Documentaries are tricky beasts – while true stories come with their very own special cinematic weight (especially the ones that would be deemed “too fake” or “too strange” in a narrative form, such as something like Bart Layton’s tremendous The Imposter), it’s often the very subjects of compelling stories that derail their respective films excitement or cohesion. Not everyone has the spark or charm to light up a big screen, no matter how interesting their real life experiences might be. A good story isn’t the only thing that a documentary needs – they also need a good subject. Fortunately for Till Schauder and his The Iran Job, the filmmaker has Kevin Sheppard, one of the most instantly likable and effortlessly charismatic documentary subjects to hit the genre in quite some time. Schauder and his producer (and wife) Sara Nodjoumi conceived of the basic subject matter of The Iran Job before they found Sheppard – they wanted to use the experience of an American basketball player competing in Iran and for an Iranian team as a non-political entry point in shedding light on the embattled country. The pair searched for months and were almost ready to scrap the project when they found Sheppard, and how very lucky for them that they did, because it’s not only Sheppard’s personality that drives the emotion of the film, it’s also one of the major factors in The Iran Job‘s unexpected and surprisingly critical secondary storyline.