Secretariat

This Week in Blu-ray

As you might imagine, This Week in Blu-ray is usually one of my favorite things to write during the week. It’s my chance to wax intellectual about something highly technical and lay down my absolute authority on the world of new-fangled home video releases. It’s an easy job, one that requires watching a bunch of great movies in high definition. Until we get to weeks like this one — weeks that are simply slow and for the most part, uninteresting. So I’m going to use it to debut a new article format. Here’s what is new, for those of you keeping score: we’ll begin with my Pick of the Week, because there is always that one movie that really deserves your attention. We’ll then move on to the usual sections (Buy, Rent, Avoid). Inside these sections you’ll find the titles I’ve had a chance to review (these will be the ones with pictures to accompany the reviews) as well as titles I wasn’t able to review, but feel confident recommending anyway (that confidence will come from having seen the movie in question). And at the bottom, you’ll see the list of other releases that, as always, are to be bought or rented at your own risk. My hope is that the new format will provide even more insight so that you can make informed Blu-ray buying decisions. You’ll have to let me know what you think. Red After seeing this movie for the first time this week, I cannot for […]

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The Reject Report

Just as expected, DreamWorks Animation proved once again they are a force to be reckoned with in the world of animated feature films. Their latest outing, Megamind, led the charge this weekend, the largest opening weekend to the Fall movie season in box office history. When compared to other films in the DreamWorks Animation camp, Megamind topped the openings of such massive successes as the first Shrek, Madagascar, and How to Train Your Dragon. When also comparing these opening numbers, it seems a fairly safe bet that Megamind will both end up topping out around $200 million domestic and garner a sequel in the coming years.

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The Reject Report

As Admiral Ackbar so phlegmingly exclaimed, “It’s a trap!” You sit down in your seat at the movie theater to see the latest (last?) Saw film, you put on your 3D glasses, this triggers a wire to pull which drops a marble down a shoot which knocks over a pin which falls onto a switch which turns some gears which opens a doorway which allows a bowling ball to roll out which bumps into and starts a lawn mower which blows up and pops a balloon which causes a chicken to lay an egg which turns some more gears which opens Mikey’s front gate which turns some levers which opens a trap door which drops millions upon millions of dollars into Lionsgate’s pockets. That’s how that works. At least, I think it’s how it works. Maybe I shouldn’t be covering box office reports.

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The Reject Report

Two weekends in a row. Two cultural phenomena (as well as entries into a highly successful franchise) exploding into theaters. After Jackass 3-D broke October records last weekend, you might have thought movie goers would take a break, kick back as the weather gets cooler, and maybe carve out a jack-o-lantern. Nonsense, says the pool cleaner-hating demon! Get those people into theaters and let them feel the terror all for themselves. That’s precisely what millions upon millions of people did this weekend, as Paranormal Activity 2 opened to the fifth highest October opening in history. It now also holds the highest October opening for a horror film, beating out the $39.1 million The Grudge opened to in 2004. With a budget of only $3 million, you can be certain Paramount will be green lighting Paranormal Activity 3 in a matter of minutes.

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The Reject Report

Holy bungee jumping outhouse, Batman. $50 million can buy a lot of stitches for the painful stunts and soap for the gross ones. That’s how much money Jackass 3-D made this weekend, a new record for any October opening. We knew it was going to be big, and there was all likelihood it would end up coming out on top this weekend. However, now, in 2010, a decade after the original show premiered on MTV, the Jackass boys are riding stronger than ever. This could say so much about our nation. Do we like watching people humiliate, hurt, and horrify themselves for 90 minutes? Or is Jackass 3-D a welcomed release, the ultimate form of escapism that only comes our way every four years? This raises another question. Would the Jackass films be this successful if they were to come fast and furious like the Saw or Twilight series? Does that four-year gap between Jackass films help build the excitement for the next all the more, or does the gap stifle the sating of a public that would feast on it 24/7 if offered to them? The underlying, real-world implications and what this says about our culture (along with how this makes other countries view us) aren’t my forte. I’ll leave that to Landon. I’m just here to talk numbers, thank you.

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The Reject Report

This week we are presented with a film that’s vile, disgusting, depraved, and whatever other hyperbolic keywords that might induce gagging throughout the audience. But, if you’re not someone who finds old people firing machine guns as disturbing or cringe-inducing as I do, then you also have the choice of watching the palette-cleansing melodrama of Jackass 3-D. It’s a horror-less weekend here just a few weeks out of Halloween, but it’s also looking to be the biggest weekend of the month.

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This week, on a very special episode of Reject Radio, Luke Mullen and Brian Salisbury stop by to dig into the problems of the MPAA, review three terrible awful no-good very bad films, and share with us 6 things they’ve seen on film that they can’t un-see. It’s incredibly effective, and you’ll be moved. Plus, we make jokes about Pepe Le Pew. En Francais.

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The Reject Report

Because everything regarding Facebook hasn’t had enough success, The Social Network comes in the money for the second weekend in a row, taking down three new competitors, two of which gave it a decent run for its well-deserved money. Regardless, David Fincher and crew were able to pull it out, and The Social Network is well on its way to becoming as successful financially as it already is critically. Life As We Know It and Secretariat were able to make respectable numbers this weekend, even though they both were down a bit from expectation. With Life As We Know It, Katherine Heigl has her lowest opening in more than three years, a possible sign that her fresh date has already come and gone. Secretariat wasn’t able to live up to its potential, either, even though that third-place showing came to fruition right on target.

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This week, Fat Guy Kevin Carr horses around this week with the legendary racehorse from the 1970s, hoping he too can go home with Diane Lane. After racing out to see Secretariat, he wonders if Katherine Heigl and Josh Duhamel would be anything more than a pretty couple. Then he gets down on his knees and prays: “Now I lay me down to sleep, I pray the Lord my soul to keep. If I should die before I wake, I beg you skip My Soul to Take.”.

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The Reject Report

Now I lay me down to sleep, yadda yadda yadda, Wes Craven’s still making movies. His latest hits this weekend, it’s in RealD, so you know it’s good, and it’s headed up against two films that probably have 100% less dismemberment and graphic violence against teens. Those movies, Life As We Know It and Secretariat (okay, there could be a subplot about that horse trampling some teens, and that would win it a few more fans), will more than likely favor better than My Soul to Take, but the real question is if any of them have the strength to take Fincher’s The Social Network off its friend-requesting mountaintop.

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We realize that you’re probably sitting at home right now, chewing your own nails off and wondering what movies are coming out this month. Maybe you’re even wondering why no one on the entire internet has said anything about them by now. Strange, we know. Fortunately, Rob Hunter and Cole Abaius spent the entire month of September searching EBSCO Host, making phone calls to important producers and making fan trailers out of peanut butter and marshmallows to make sure that you, dear reader, are in the know about what’s coming out in October. Wondering why it’s a few days late? Because we don’t run it until it’s perfect. Or something. Anyway, just check out the movies to see what you wanna see.

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MalkovichSecretariat

In what I can almost assure you is not bestiality pornography (or is a first for Disney), John Malkovich has signed on for a movie about one of the most famous athletes in the history of the world.

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