What happens when a legendary film critic brings is geriatric crankiness to an internet movie show? Film Jockeys follows the adventures of Carl Barker, his far-too-young production staff, the filmmakers and the movie characters that inhabit their world. Written and illustrated by Derek Bacon, it’s the perfect webcomic for passionate film fans who also love arguing about what movies got hosed during Awards Season. For your consideration, Episode #5:


The Deep Blue Sea

Well, here we go. This was the first of many a week that will keep us on our toes with a number of different awards announcements, from the critics and other precursors to the narrowing of individual Oscar categories.  We got an interesting batch of awards from the National Board of Review and an equally independent-minded assortment from the New York Film Critics Circle. Put that together with the Academy short list for Best Documentary Feature, and it’s been quite the kick-off. And, as usual, not everyone was happy. It’s not awards season unless someone is out there shouting “snub!” Let’s start with the NYFCC and the handful of unexpected choices that they made in their very long, deliberate process. Rachel Weisz came seemingly out of nowhere to win Best Actress, quite the surprise to all but the most imaginative and intelligent pundits. What did this mean? Is there lack of excitement around other, more obvious contenders? Of course, it simply means that a lot of NYC critics saw The Deep Blue Sea and loved Weisz’s performance. Yet that’s not particularly exciting to delve into, especially if you didn’t like the film.


The Power of Snub

Calm down everyone. The Academy Award Nominations got it right. Just because the voters went a different way than the public doesn’t make them wrong, and Josh Radde tells us why.

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published: 12.19.2014
published: 12.18.2014
published: 12.17.2014

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