Shepard Fairey

Obey the Giant Short Movie

Why Watch? By 1990, Shepard Fairey had already been littering the streets with stickers of Andre the Giant’s face and the phrase “Andre the Giant has a Posse,” but the image was about to get a lot bigger. Acting on an ambiguous school project at Rhode Island School of Design, Fairey defaced a campaign billboard for former mayor/convicted felon Buddy Cianci. Julian Marshall‘s brash short film tells that story with a middle finger and a smile. There’s a one-man Animal House aspect to it with more punk rock thrown into the mix, and while that might normally mean quick cuts and aggressive shots, Marshall keeps things glossy and polished all the way around. It features a tight script that wastes no time in dropping us into the world and giving us exactly what we need before hopping to the next sequence. Plus, it’s filled with some sharp dialogue that makes Fairey sound a lot wiser than he probably was at the time, and Josh Wills (the actor playing Fairey) enhances that feeling with a shit-eating grin that keeps his tongue in his cheek. In fact, most of the scenario’s feel tailor-made to build to a stand-off with authority simply so that Wills can offer a kind of Alfred E. Neuman shoulder shrug before getting back to scamming the computer lab. There’s little consequence to this tale beyond the fascination of how far its young subject has come, but it’s a hell of a lot of fun right down to the last winking […]



According to Deadline Oceania, Imagine Entertainment has come one step closer to our totalitarian future-past. Noah Oppenheim has been chosen to pen the script for the upcoming remake of 1984. To quote Deadline, this film is a “cautionary tale about a totalitarian future society, and a man whose job it is to rewrite history tries a bit of rebellion by falling in love, a move that runs afoul of Big Brother.” Okay, so there’s a lot more to it than that Mickey Mouse explanation. George Orwell’s dystopian classic novel from 1948 is a seminal piece of literature about the dangers of government intrusion, totalitarian rule, and the control of the media. It’s not as much a love story but rather one about a world where free thought is crushed, and one man dares to love. You should really just read the book.



Not only is George Orwell‘s “1984” a formidable classic on paper, it’s also iconic in film form as well. Now, according to The Hollywood Reporter, Imagine Entertainment – the production house led by Brian Grazer and Ron Howard – wants to take another stab at it on the big screen. Apparently they’ve been hunting down the rights alongside graffiti artist Shepard Fairey and LBI Entertainment’s Julie Yorn. It’s unclear why Fairey was involved in the process, since he isn’t traditionally involved with film production past the point of designing posters and appearing in documentaries. It also seems unlikely that Howard and Grazer would need Fairey’s assistance in getting the rights from the Orwell Estate, which means that the partnership is based on something creative and far more fascinating. Although, the THR piece says Fairey was “instrumental” in the deal being struck and might get a producer credit if and when everything is finalized. The big question, of course, is whether this is a necessary remake or re-adaptation or whatever they’d like to call it now. It seems wholly uninspired, especially when the 1984 flick starring John Hurt was such a fantastic vision of the book. What’s to be gained by following in its big footsteps?



Presently in Austin, Texas, a ferocious group of movie lovers have gathered at the now even-more-world-famous Alamo Drafthouse to celebrate the John Carpenter classic, They Live. But this isn’t just any screening of the 1988 horror film. Like many great Drafthouse events, this one includes a very special guest who has designed a very special poster. Artist Shepard Fairey, famous for his “Obey Giant” street art, has brought his own passion for They Live to a new poster that will be sold through the Alamo’s art boutique, Mondo Tees. And we just so happen to have a first look at the poster everyone in the movie world will be talking about tomorrow. Check it out after the jump.



There is the belief that art can elude, confuse, and manipulate meaning just as readily as it can reveal truth and reality to us. There is the alternate belief, however, that the illusion of reality and truth manifested through art is its most deceptive function. There’s a lot to be said about this subject with respect to Banksy’s street art documentary Exit Through the Gift Shop, and here are what amount to, for what its worth, my two cents.



Sometimes we just can’t avoid a little commentary that veers into the world of politics — especially not in an election year and especially not when studios are releasing movie posters like this.

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published: 01.28.2015
published: 01.28.2015
published: 01.28.2015
published: 01.27.2015

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