Shakespeare in Love

Boiling Point

The 84th Academy Awards have come and gone: let the bitching begin! As someone who is more of a genre fan than anything, I’ve never really cared too much about the Oscars, but that sure as hell doesn’t prevent me from complaining about them. Granted, over the years, some great films have won. I’m a big fan of Unforgiven and I dug Shakespeare In Love. I just think far too many good films are ignored in favor of “Oscar movies.” I can’t say that I was particularly impressed with any of the films nominated this year, but there were a few categories were I feel like the little golden man statue when to the wrong film. Luckily, the internet exists and I can complain about it!

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This Week in Blu-ray

This Week in Blu-ray is back with another big week of releases. This is the time of year when a lot of great fall releases, Oscar contenders new and old, and even a few summer blockbusters going for the double-dip get their more impressive debuts on the mother of all HD formats. This week we get to explore my personal favorite film of 2011, as well as some fantastic re-releases of classic films like To Kill a Mockingbird and Malcolm X. There will also be a discussion of The Thing (2011), albeit a brief one. Drive In recent interviews, director Nicolas Winding Refn has promised fans that a fully loaded edition of Drive would eventually make its way to Blu-ray, with plenty of extras, interviews and other special features. While I, like you, find that to be a nice idea, it’s also hard to overlook the urgency of getting 2011’s best film into my collection as soon as possible. And much to my surprise, this Blu-ray release is solid. Ryan Gosling is still Driver, he’s still driving fast and fighting for the girl, and he’s still punching out Christina Hendricks and stomping dudes flat in elevators in between driving scenes backed by the pulsing score of Cliff Martinez. There’s also some special treats. No, not a toothpick. Although I’d take it. This release comes complete with four featurettes, all worthy of your time, and a documentary-length interview with the film’s director. It’s an efficient package that, like the film to which it’s […]

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It was sort of heartbreaking earlier in the year when The Weinstein Company failed to purchase Miramax back. It would have been a homecoming of sorts for both companies, and it promised a return to form for Miramax after struggling through the latter part of the 2000s with fewer titles (and far less edge). The two companies have announced the next best thing – a long-term partnership. Unfortunately, that partnership is built upon producing and releasing a blight on the cinematic community. The two companies plan on releasing sequels to long-forgotten titles. Unnecessary sequels are planned for Bad Santa, Rounders, and Shakespeare in Love. There’s something harmless about seeing Billy Bob Thornton back in the Santa suit, but do they expect to nab Matt Damon and Ed Norton back? Do they plan on getting Gwyneth Paltrow back into drag? Those aren’t necessary components, but without those main actor ties, the sequels – coming a decade late – would be In Name Only sequels. The worst case scenario is Miramax becoming the National Lampoon of indie companies.

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The Seven Greatest Movies with Cop Out Endings

We here in the fancy, cavier-filled world of online movie criticism know that the phrase “Deus Ex Machina” is Latin for “He Who Smelt It, Dealt It,” a concept that can apply to the endings of a number of great films.

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published: 10.30.2014
B-
published: 10.29.2014
D+
published: 10.27.2014
C-
published: 10.24.2014
C-


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