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Mark L. Mann‘s narrative feature debut, Generation Um…, shows the fun and terror that evolves out of someone getting his first camera. In the movie, John (Keanu Reeves) steals a video camera, turning him into a guy who enjoys filming squirrels and his two friends falling apart. Basically, he’s the worst indie filmmaker walking the streets of New York, which is saying a lot. It’s a movie that relies more on mood, a feeling that Mann created on 16mm running around New York streets and a claustrophobic apartment. He wasn’t the only one in control of the camera, though. Within the film we John’s own footage, which Reeves shot himself. According to Mann, that footage allows the introverted John to express himself. We spoke with Reeves and Mann about the character’s internalization, filming on 16mm and more:

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discs paul williams

Welcome back to This Week In Discs! As always, if you see something you like, click on the image to buy it. Paul Williams: Still Alive Like many kids in the ’70s Stephen Kessler was a fan of singer/songwriter Paul Williams‘ particular brand of sad, melodic songs that gave equal time to love and loneliness. As an adult Kessler wondered what happened to his childhood idol, and being a film/commercial director he decided to investigate and make a documentary on the 5’2″ award-winning legend. The result is a fascinating look at a man and a talent who could never have attained such stardom in today’s physically-obsessed world, and for Williams it’s a chance to look back and publicly acknowledge his past demons. At least, that was Kessler’s plan, but he may have neglected to share the idea with the talent. Williams makes for an engaging subject, due both to his personality and his aversion to the whole process. Kessler’s own needs permeate the film, and while he threatens to take over as its focus he actually adds an interesting element to the story about fame. [Extras: Bonus concert footage]

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This hasn’t been the most prolific of summers as far as blockbusters are concerned. The Avengers gave this season a promising start, but no action film came close to matching its scope and sheer love for fun. Last month was the most disappointing proof of that, with the very flawed Amazing Spider-Man and the messy finale we got with The Dark Knight Rises. However, there’s been a good run of independent releases so far — Killer Joe, Headhunters, Safety Not Guarnteed, Your Sister’s Sister, Take This Waltz, etc. —  and this August is no different, with plenty of small and greatly satisfying offerings to be discovered.

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Earlier this week, our own Cole Abaius announced the first wave of this year’s Tribeca Film Festival‘s film lineup. That assault was impressive enough, complete with lots of compelling picks in the World Narrative Feature Competition, World Documentary Feature Competition
, and Viewpoints sections, but today’s release of the final feature film sections is a whole other volley of firepower. With today’s announcement of their Spotlight, Cinemania, Special Screenings, and the 2012 Tribeca/ESPN Sports Film Festival, the fest has completed their feature announcements – and made me start to wonder if I should try to hit Gotham for the festival, running April 18 – 29. Picks that stand out to me already include the delightful 2 Days in New York, Chicken With Plums, Don’t Stop Believin': Everyman’s Journey, The Giant Mechanical Man, Headshot, Lola Versus, Take This Waltz, Your Sister’s Sister, and Sleepless Night. Check out the full list of films (along with Tribeca-provided synopses) after the break.

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published: 11.21.2014
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published: 11.21.2014
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published: 11.19.2014
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published: 11.19.2014
B-, C


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