Spirituality

This week, on a very special episode of Reject Radio, we wave our wands goodbye to Harry Potter as he and The Deathly Hallows Part 2 check into theaters for the last time this weekend. We speak with “One Fine Potion: The Literary Magic of Harry Potter” author Dr. Greg Garrett to try to unravel the wizard’s cultural (and spiritual) impact, we get a few fond memories from major Potter fans, and we review the film. Plus, Hunter and Fure finally square off in a Movie News Pop Quiz that will be written about in books for at least three to four days. Listen Here: Download This Episode

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“Rife with honest moments, spurred by Farmiga-the-filmmaker’s keen eye for shading various relationships in loving, authentic ways, the film transcends the specificity of its setting to evoke the joys and pains of everyday life, and the proverbial search for the meaning behind it.” That’s how our very own Robert Levin describes Vera Farmiga’s directorial debut Higher Ground. Clearly he was one of the many who fell in love with it at Sundance earlier this year. Now you have a chance to fall in love with it by checking out the trailer:

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Each Rosh Hashana and Yom Kippur, the most important holidays on the Jewish calendar, there’s an extraordinary prayer read in synagogue. Called the “Unetanneh Tokef,” it evokes the awesome power of judgment day, extolling God’s capacity for punishment, his propensity for mercy and man’s insignificance in the face of it all. I thought of the third part of that prayer while watching The Tree of Life, Terrence Malick’s ambitious, meditative stab at codifying the cosmos. It gets close to the essence of the reclusive auteur’s much-anticipated new picture: “A man’s origin is from dust and his destiny is back to dust. At risk of his life he earns his bread; he is likened to a broken shard, withering grass, a fading flower, a passing shade, a dissipating cloud, a blowing wind, flying dust, and a fleeting dream.” In paralleling the origins of the universe with flashes from the everyday 1950s childhood of a young boy from Waco, Texas, Malick’s film captures the ethereal nature of life. Beginning with the Big Bang and the dinosaurs and cycling through Jack O’Brien’s (Sean Penn) memories of his youth — of ballgames on the lawn during muggy summer nights, his younger brother’s warm gaze, contentious family dinners and the first stirrings of sexual feelings — Malick offers one man’s story writ large and small.

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published: 11.26.2014
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published: 11.26.2014
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published: 11.21.2014
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published: 11.21.2014
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