Stagecoach

goodfellastable

This week’s list of movies to watch is not inspired by a single new release, because there isn’t anything big enough out this weekend to warrant such a focus. Instead, I’ve got a year-end feature for you inspired by the entirety of 2013 in film. I can’t sum up every title released this year with only ten recommendations, but the movies I’ve selected are, I believe, the best representatives of the more notable titles and trends seen in the past dozen months. Most of the selections are familiar. Chances are you’ve seen more than a few. But obviously this edition has to involve more popular fare because they have to be influential movies to have informed so much of this year’s crop, even if unintentionally. Just take it as a call to watch them again, along with whatever you haven’t seen before, as a special sort of year in review of the most important movies of 2013 released before 2013.

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riddick 4

Initially I set out to compile a list of specific movies to watch after you’ve seen Riddick, in the same fashion as I’ve done for other new releases. But in an attempt to pick out titles worth recommending, I couldn’t choose. The thing about Riddick is that it’s not too directly derivative of any individual precursors. While the original movie in the franchise, Pitch Black, could mostly be traced back to 3:10 to Yuma given its central setup involving a prisoner transport plot, Riddick is more of a typical Western with tropes found in too many examples to mention. Part of the problem might be that it’s kind of all over the place. In the first act we follow Riddick (Vin Diesel) through a solo outing on a desolate planet. He faces trials of survival against monsters, making the early section more like a Harryhausen movie than a cowboy flick, though I guess that means a nod to Jim O’Connolly’s The Valley of Gwangi is in order, and going back further The Beast of Hollow Mountain, which features effects by Harryhausen mentor Willis O’Brien. Both of these deal with dinosaurs in the Old West. There’s also Tremors 4: The Legend Begins, which is a prequel revealing how the subterranean Graboids (or “dirt dragons”) were around as far back as 1889.

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Culture Warrior

It’s become common wisdom to say that the best remakes are those made of non-canonical, non-classic films; that is, it’s typically better to give a second go to a film that – while possibly venerated, is hardly deemed a work of perfection that can’t be improved upon – than to redo a classic. Such a rule isn’t set in stone, of course, but it can be argued through example via some of the most celebrated of remakes (like The Thing or, in a more modest and more recent example of improvement-on-imperfection, The Crazies), and are often a result of a genuine inspiration from the source material rather than a simple means of capitalizing from its name. With the Coen brothers’ quite popular and much celebrated remake of True Grit, however, the distinction of what kind of a remake it is isn’t exactly so clear, as what kind of movie the original is proves to be something of an enigma in of itself.

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An Irish-American named Sean Thornton (John Wayne) leaves his broken boxing life behind for Ireland to take back his family farm, he meets and falls for Mary Kate Danaher (Maureen O’Hara).

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This week’s Culture Warrior is getting its bunker ready for Y2K.

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published: 11.21.2014
D
published: 11.21.2014
B+
published: 11.19.2014
C+
published: 11.19.2014
B-, C


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