Savages

12year_disappointments

If there’s one word I think of that’s best tied to the story of film in 2012, it’s “disappointing.” That’s not to say that 2012 was a disappointing year for movies. I don’t know if it was the best in a while, as some of my fellow critics claim, but then I still haven’t seen a lot of the “best” titles of the year. What I do know is that there were enough movies that really, really, really disappointed a lot of people, and so I feel like I heard — or read — the word “disappointing” more than any other. Whether it was a long-awaited prequel to a classic helmed by the original’s director or the expected return to form for a filmmaker or a final installment of a much-worshipped superhero trilogy or a reboot of a beloved comic-based franchise or a new animated feature from a usually dependable studio, there were plenty of major releases that turned out to be less than satisfying. At least for some.

read more...

sorel_pi

When contemplating my favorite films of the year, I keep forgetting about Life of Pi. Yet very few narrative features wowed me as much as Ang Lee’s spectacular adaptation. Given how much I enjoyed it in the theater, the film should have stuck with me more than it has. I blame the ending, which traded the magnificent visuals and wondrous sea adventure for a talky bookend that too directly spelled out the point of the story within the story. I don’t know that I’d say the ending ruined the rest of the film for me. I could go back and re-watch the whole thing and still appreciate all the effects and thrills and drama that excited me the first time around. But if that’s the stuff I want to remember first and foremost, I’ll probably have to leave a few minutes early next time. Lee surely is familiar enough with the craft of storytelling to know that endings are extremely important, that they can make or break an audience’s satisfaction with a movie by being the part that it is left with. He would presumably disagree with me that Life of Pi has a weak ending. And at least the staff of Entertainment Weekly believes the film actually has one of the best endings of the year. And that is fine, because a lot of people hated the endings of Prometheus, The Bourne Legacy and Savages, and I think those movies have three of the best endings of 2012. The […]

read more...

2012year_worst

Years from now, cinema fanatics will probably look back at 2012 fondly, remembering that this year brought us new films from Spielberg, Bigelow, Anderson (P.T.), Haneke, Affleck, Anderson (Wes), Van Sant, Arnold, Tarantino, Johnson, and many, many more. But amidst all the good stuff (and, rest assured, there was plenty of good stuff to go around), there were plenty of rotten, silly, messy, sloppy, boring, and insulting films to fill our theaters and empty our heads. The worst, if you will. Just the worst. Settle in, gird your loins, and prepare yourself for The 12 Worst Films of 2012, as determined by your faithful Rejects. Oh, 2012, you really packed some doozies.

read more...

Welcome back to This Week In Discs! As always, if you see something you like, click on the image to buy it. Nitro Circus: The Movie Nitro Circus is a group of friends who routinely perform dangerous stunts for their own entertainment, and the roster includes folks with names like ‘Street Bike’ Tommy, ‘Special’ Greg Powell and Arron ‘Wheelz’ Fotheringham. They’re like the Jackass crew, but instead of stapling frogs to their nut sacks or seeing who can fart the biggest fireball these guys (and one gal) do actual stunts involving motorcycles, cars, modified Big Wheels and more. It’s a massive difference, because instead of wanting them to get hurt you’re wanting to see them succeed. They also truly appreciate each other before, durring and after the stunts as opposed to trying to humiliate each other on camera. This is a fun and suspenseful watch, but as a reminder Pick of the Week status doesn’t necessarily mean it’s a recommended buy, just that it’s a release worthy of attention. Also available on Blu-ray. [Extras: Deleted scenes, featurettes, interview]

read more...

“In a perfect world, ‘The Cabin in the Woods’ would be a lock for a Best Original Screenplay nomination.” – Joey Magidson, The Awards Circuit It must be frustrating to write for an awards blog (aka an Oscar blog, since the Academy Awards are always the main focus of these sites), and know that the best films of the year are not necessarily the ones that will be nominated. Magidson’s comment above, from his April review of The Cabin in the Woods, sort of sums that up. But at the same time I don’t know if the movie truly deserves the statement. Something to consider, semantically speaking, is that the Academy’s award is not for “Most Original Screenplay” but “Best Original Screenplay.” This isn’t to say that the script, by Joss Whedon and Drew Goddard, isn’t well-written, and you’re welcome to argue its case for a nomination. Is it the best-written original screenplay of the year, though? All my time as a movie lover and watcher of the Oscars, including the past few years of hate-watching, the original screenplay category is one I’ve constantly been excited about. It’s the place where you could find some of the more clever and creative efforts, including a number of films that might not get other nominations. You could find a good number of interesting foreign films outside of the foreign-language award ghetto (such as Bunuel‘s two nominations for writing), as well as an interesting showing of mainstream and blockbuster fare, especially in the […]

read more...

Savages Movie Marijuana

It turns out that if you want something that looks exactly like marijuana for your movie, Tomas Voth is a great resource to have. In this behind-the-scenes look at Savages, director Oliver Stone praises Voth – the production designer – for getting his hands dirty the synthetic way. Making fake marijuana is crucial because using real weed in movies is a federal no-no, but making it look real is a tough job. Watch as Stone explains how they grew fake pot for the flick:

read more...

Savages 2012

It’s tough trying to figure which side of Oliver Stone’s career Savages would fall under. Part of the director’s output is fueled by an angry that’s always unafraid to show people at their ugliest. Then there’s another side, which we’ve seen these past few years, that’s much softer. While Stone’s recent work has been far from the image of a cuddly teddy bear — with the exception of familial scenes peppered throughout Wall Street: Money Never Sleeps – he’s become more empathetic towards his characters and less willing to poke fun at them, which was highlighted best by 2008′s W. Where does Savages fit between those two distinct outlooks? Somewhere comfortably in the middle. Based on Don Winslow‘s novel of the same name, Savages tells the bloody, dramatic, and comical tale of a three-way relationship taking a turn for the worst. The thinker, Ben (Aaron Johnson), and the doer, Chon (Taylor Kitsch), run a business together, providing some of the best weed in California. With business and life going too well, others attempt to cash in on their success, namely Elena, a major drug kingpin who features both genuine charm and ferocity, played by Salma Hayek. When Ben and Chon decline her business proposal, Elena hits them closest to home: their shared lover, O (Blake Lively). To get her back, Ben and Chon wage a small-scale war, attacking both the business and family side of Elena’s life.

read more...

The Dark Knight Rises

Alright, so June didn’t exactly kick us into high gear the way it should have. We didn’t get another Avengers, a movie everyone lost their nuts over. From the blockbusters to the little guys, there was a lack in unanimous love and praise to be found. We did finally get Prometheus, a movie which could go down as this summer’s main topic of movie conversation over whether “It was awesome! No, it sucked!” but we get those all too often during this time of year. If we’re going to get one movie to feed the millions with true, big summer entertainment where all the harshest critics will be beaten across the world, then we got one ‘lil superhero movie coming up that may provoke such a reaction… The Amazing Spider-Man! Actually, no, but Marc Webb‘s reboot does pass the time nicely and, at the very least, gives us a new Peter Parker we can care about. But that doesn’t mean it made this list. Find out what did:

read more...

The other day, I labeled Abraham Lincoln: Vampire Hunter as the “wild card” of the summer, and if there’s any other film which comes close to its riskiness (or more so?), it’s Oliver Stone‘s adaptation of Don Winslow‘s book of the same name, Savages. Stone’s pic is an unconventional summer movie: an R-rated, hard-edged movie for adults. Based on what I’ve heard from the positive test-screenings, which led to the film getting bumped up to a summer release, Savages lives up to that riskiness, with Salma Hayek and John Travolta possibly being the two standouts. Now, with over a month until release, some terrific behind-the-scenes pics from the film have been released (via Oliver Stone’s website and the film’s Facebook page). Take a peak of a bloodied up Blake Lively and Benicio Del Toro‘s lovely evil ‘stache after the break:

read more...

Nothing says “summer at the movies” quite like a metric ton of big name blockbusters flooding theaters near you – superheroes on top of superheroes, classic television series brought back from the dead, animated gems about finding yourself – oh my! But with the cinema summer growing ever-larger, the stakes being pushed ever-higher, and enough content to keep audience members in their seats ever-longer, a line has to be drawn somewhere. Which is why all the members of the Voting Body of Film School Rejects gathered together in our secret chambers to vote on just which films have won our Most Anticipated nod. Twenty films emerged from our complicated, decades-old voting process (read: a Google doc) to be crowned winners. Why twenty? Well, there are twenty weeks in the cinematic summer season (if you count May, which we do – April will be included next year if Hollywood keeps this up), and that should give you movie-lovers a reasonable goal to meet for the viewing season. We’ve even managed to pinpoint our most anticipated movie-going weekend of the summer – June 22nd, when four films open in theaters, all of which made our list. But beyond the mathematics that went into picking the summer’s best weekend, there were also some genuine surprises on the list – including big tentpole films missing completely (sorry, Battleship and Dark Shadows), some indies that sneaked in with lots of votes, a battle royale that went down between our number one and number two picks, […]

read more...

Oliver Stone’s adaptation of the oppressively hip Don Winslow novel Savages’ has been making a lot of waves on FSR today. First we showed you the teaser for the film, something like the trailer for the trailer (a new marketing trend that could get hilariously annoying if it becomes more pervasive), and now we’ve got the the full length trailer for the film; which adds some actual plot description to the loud noises and sexy imagery of the teaser.

read more...

Trailers for trailers are generally underwhelming and don’t give us much information to go off of. This preview for the Savages trailer, which is scheduled to hit online soon, happens to be an exception to the rule. This tease shows the Oliver Stone we haven’t seen since the 90s, an energetic and propulsive Stone. In the vein of Natural Born Killers and the hugely underrated U-Turn, Savages looks to have a fun, dirty, and stylish atmosphere. After a terrific test screening Universal bumped the film up for a summer release, believing it’s got real financial potential. While an Oliver Stone film about young pot dealers clashing with a drug cartel doesn’t scream “box-office smash”, I’ve heard Savages has commercial appeal. I recently spoke to someone who saw the film, and they had plenty of positive things to say, namely about Salma Hayek and John Travolta‘s performances. Apparently if you’re a Stone fan, such as myself, you may see this as a big return to form. Check out the short but stylish teaser below.

read more...

It was a month ago that I first heard about Oliver Stone directing an adaptation of the Don Winslow Novel “Savages.” A couple of the key male roles had been cast, but Jennifer Lawrence was out as the female protagonist, O, due to her involvement in The Hunger Games. Now Stone and company seem to have found their new choice to play O, and they’ve filled out a couple of the other key roles as well. The three main characters of the film are Chon, Ben, and O, two dudes and a chick who start a successful grow operation and find themselves running afoul of a dangerous Mexican drug cartel. When we last saw Savages it had already cast Taylor Kitsch as the ex Navy SEAL Chon, Aaron Johnson as the botany expert Ben, and Salma Hayek as the head of the cartel Elena. This time Deadline Laguna reports that not only has Gossip Girl star Blake Lively been chosen to play O, but also a few big names have been approached to join the cast as well.

read more...

Adapting Don Winslow’s novel “Savages” has been on Oliver Stone’s to-do list for quite some time. Well now quite a bit of news about how his efforts are coming together has come to light. I’m not familiar with Mr. Winslow’s work, so the first thing I did when trying to put together this article was figure out what “Savages” was all about. During my search I came across this blurb, apparently from the book’s publisher, that was just too hilarious not to share: “Baditude. Bad attitude. Ben, Chon, and O have a bad case of it, but so would you if you were the twenty-something Laguna-cool producers of the best hydro on the Left Coast and now a powerful and vicious Mexican cartel wants in on your business. Ben’s a genius botanist out to save the world. Chon’s a former SEAL with a “Post-Traumatic Lack Of Stress Disorder.” O is a South Orange County slacker girl who loves them both. When the cartel kidnaps O to keep the boys in line, serious baditude breaks out in this twenty-first-century thriller that blasts through all the old rules and blows the lid off the genre. But that’s baditude for you.”

read more...

bp-cannibals

Robert Fure is tired of lazy cannibals who can’t even bring together enough firewood to roast that succulent leg of lady.

read more...
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Comic-Con 2014
Summer Box Office Prediction Challenge
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3