Spaceballs Barf and Lone Star

Marvel’s Guardians of the Galaxy is a movie where we could go on and on with relevant recommended titles. Its main hero, Star-Lord (Chris Pratt), is a guy who spent his first 10 years on Earth enjoying a lot of movies and music. He’s a good representation of many people his age who are still Earthbound, because he’s focally nostalgic for ’80s pop culture and is always ready to make a reference to Teenage Mutant Ninja Turtles or some other property that existed prior to his abduction in 1988 by the space pirates known as the Ravages. In addition to the direct allusions spoken or spotted on screen (it’s cool that Star-Lord is familiar with a classic like The Maltese Falcon and apparently had an ALF sticker in his backpack when taken), the movie is highly influenced by past movies, with some big antecedents such as Star Wars and Raiders of the Lost Ark being too popular to bother including. And of course Guardians of the Galaxy is also reminiscent of the many followers of those two George Lucas productions. As John Gholson notes in his spot-on comic-strip review, the new Marvel movie “has more in common with Star Wars wannabes,” as he features posters for four examples: Ice Pirates, Battle Beyond the Stars, Serenity and The Last Starfighter. On top of all the movies we could urge the fans go back and watch, this release had me wanting to also do a whole list of TV series to watch after you’ve seen it. […]


Tyler Bates

If you have ever grabbed your arm rest in fright while watching the recent Halloween remake or buried your face in your scarf (as I often do during the scary parts of movies) when a particular stanza in the Dawn of the Dead score made you jump, you are already familiar with composer Tyler Bates‘ work. With Halloween upon us, I thought it only appropriate to sit down with Bates to pick his brain about all things horror from his favorite scary movies to what he loves about composing for them to his favorite Halloween memories (and costumes.) Read on to hear about his experience working with directors Rob Zombie and Neil Marshall, how his early exposure to horror films may have set his current career in motion, and what may happen when you attend a wedding on Halloween.


31 Days of Horror - October 2011

We continue our journey through a month of frightening, bloody and violent films. For more, check out our 31 Days of Horror homepage. Synopsis: A small town becomes ground zero to an alien invasion, which reaches Earth in the form of alien slugs on a chunk of space rock. After the meteor lands in the woods, a local big shot Grant Grant (Michael Rooker) becomes infected with the alien parasite, which controls his body and memories. It’s a story we’ve seen many times before, and understandably so. Director James Gunn creates a loving homage to movies like Invasion of the Body Snatchers, The Blob and Night of the Creeps, in which the small-town sheriff Bill Pardy (Nathan Fillion) must battle an onslaught of infected, zombified humans while trying to stop the spread of the parasite to the rest of the world. Helping the sheriff is his long-time crush and girl next door Starla (Elizabeth Banks), who also happens to be married to patient zero.


From 12 noon on Saturday, October 15 through 12 noon on Sunday, October 16, horror fans will descend on the Grandview Theater in Grandview, Ohio, a suburb of Columbus. The line-up includes 35 mm prints of rare, historic, and foreign films along with trailers, cartoons, and various short subjects. Other activities during the movie marathon will include the annual costume contest and scream contest. Just this weekend, marathon organizers announced the final line-up of films, which includes a rare 35 mm screening of the controversial A Serbian Film, presented unrated and uncut. This will likely be one of the few times horror fans in Ohio will be able to see Srdan Spasojevic‘s international shocker on the big screen. The other anchor film will be the Midwest premiere of Midnight Son. Although Shock Around the Clock is only the third annual horror marathon at the Grandview Theater, these events go back to 1988 with the Night of the Living Drexel 24-hour horror movie marathons. All-night horror marathons struggled to find a home in Columbus during the 90s after the historic Drexel North theater was turned into a drug store and later a health club. Various incarnations of the event took place at different theaters in the central Ohio area, sometimes only in the form of 14-hour marathons from 10 pm until 12 noon the next day. With the opening of the Grandview Theater in 2009, the 24-hour line-up returned.


Super isn’t tied to the world of comics. Writer/director James Gunn didn’t make a satire or a spoof; instead Super is its own extremist beast. The Taxi Driver-inspired religious tale is a gritty, dirty, and dark comedy that just so happens to have the leads sporting superhero costumes. These aren’t your fluffy and perfect men-in-tights leads, but some seriously damaged individuals. There’s a jarring dichotomy to the film and its characters, which is something that split both critics and audiences back in April. Frank D’Arbo, a.k.a The Crimson Bolt, is a sympathetic and understandable protagonist, but you question his sanity. Libby, a.k.a. Boltie, gains great glee from slicing up goons in the bloodiest ways possible, and yet has an endearing charm to her psychopathic and wish-fulfillment ambitions. These are repellant characters on the outside, but understandably unstable in the inside. Here’s what James Gunn had to say about the fluctuating tone, writing a character driven film versus a set-piece driven film, and making possible psychotics sympathetic in Super:

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