Save the Date

Culture Warrior

It’s nothing new to say that the term “independent filmmaking” has come to no longer reference the actual practice of making films outside the studio system, and alerts more directly to an aesthetic of hipness. That the cute-and-quirky consecutive multi-Oscar nominees Little Miss Sunshine and Juno were similarly marketed by Fox Searchlight as “independent films” despite the fact that the former was actually produced independently and the latter was funded by studio dollars, effectively put the nail in the coffin for actual independent filmmaking to have any meaningful visibility. Meanwhile, first-time directors who make their name at Sundance like Marc Webb, Doug Liman, and Seth Gordon quickly reveal themselves to be aspiring directors-for-hire rather than anti-Hollywood renegades. Tom DiCillo, Hal Hartley, and Jim Jarmusch seem ever more like naïve, idealist relics each passing year. It’s clear what the blurring of the lines between independence and studio filmmaking has meant for the mainstream: as my friend and colleague Josh Coonrod pointed out last week, it renders “platform release” synonymous with “independent,” it means that movies featuring Bradley Cooper and Bruce Willis are the top competitors at the “Independent” Spirit Awards (see the John Cassavetes Award for actual independents), and it means that Quentin Tarantino is, for some reason, still considered an independent filmmaker. American independent filmmaking has lost its ideological reason for being. But when it comes to films that are actually independently financed – films for whom the moniker is less an appeal toward cultural capital and more an accurate […]



Editor’s note: Save the Date arrives in theaters this Friday. RSVP now with a re-run of our Sundance review, originally posted on January 25, 2012. It would be foolish to deny that there is a certain kind of “Sundance romance” film – minor affairs that chronicle the beautiful and directionless as they stumble through the motions in an attempt to find something real. Most of the time, these films take place somewhere in East Los Angeles (Echo Park, Silverlake, Los Feliz), and usually there’s someone in a band. There is always a bevy of navel-gazing that occurs. Meeting those criteria for this year’s festival is Michael Mohan‘s Save the Date. The film centers on a pair of sisters (Lizzy Caplan and Alison Brie, charmers both) who have very different expectations of and desires for love. Caplan’s Sarah is a commitment-phobe who is about to move in with her long-term boyfriend (Geoffrey Arend as Kevin), while Brie’s Beth is about to marry Kevin’s best friend and bandmate, Andrew (Martin Starr). Cue conflicts.


Save the Date trailer

Will film audiences ever tire of watching indie romances about twenty-somethings struggling to find love set against the backdrop of their struggling to break into creative fields? Or is there something just so satisfying about wallowing in other people’s struggles and acknowledging that you’re not the only one who’s completely confused about life that we’ll continue to line up for these movies time and time again? Filmmaker Michael Mohan is clearly betting on the latter notion, because his latest project, Save the Date, looks like every romance about confused young people that you’ve ever seen. There are a few big reasons why his work could be a step above the last couple you’ve seen though, a few reasons that look a lot like Lizzy Caplan, Alison Brie, Martin Starr, Geoffrey Arend, and Mark Webber. Caplan has been putting in strong supporting performances for years now, so the chance to see her step up and take the lead should be a pleasant one. And Alison Brie, this girl is so beloved that an entire Internet subculture has sprung up around celebrating just how amazing she is. Strong casting there, indeed.



We’ll make this brief, dear readers – today has been a strange day. Since that first day (the one where I showed up to the airport without my driver’s license which, PS, is still missing), things have been relatively drama-free. Sure, both sleep levels and real meal levels are low, but most everything else is on the up and up. Except for some movies. Oof.



The annual week I spend in sleepy Park City, Utah, carousing with the rest of the online film criticism glitterati, eating criminally overpriced pizza, barely sleeping, and consistently worrying about early on-set frostbite is my favorite week of the year. Not just for the pals, the pizza, and the sleep deprivation, but for (shockingly!) the movies. I’ve been lucky enough to see some truly great stuff at Sundance over the past two years – The Freebie, Winter’s Bone, Martha Marcy May Marlene, and Take Shelter all come to mind quite quickly, particularly because those films all stuck with me long enough to make it on to my top ten lists for their respective years. That’s staying power, and that’s the power of Sundance – seeing films in January that stay top-of-mind (and top-of-top-ten-list) for eleven months (and beyond). So which films from this year’s Sundance will prove to be long-range winners? While I can certainly make some very educated guesses, there’s no way to know for sure until my eyeballs meet Park City’s theater screens. That said, it’s probably safe to assume my ultimate favorite is somewhere on the following list of my ten most anticipated films for this year’s Sundance Film Festival.



Sundance is many things – cold temperatures, snow, memorizing the shuttle schedule, training your body to take two hour “naps” each night, Simon Baker stopping your delirious self from walking into on-coming traffic on Main Street (a true, and embarrassing, story), but most importantly – it’s about movies. The Sundance Film Festival is the first big film festival of the year and as such, it never fails to set the bar high with standout programming from premiere features to moving documentaries to midnight scare-a-thons. With an impressive (and at times overwhelming) slate of films to choose from, I narrowed down the films that seem to be getting the most buzz already and are popping up on people’s “must-see” lists. Of course there will probably be a film or two here that do not live up to expectations while there is also a good chance that I have left something out that will end up being a standout at this year’s festival, but it is that unpredictability that’s part of the fun. Stay tuned to FSR as Kate Erbland and I head to Park City this weekend to take in as many of these titles as we can and report back on whether they live up to the hype and what should stay on your must-see lists as these films (fingers crossed) get picked up for distribution over the next eleven days. A mix of features and documentaries, comedies and horror, this list features both actors and filmmakers returning to Sundance and […]


Lizzy Caplan Sundance

It’s the year of Lizzy Caplan. Such a bold proclamation is based entirely on the fact that the Party Down and Mean Girls star has two films world premiering at this year’s Sundance Film Festival, an exciting feat for any actress, but doubly so for an up-and-coming comedic gem like Caplan whose two lady-centric films are bowing in a post-Bridesmaids world. Last year’s big it-girls, Elizabeth Olsen and Brit Marling, faced a somewhat similar situation – both came to the festival with two films to hype (Olsen had Martha Marcy May Marlene and Silent House, Marling turned up with Sound of My Voice and Another Earth). But even Olsen and Marling didn’t have the same challenge Caplan has to deal with this year when it comes to her work in Save the Date and Bachelorette – two films, two starring roles, two projects both about weddings. Madness! How the heck will we ever tell these two films apart? Well, with this handy comparison of every relevant bit of information (and even some not-so-relevant bits) on each film, we will. Consider them Lizzy Caplan Sundance Film Festival Flash Cards. Study up and get your best wedding outfit/snowsuit prepped (hint: use fur).



There’s a new romantic comedy in the works, and the cast that it’s assembled so far is an awesome mix of people I love from Judd Apatow shows, people I love from Party Down, and girls that I have crushes on (with some Mad Men connections thrown in for good measure). Save the Date is based on characters from the graphic novels of Jeffrey Brown. Brown’s comic work is smaller, more autobiographical than the super hero stuff that typically gets adapted from the world of sequential art. This story is about two sisters, one who is relatively unconcerned about the future and is therefore dating a musician, and another who is obsessed with planning her upcoming wedding down to every detail. Michael Mohan will be co-writing with Brown and directing. But that’s not really the exciting part of this news for me. The exciting part is the cast.

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published: 01.30.2015
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published: 01.28.2015
published: 01.28.2015

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