sex comedy

Drinking Games

Thirteen years ago, the small film American Pie revolutionized teen sex comedies. It didn’t necessarily do anything different, but for the first time, the teen sex involved the internet. Now, more than a dozen years later, the cast crawls from their (mostly) languishing careers to attend their 13th high school reunion. And they made a movie of it, not-so-cleverly called American Reunion. Anyone who has been to their own high school reunion knows that these things shouldn’t be attempted without at least a little bit of alcohol. That’s the best way to enjoy this film, but not too much, unless you want to miss Ali Cobrin’s best moments in the film.

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You know what this Klown Red Band Trailer is all about? Hospitality. It’s about repaying a woman who is nice enough to invite you into her home, let you crash there and make you pancakes. It’s sweet really. Even if it gets a little smelly. The film played at Fantastic Fest, where Adam Charles laughed his ass off to its absurd male bonding, and Drafthouse Films picked it up for distribution. The movie, based on a television show, focuses on two men who are on a wild Tour de Pussy. Trying to boldly prove that he’s fatherly material to his girlfriend, one of the men kidnaps her 12-year-old son and brings him along. Check out more good parenting with the trailer:

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When Luke Mullen said that Bullhead was “damn near a masterpiece,” he wasn’t exaggerating. It’s a stirring, heart-vicing film that explores the rotten depths of manhood in the no-frills world of the Belgium mafia that controls illegal bovine growth hormones. His full review is absolutely worth the read, but the short of it is that the movie is pure, grisly and fantastic. In fact, it’s already been chosen as Belgium’s entry for Best Foreign Film at the Oscars, which is even more stunning because it’s the first film from Michael Roskam, and the country’s favorite go-to Awards contenders (the Dardenne Brothers) have a new film out this year (that won’t be going to the big dance). A newcomer has overthrown titans, and according to Badass Digest, Drafthouse Films has picked up the film for distribution. On top of that, they picked up fellow Fantastic Fest film Clown – the sex comedy from Denmark that sees men taking a young child on their “Tour de Pussy.” Adam Charles said that it displayed the awfulness of (some) male specimens with “one of the most pointed, extreme, and filthy senses of humor imaginable.” From Oscar nominees to raunchy foreign sex comedies, Drafthouse has picked up some great movies here, and hopefully they’ll be in theaters near you fairly soon. And no one will be texting or talking when you go.

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The biggest question raised by American Reunion is whether a teen sex comedy can be translated to the world of adults. The second biggest is whether a tired franchise that’s been treated like a ten-cent prostitute can redeem itself. In the most surprising of ways, this teaser trailer proves that both have an odds on chance. It’s more of a set-up/punchline style short film delivered in a little over a minute, and it’s unclear if any of this will actually be in the movie, but the fact that Jon Hurwitz and Hayden Schlossberg have created something this funny with a sock is a great omen for the rest of the project. Check it out for yourself:

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What if there were a shirt that would drive women around you into an uncontrollable sexual stupor? That’s the central conceit behind Chick Magnet, and of course the second big question is how to explain to her why you want to keep your shirt on during sex. The trailer for the low budget sex comedy definitely shows its limitations, but there’s at least a little bit to chuckle at here and a heart that will inevitably be involved (since one of the characters wants to use the shirt to get his crappy ex-wife back). Plus, somehow the production tricked Tracy Morgan, Kristen Bell and Rosario Dawson into making appearances as themselves. For those keeping score, an unknown writer/director and writer/producer (named Ryan R. Williams and Jeff Venables) created a movie where every woman wants to sex them up, and they somehow convinced Bell and Dawson to be two of those women. So, yeah, check it out:

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I think of all of the things I would consider myself (an underestimated athlete, occasionally decent word maker-upper, deceptively intriguing coffee maker…), a connoisseur of the modern romantic-comedy is probably not amongst them. I’ll admit to stopping upon a Matthew McConaughey flick from time to time on a basic cable channel while I fold my laundry, cut my nails, or other things that really make me not sound very masculine. In my defense, I only do those things whenever a rom-com is on and so I blame the estrogen emitting from my television.

The point is, I purposely don’t watch many romantic comedies and when I do I really don’t pay much attention. It isn’t because I inherently don’t like them, it’s because they unfortunately have a very, very strict formula that’s about as predictable as the average American Friday date night. “What do you wanna do? Dinner and a movie? Okay,” equates to “Hi. I like you but I don’t know it yet. I know it now. You made me cry and run away. You ran after me? I love you, kiss my face.”

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Although certain politicians and even scientists will suggest otherwise, most agree our basic human desire for sex remains pretty unchanged. Over the centuries we’ve acknowledged that ladies like it just as much as the men folk, both sexes can be completely uninterested, and there’s also the possibility that same sex lovers getting down and dirty isn’t, in fact, dirty. Every new generation accepts something as tame that the previous generation thinks taboo. My mother finds the practice of bondage troubling, but the idea is ordinary to me. Whereas I don’t quite understand her fascination with the word “slutpuppy” because that’s just ooky. I’m not saying one generation is better than the other, I’m more curious about how we got to the place we are. I am pretty in tune with the going-ons of Gwen, so I have no problem pinpointing a lot of my sexual identity development happening simultaneously with the films and TV that I watched in the 90s. Thinking back, the 90s stand out to me as a hodgepodge decade when it came to sex in film. We had the renewal of romantic melodramas as a reaction to the social commentary-filled erotic thrillers of the 80s, the depiction of realistic sex in comedies, and the rise in popularity of rape culture. Of course all these themes wouldn’t have been possible without the decades before them, but something happened in the 90s that made sex seem pleasurable through love, humor, and invasion.

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Didn’t we just do this? More than most Deep Impact/Armageddon-style movie releases, the double dose of emotionless sex comedies has felt eye-rollingly boring. Fortunately, this trailer for Friends With Benefits makes it clear that this particular emotionless sex comedy takes things in a far more mad-cap direction than the Kutcher/Portman pairing. Justin Timblerlake busting some Kriss-Kross, Mila Kunis mocking Katherine Heigl movies, Patricia Clarkson doing some light S&M roleplaying, and Woody Harrelson stealing laughs as a gay man (who presumably can’t jump). It’s all here without even a hint of LOVE getting in the way of SEX. Not in this trailer at least:

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The comedy talent for The Handjob is swelling with Alia Shawkat, Mae Whitman, Donald Glover, Connie Britton, Andy Samberg, Bill Hader, and Johnny Simmons. The film is being written and directed by Bill Hader’s comedian wife Maggie Carey. That’s not to say that he has a drama wife, too. It’s meant to show that she’s also professionally funny. The modifier placement is just weird. Regardless, Hader expounded on the plot to The Playlist recently, saying “It’s about her playing an type-A, studious girl who graduates high school and hasn’t done anything with a guy. The summer before college she decides that she has to find out how to do everything in order to be properly prepared, so she makes a very serious bullet list of everything, like… hand-job, titty-fuck, blow-job, fingering, and just kinda checks one off every time she does it. She’s being the aggressor and is very straight-forward about it, like ‘Okay, so I’m going to give you a hand-job now.’ And the guys are very taken aback about it, especially her straight-laced friends.” Sold.

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The antidote for your boring day (at least your boring day today) is this new trailer for Girl Walks Into a Bar which might seem like another sequel in the sequence of Sebastian Gutierrez’s Vagina Dialogues (aka Women in Trouble and Elektra Luxx), but even though a lot of the actors are the same, this one seems to take place in a new universe altogether. This trailer is a hell of a lot of fun, which is why I love Gutierrez’s movies. They’re smart, wacky, ridiculous and heartfelt. Plus, there are multitudes of remarkably beautiful women in various states of undress showing off their acting chops like there’s no tomorrow. Write a strongly worded letter to Congress, because there just isn’t anything wrong with that. Check out the trailer for yourself:

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I’m going to share something with you. I have a sick obsession with sex movies. I don’t mean I always watch them with salacious intentions, because I have to draw the line between art and pornography somewhere. Let me be clear, I really enjoy a movie whose sole purpose is to titillate a viewer so much that they question what they are really watching. I’ve spent many nights snuggled up on my couch cringing my way through Catherine Breillat’s many sex shockers. I made a boyfriend attend a viewing party for the highly controversial, yet exceptionally boring, 9 Songs. I’ve even gotten into fights with Netflix over its recommendation of Salo based on my high rating of Irreversible. Those last two movies have nothing in common, by the way. Sex-centric dramas have been a secret, back alley passion of mine. But in all my years devouring these movies, I rarely see comedies that both deal frankly with sex and show it. Sex is usually the butt of a joke in comedies, rather than a catalyst for moving a couple forward.

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Emma Stone is up to her elbows in boys that want to pretend to sleep with her. In the movie Easy A she plays Olive, the smart girl that’s generally ignored by her class who gets a taste of popularity by way of infamy and continues to trash her own reputation in order to have one. She pretends to have sex with a gay classmate in order to boost his social status, and what results is a trip into a world of perception, heartache, trying to get with the school mascot, and a big red A on her chest.

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The high school comedy is not an easy subject to tackle because it’s been tackled almost as much as Emma Stone’s character in Easy A would have you believe she has. It is one of the many sluts of the film genre world – it’s incredibly attractive because it’s easy to get into bed with, but it’s not like you’re going to impress anyone by going after it. Unless you nail it. Will Gluck, a man without an average high school experience teamed with Stone, an actress who didn’t go to high school, to try to do just that. Gluck was decent enough to spend more than a few minutes on the phone with me while surrounded by the insanity of the Toronto International Film Festival to talk about the challenges of being fresh with high school, creating a strong female character, and the joy of sex comedy without sex.

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miss-march-1

The sporadically funny movie from Zach Cregger and Trevor Moore of ‘The Whitest Kids U’ Know’ proves the difficulty of transitioning from the world of sketch comedy to narrative filmmaking.

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published: 12.23.2014
B+
published: 12.22.2014
C-
published: 12.19.2014
A-


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