So You Think You Can Dance

Broadway shows haven’t always made the smoothest of transitions to the big-screen, but Adam Shankman’s Rock of Ages delivers an adaptation that’s bizarre and its own sexually-suggestive summer feature: from showcasing star Tom Cruise’s bare ass to backing Cruise’s choice of venue for an out-there rendition of Foreigner’s “I Want to Know What Love Is” – Malin Akerman’s posterior – Shankman takes the material and stuffs as much as he can into it. These choices represent the work he hopes to keep making – distinctive and not what most would consider to be the norm, box office be damned. Shankman’s been enough of a commercial hitmaker throughout his career to earn the freedom to make those oddball choices, having cranked out a series of box-office success, from Bringing Down the House all the way to The Pacifier. As Shankman tells us, those gems are the type of learning experiences which led him to making Rock of Ages and Hairspray. Here’s what Adam Shankman had to say about the journey from Juilliard to Rock of Ages, how a work for hire can be more informative than a passion project, and highlighting how enthusiasm can make up for – or even overshadow – hard-won experience:

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