson-in-The-Royal-Tenenbaums

Whether you’re home for the holidays or sitting shiva after the loss of a loved one, family get-togethers can be rough. Never mind if yours is a “dysfunctional” clan or not. Aren’t they all, anyway? It may be relative, but we all have our family dramas and difficult times when reunited with our most direct relatives. If not, you’re a lucky one, except when it comes to trying to relate to a lot of movies. The rest of us like to see stuff like This Is Where I Leave You for both the identification and the exaggeration, the former allowing us to laugh at ourselves, the latter hopefully leading to an understanding that everything could be worse. Movies about family get-togethers can also be a source of learning. We already relate to the basic experiences, but how much do we connect with the specifics of how the characters survive those events? A bunch of these movies feature complete parallels as far archetypes and plot and jokes, so it would seem they’d be universal. And a lot of the times everyone turns out just fine in the end. So, for your next get-together, perhaps this fall for Thanksgiving or next summer for a road trip or full-on reunion, consider the following steps, each one applicable in the movies and, of course, therefore in real life. 

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We're No Angels

The best movie culture writing from around the internet-o-sphere. There will be a quiz later. Just leave a tab open for us, will ya?

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Swimming With Sharks torture

Being a mentor is tough. You’re putting time into showing a kid the ropes, and what do you get out of it? According to the movies, maybe death. Or at least some non-lethal backstabbing will come about if you’re not lucky. It’s a wonder any of us bother to recruit interns, employees, apprentices, proteges and sidekicks when we know from watching a lot of movies that it’s not a good idea. We’re much better off just doing whatever work they’d have helped with alone and living a longer and more fruitful life. Never mind if we deserve the comeuppance. None of us believe we’re the bad guys, especially when we thought we were actually out for our disciple’s best interest. In the new movie The November Man, it’s Pierce Brosnan who winds up targeted by his former pupil, played by Luke Bracey. The two are spies, Brosnan now retired — until he’s pulled back in for “one more mission,” of course. And in this mission he’s up against a younger fellow to whom he taught everything he knows. Actually, he probably kept at least one thing close to his chest. That’s something else we learn from the movies, that it’s good to hold back from teaching your protege everything, because you’ll need a secret weapon in case he or she comes back to bite the hand that fed. Additionally, the movies teach us seemingly everything we need to know to avoid being betrayed. But if they’re smart, they’re also keeping one thing […]

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Guardians of the Galaxy Abduction

One of the burning questions left at the end of Guardians of the Galaxy concerns Peter Quill/Star-Lord’s (Chris Pratt) father. Who is he? What is he? With a sequel already in the works, due in 2017, the apparent certainty is that Guardians of the Galaxy 2 will either answer the question or at least address it more in full. But does it have to? Must it? Can it not, please? I’d like to address Marvel’s Kevin Feige and Guardians of the Galaxy co-writer/director James Gunn here and simply plead that whoever and whatever Star-Lord’s father is to keep him out of the next movie and any installment of the greater MCU franchise. Here’s what we know: Peter Quill was raised by his mother and possibly grandfather, never knowing who his real dad is or was. Around the age of 10, his mother died and he was immediately abducted via spaceship captained by a blue-skinned alien who would become a sort of father figure. About 25 years later, he still hasn’t met his pops, but it’s definite that the guy came from outer space. Quill’s mom said his dad was an angel made out of light. Later we hear that Quill is half-human and half some unknown cosmic entity. It’s a hybridization quality that heroes have had since heroes were first conceived. He’s basically a demigod, not unlike Hercules.* Maybe Quill’s father is some character we haven’t yet met. A notable hero or villain. Or maybe he’s actually just the kid of Yondu (Michael […]

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Spaceballs Barf and Lone Star

Marvel’s Guardians of the Galaxy is a movie where we could go on and on with relevant recommended titles. Its main hero, Star-Lord (Chris Pratt), is a guy who spent his first 10 years on Earth enjoying a lot of movies and music. He’s a good representation of many people his age who are still Earthbound, because he’s focally nostalgic for ’80s pop culture and is always ready to make a reference to Teenage Mutant Ninja Turtles or some other property that existed prior to his abduction in 1988 by the space pirates known as the Ravages. In addition to the direct allusions spoken or spotted on screen (it’s cool that Star-Lord is familiar with a classic like The Maltese Falcon and apparently had an ALF sticker in his backpack when taken), the movie is highly influenced by past movies, with some big antecedents such as Star Wars and Raiders of the Lost Ark being too popular to bother including. And of course Guardians of the Galaxy is also reminiscent of the many followers of those two George Lucas productions. As John Gholson notes in his spot-on comic-strip review, the new Marvel movie “has more in common with Star Wars wannabes,” as he features posters for four examples: Ice Pirates, Battle Beyond the Stars, Serenity and The Last Starfighter. On top of all the movies we could urge the fans go back and watch, this release had me wanting to also do a whole list of TV series to watch after you’ve seen it. […]

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Star Wars

This may come as a surprise to you (if, say, you haven’t gone online, spoken to an acquaintance or left the comfy confines of the rock you live under for several days), but another intrepid soul has claimed to have the keys to J.J. Abrams‘s mystery box. The secrets held inside? Significant story chunks from Star Wars: Episode VII. Earlier today, we referred to this leak as “ridiculous-sounding plot details,” and that’s just about as accurate as accurate could be. But for the sake of blindly trudging into the unknown, let’s take a look at these ridiculous details anyway. Also, if any of this turns out to be legit, it will count as a SPOILER, but it’ll really only spoil the first five minutes or so. Maybe 10.

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Star-Wars-7-X-Wing

Yet again, J.J. Abrams is wagging the dog by sharing something official in the wake of a great rumor being spread. Although I doubt that this reveal of an X-Wing fighter built for Star Wars: Episode VII is truly in response to ridiculous-sounding plot details leaked over the weekend, it’s otherwise a nice diversion. The video below isn’t just a first look at a vehicle for advance marketing sake; it’s the latest and final piece of promotion for the Force for Change charity drive for UNICEF run via Omaze. Recall in the past we shared the video introducing a new non-CG character. Now Abrams is back to show us something a lot more familiar just days before the effort ends. Force for Change is kind of like a Kickstarter campaign but since Disney doesn’t need money to make a Star Wars movie, your pledges go to a better cause than a film production. Yet there are still similar incentives (and raffle prizes) here, such as exclusive apparel, a Chewbacca bust and private advance screenings of Episode VII, plus the best of all: a chance to win a trip to the set and actually get to appear in the movie. Watch Abrams tell you about Force for Change while you gaze upon the beautiful but beat-up X-Wing below.

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Pip Andersen and Crystal Clarke for Star Wars 7

Misdirection. It’s the classic technique of going “HEY LOOK OVER THERE” while secretly preparing an elaborate magic trick and/or hiding the garbage bags containing your neighbor’s corpse. But misdirection isn’t just used by magician serial killers anymore. Now, even the folks at LucasFilm have employed this tried-and-true method in the latest casting development for Star Wars: Episode VII. Yesterday, the company put out a press release announcing to the world that the long process of holding open casting calls and scouring through millions of young actors mesmerized by the words “Star” and Wars” has paid off. Officially joining the cast are two unknowns: Crystal Clarke and Pip Andersen. Clarke, an American acting student, will make her feature debut in next year’s The Moon and the Sun, the I-desperately-hope-it’s-true story of King Louis XIV, and how his “quest for immortality leads him to capture and steal a mermaid’s life force.” Fingers crossed on that one. Andersen, on the other hand, was a competitor on MTV’s Ultimate Parkour Challenge. Less impressive, but for all we know Ultimate Parkour Challenge had an episode where the contestants had to reenact scenes from the original Star Wars films while also flipping between a series of really tall dumpsters. So Disney stood up and shouted, “Look! Look at these ridiculously good-looking young people! Watch as they do parkour!” (And yes, the press release did link to a Sony ad where Andersen wears a Spider-Man outfit under his clothes and does backflips in and out of various buildings.) And […]

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