Silence of the Lambs

Loki Glass Prison

The glass prison designers of the fictional world are making bank this year. It seems that almost every action-packed superhero or quasi-superhero film features the same prominent set piece and it hasn’tt gone unnoticed: a recent meme circulated remarking on the inefficacy of the glass  prison, showing the evolution of the structure on film. The image, created by Raven Montoya, stacked a number of villains captured in glass prisons on top of each other: Hannibal Lecter from Silence of the Lambs, Magneto from X2 (technically a plastic prison), Loki from Avengers,  Raoul Silva from Skyfall, and lastly, the animated Stitch from Lilo and Stitch. The caption  quipped, “Yes! Of course it’s a good idea to put the homicidal maniac in a glass prison. I’m sure he won’t get out.” That the villain always escapes comes hand in hand with another trope of the glass prison—to  quote the Joker in The Dark Knight, “It’s all part of the plan.” The villain intends to be caught in order to set his diabolical plan in motion. Charlie Jane Anders of io9 cites the Rube Goldbergian  nature of the scheme as one reason for the evil mastermind to create this situation—to enhance  his devious nature. She also notes a more important use of such a tactic: “You get to put the hero and the villain in the room together, without having them fight.” All this would seem to be blockbuster screenwriting 101. You set up a mid-movie failure to create tension before the final […]


It has to be the simplest motivation out there – it’s even excusable at times. You can’t fight hunger, right? And if your meal of choice happens to be the earth’s self-proclaimed dominant species then well, you’re going to have to get a bit creative. Like all predators, the secret is to surprise your prey. As the following list will show, this can be done many ways – some much more creative than others.


Culture Warrior

For the first time in recent memory, I’m going into Oscar Sunday having no idea who is likely to take home many of the major awards. I’m sure there are entire websites out there devoted to an accurate prediction of who and what will take home the gold on Sunday, but there seems something a bit different about this year. Of the nine films nominated, I don’t have a clear sense of what would be the top five had AMPAS not changed the number of entries in the top category. While The Artist may clearly have more of a chance than, say, Extremely Loud & Incredibly Close, there’s no grand battle between likely leads like there was between The King’s Speech and The Social Network last year. And I don’t think I’m alone in stating that this year’s uninspiring list of nominees seems to reflect a growing indifference against the ceremony itself. Sure, on Sunday, like I have every year since I was eleven years old, I’ll watch the entire ceremony from beginning to end. And, like every year since I was twenty-one years old, I’ll make fun of the pompous and excessive self-congratulatory nature of the proceedings. But while in most years I have had some skin in the game, besides the two nominations afforded to the excellent Tinker, Tailor, Soldier, Spy and the presence of the transcendentally excellent Pina in the Best Documentary Feature category, this year I didn’t even get a sense that the Academy was awarding […]


For 36 days straight, we’ll be exploring the famous 36 Dramatic Situations by examining a film that exemplifies each one. From family killing family to prisoners in need of asylum, we brush off the 19th century list in order to remember that it’s still incredibly relevant today. Whether you’re seeking a degree in Literature, love movies, or just love seeing things explode, our feature should have something for everyone. If it doesn’t, please don’t make us put the lotion on our skin. Part 21 of the 36-part series takes a look at “Pursuit” with suspense icon Silence of the Lambs.


Filling up seconds with paragraphs of words, director Matt Reeves impressed a full Comic-Con crowd with his technical knowledge and his film fandom. Those who could keep up with him, at least. The man spoke in the knowing pace of a hundred miles a minute with an audience fortunate to catch words like Hitchcock, Kino, and Dutch Angle like pennies from Heaven amongst the strikingly long statements. It was his expertise and passion that held everyone captive, but it was also the names he dropped. Not in the form of famous talent he’s sat down to lunch with, but in the form of the films that truly inspired him while working on Let Me In. After some impressive footage, it seems like these films sunk in deep. Thus, by way of a mini-Masters class on the subject, here are the four films that Matt Reeves kept in the forefront of his mind while shaping his coming-of-age vampire film.


Your daily recommended allowance of random movie stuff, stories that fell through the cracks, and news you can’t use.



On the 16th anniversary of the first public screening of Clerks, we get personal with the man, the myth, the lunchbox as he rips his heart off his sleeve and slams it down on the table.

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published: 04.18.2014
published: 04.18.2014
published: 04.18.2014
published: 04.18.2014

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