Screenwriting

Layover Movie

Let’s say you desperately want to make a feature film, but you don’t have any money to do it. Can you scrape together a few thousand? Good, because writer/director Joshua Caldwell and producer Travis Oberlander join us this week to explain how they made Layover for only $6,000. Beyond making a movie for a few months’ rent, Geoff and I will answer your screenwriting questions and continue our star-spangled conversation from last week by exploring the concepts of Freedom and Revolution as they apply (for better and worse) to filmmaking. You should follow Caldwell (@joshua_caldwell), Travis Oberlander (@tobewan), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #66 Directly Or subscribe Through iTunes

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Team America World Police

For our extra special Independence Day Eagle-Blasted, Star-Spangled, Overly-Adjectived Extravaganza, Geoff and I ponder the very nature of the United States of America. We try to hone in on its complexities and paradoxes by contemplating what movies best capture Columbia’s essence. In other words, the most American movies ever made. Is there a particular genre that echoes its spirit? Is it more about pure patriotism or can the story display our darker side? Where does the heart of American cinema lie? Listen and contemplate while you grill meat stuffed into another meat, or as you slide down the tarp you poured dish soap onto. Plus, to celebrate our victory over the British, we invite the absolutely delightful Maisie Williams onto the show to discuss her new movie Heatstroke, explain why she’s not Justin Bieber and share her love for Twitter. You should follow Williams (@maisie_williams), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #65 Directly Or subscribe Through iTunes

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Rounders Oreos

In less than 300 days, writer/producer/director Brian Koppelman has delivered 300 screenwriting lessons, 6 seconds at a time. That’s a half hour of Vines that act as miniature cattle prods for anyone looking to have the creative section of their brain lit up. To celebrate the achievement, Brian joins me to explain what a beloved cookie has to do with the writing process, to describe the methods he uses to get unstuck, and to challenge a conventional way of thinking about “breaking into the business.” You should follow Brian (@briankoppelman), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #64 Directly Or subscribe Through iTunes

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The Avengers

Last year around this time we were growing tired of the summer blockbuster bloat, so we took a break by looking ahead to the future that’s now the present. We’re feeling a bit winded yet again by all the city-stomping, stadium-lifting largeness, so it’s time to take refuge once again in the eternal potential of amazing movies that we can’t see for another year. Yes, the summer blockbusters of 2015. Fortunately, old robot Arnold Schwarzenegger and Hulk are here to guide us. Plus, we’ll discuss the concept of raising stakes in screenwriting by examining some movies that do it well, and we’ll praise Tom Cruise’s decades-long excellent for no other reason than to praise him. Follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #61 Directly Or subscribe Through iTunes

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Trust Me Clark Gregg

Clark Gregg recently wrote, directed and starred in an indie called Trust Me, and instead of asking one question about it before moving on to nine questions about Marvel movies, we took the opportunity to dig deep into what’s clearly a very personal work. In the movie he plays a former child actor turned child actor agent (have fun, Psych majors) who discovers an amazingly gifted young actress who might join a major franchise and bring him the success he’s always dreamed of. Spoiler alert: Loki never shows up. Plus, Geoff and I answer your screenwriting questions and then discuss some bizarre real-life things that would make amazing movies. Follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #60 Directly Or subscribe Through iTunes

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Don Peyote

As it turns out, it’s completely possible to spend the warmest months without seeing a single superhero or explosion, and on this week’s show, Geoff and I proclaim our excitement for the indie/non-blockbuster pics that might provide greatness this season. We’ll also talk about our all-time favorite screenplays to read. Plus, Paracinema writer Matthew Monagle is our first participant in a segment called You Have a Year and a Half to Make Us Excited About Star Wars: Episode VII. Let’s see if he persuades you. Double plus, we’ll chat with Dan Fogler about 2012 conspiracies and getting beaten up by Anne Hathaway for the trippy Don Peyote. You should follow Matthew (@labsplice), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #57 Directly Or subscribe Through iTunes

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High Fidelity Movie

Through music and misery, we ask the big questions this week. Specifically, Neil Miller and Geoff get philosophical over High Fidelity and debate whether we’re truly defined by what we like (as opposed to what we’re like) when it comes to relationships. Plus, Geoff describes a few ways to get into the TV show-writing business (and a few ways not to). And on our main stage, the stellar Stephen Frears joins us to talk about Philomena and capriciousness, and to offer perhaps the single most important piece of filmmaking advice the show has ever heard. You should follow Neil (@rejects), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #55 Directly Or subscribe Through iTunes

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Demons Movie 1985

This week on the show we tackle some cinematic paranormal problems with Mystic Party! hosts Brea Grant and Zane Grant. The ultimate lesson is to stay away from everything because it’s all haunted and trying to kill you. Plus, Geoff will answer your screenwriting questions about contests and short film writing, we’ll chat about whether or not we actually want any new Indiana Jones movies, and we’ll turn to your responses to follow up on last week’s discussion of truth in biographical films. You should follow Brea (@breagrant), Zane (@zanegrant), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #53 Directly Or subscribe Through iTunes

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Screenplays are hard. So much so that “scriptreader” is a real job, one that involves separating written wheat from so much poorly-written chaff. So much so that one particular scriptreader compiled a giant list of everything wrong with a year’s worth of screenplays, and converted it into one convenient (and massive) infographic. Check it out below, thanks to i09, but be warned: it is not small.

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Some people have a routine of eating two eggs for breakfast, reading the news and brushing their teeth before heading to work; Meryl Streep has a routine of getting Oscar nominations. She’s earned her 18th with August: Osage County, and to celebrate her cultural dominance we’ll speak with Karina Longworth, author of “Meryl Streep: Anatomy of an Actor,” about Streep’s rich career arc. Plus, Geoff will answer three of your screenwriting questions, we’ll finally reveal who won the Prestige-Off and Rob Hunter will give us the movies from Sundance you need to look out for. You should follow Rob (@fakerobhunter), Karina (@karinalongworth), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. And, as always, if you like the show (or hate it with seething fervor), please help us out with a review. Download Episode #47 Directly Or subscribe Through iTunes

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Devil

The dream is to get famous on YouTube and translate that success into a feature film career, but so far the only group to truly do that is Radio Silence. The filmmakers behind the found footage uterine horror Devil’s Due made a name for themselves on the site where a bajillion hours of video is uploaded every second, and now they’re staking that reputation on the big screen. We’ll talk to them about that jump and what goes into making a baby. Plus, Geoff and I attempt to sell each other on two debatable ideas: the rising power of fan clubs to demand content from creators and the need for aspiring screenwriters to avoid reading scripts-in-progress. You should follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. And, as always, if you like the show (or hate it with seething fervor), please help us out with a review. Download Episode #46 Directly Or subscribe Through iTunes

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BrianKoppelman

It’s unlikely that you’ll see Brian Koppelman plugging a screenwriting how-to book anytime soon. The writer/director behind Ocean’s Thirteen and Solitary Man publicly denounced the hoodwinkery birthed by the cat-saving industry and felt strongly enough about the seminar culture to make it the message of his first six-second screenwriting tip. Those tips come in the form of Vines (what else?) that he produces daily. Each comes with a kind of scorched earth sincerity that you don’t often get from working filmmakers, and by next week, he’ll have amassed one hundred of them. That’s a full ten minutes of helpful jabs where his face and nearly two decades of insight fill the frame. Typically with this space we focus on 6 filmmaking tips and offer further challenges and exploration, but for Koppelman’s unique delivery, we’re making a special exception — particularly because there’s so much here (and because digging deeper would be like analyzing a punch with the person who’s on the mat). These bursts of advice easily stand alone. So here are my favorite six minutes of free film school (for fans and filmmakers alike) from a true grinder.

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Kill Your Darlings

Donning some sweet spectacles again, Daniel Radcliffe returns to theaters this upcoming Wednesday as beat poet Allen Ginsberg in Kill Your Darlings. The actor joins us to talk about finding that character and the hunt for great material. Continuing that theme, Black List founder Franklin Leonard speaks with us in an extended interview on the website’s 1st birthday as an outlet for aspiring writers to be discovered and receive feedback from industry professionals. What successes they’ve faced, what challenges lie ahead, and what changes we’ll see in year two. All coming up on today’s program as well as some advice from Geoff on knowing whether you’re ready to have your work read by the big dogs. You should follow The Black List (@theblcklst),Franklin Leonard (@franklinleonard), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. And, as always, if you like the show (or hate it with seething fervor), please help us out with a review. Download Episode #37 Directly Or subscribe Through iTunes

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Batman vs Superman

This week we answer the most important question of our time: how can a city the size of Detroit go bankrupt? It’s crazy, and after figuring that out in about three minutes, we then spend twenty trying to game out what Warners has planned for Batman vs. Superman before pitching actors we want to see take the cowl from Christian Bale. Plus, we’ve got an Interrogation Review of The Wolverine, and in case your brain is overwhelmed by things in capes, Geoff and screenwriter Brian Duffield explain what to do when you get an extreme case of writer’s block. You can follow  Brian Duffield (@brianduffield), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) for more fun stuff on a daily basis. And, as always, we welcome your feedback. Download Episode #26 Directly Or subscribe Through iTunes

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Pacific Rim Arm Mechanics

The dynamite is going boom this weekend with Pacific Rim, so we’ve got an interview with screenwriter Travis Beacham about building monsters with his brain. Plus, we present a handy pop quiz on earth-threatening, stories-tall beasts and some of the most ridiculous examples of them in movie history. You can play along at home, but just know that if you lose, Godzilla will find you and smash your house. And as a magical bonus, Geoff has some advice about how to approach working screenwriters on Twitter for advice. Speaking of which, you can follow Travis Beacham (@travisbeacham), interviewer Jack Giroux (@jackgi), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) for more fun stuff on a daily basis. And, as always, we welcome your feedback. Download Episode #24 Directly Or subscribe Through iTunes

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3

What’s the perfect zombie-killing weapon? We settle the question with writer/director Joel Morgan, who may or may not be opening a crowbar store in the near future. And if one Apocalypse isn’t enough, we’ve got another in the form of comments made by Steven Spielberg about the inevitable “meltdown” of the Hollywood studio system. Geoff and I get our hands dirty with that one before appreciating and responding to this screenwriting post by Scott Myers at Go Into the Story. Grab your crowbar and prepare yourself. For more from us on a daily basis, follow Joel Morgan (@joelmorgan23), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on the Twitter. And, as always, we welcome your feedback. Download Episode #21 Directly Or subscribe Through iTunes

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Zombieland TV

Amazon recently launched 14 TV-style pilots (including Zombieland), and they’re asking users to provide feedback that will theoretically help them decide which shows to keep and what to do with them. Is it a smart move to democratize the development process or will shows end up cowering in fear below a ravenous mob of faceless. aggregated opinions? Veteran actor Donal Logue weighs in on bringing pilots to the people, shares some Copper-style 19th century Irish American history and drops a piece of advice that should make you change your mindset about finding success. Plus, Geoff wants to warn aspiring writers about the wrong way to present your work. Then, screenwriter Justin Marks and The Bitter Script Reader join us to dig way too deep into what Amazon is trying to do. For more from us on a daily basis, follow Logue (@donallogue), Justin Marks (@justin_marks_), The Bitter Script Reader (@BittrScrptReadr), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on the Twitter. And, as always, we welcome your feedback. Download Episode #16 Directly Or subscribe Through iTunes

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Han and Greedo

There were far too many news stories about Star Wars this week. It was a shock and awe campaign of rumors, half-truths and legitimate plans that all pointed to Disney making 29 new films featuring all our favorite characters for the next seventy years. To help dig through it all, Full of Sith podcast host Consetta Parker and Jovial Jay from TheForce.net join us to explain whether a movie about Yoda, Boba Fett or Han Solo should shoot first. Plus, Identity Thief screenwriter Craig Mazin explains how to make an uninteresting character interesting, and Geoff and I tackle a listener question about overcoming the fears of rejection and imperfection by talking about our own biggest failures. Download Episode #5

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Girls Lena Dunham

Hosts Geoff LaTulippe and Scott Beggs hate Girls, so they’re celebrating it with Kate Erbland, who was nice enough to help them understand the genuine love for Lena Dunham‘s terribly average HBO series. Also on this week’s show, Broken City director Allen Hughes talks shooting fast, celebrating 20 years of Menace II Society and why he loves crime dramas, and Geoff explains a truly despicable “management” scam that aspiring screenwriters need to protect themselves against. Don’t get suckered. Listen now. Download Episode #2

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The Black List

As it says on its website, The Black List — the annual guide to the most well-liked unproduced screenplays floating around Hollywood — is responsible for over 200 scripts getting made into films. The unique project was created by Franklin Leonard, a production executive working up until recently for Overbrook Entertainment, who drops the listing every year on the second Friday in December. In the past, it’s been a useful tool for both writers who want to get their work noticed and executives who want to find something worth making. If there’s been any true critique of The Black List, it’s that it’s too insular. As Slate’s David Haglund noted in 2011, it’s a project that celebrates work that’s already made its way inside the impossibly closed circle of the Hollywood studio system. Perhaps in response to that criticism (but probably born more from a broader, higher ideal), Leonard didn’t wait until Christmas to unveil a new mission: to open the Black List to everyone. If you’re an aspiring screenwriter, The Black List is now a machine for getting your work read by the right people. For $25 a month, per script, they’ll host your work in a database where 1200+ professionals (studio and non) will be able to read it, propelled by an algorithm of ratings. Obviously, nothing like this has been tried before, but because it’s such an exciting initiative, it also demands a high level of scrutiny. To that end, Leonard has penned a lengthy piece explaining his […]

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