Saorise Ronan

byzantium

From The Company of Wolves to Interview with a Vampire, director Neil Jordan has made some of the most entertaining, if modest, melodramatic treasures of the horror genre. There is a certain moodiness he brings to these worlds, especially if there’s fangs involved, that leads to a unique canvas that’s easy to lose one’s self in, flaws and all. That remains the case for his latest vampire picture, Byzantium, an intimate and yet occasionally grand picture. Jordan milks every gorgeous location at his disposal to tell Clara’s (Gemma Arterton) story. Clara, who grew up during in the Napoleonic Wars, has adjusted easily to her vampire lifestyle, although she’s still trying to figure out how to be a good mother to her unsatisfied daughter, Eleanor (Saorise Ronan). The two have lived as wanderering loners together, never staying in one place for too long. There’s a reason why: vampirism is a brotherhood, making Clara and Eleanor outcasts in the boys club. When Clara turned, she was rejected by her fellow vampires, forcing her to get by on her own. Cutting to modern day, an unknown vampire shows up to chase Clara down, causing her and Eleanor to once again pack up and start a new life. With the help of a bumbling hotel owner, Clara convinces him to allow her and her daughter to stick around in his dwindling family business. Clara, a stripper/prostitute, turns the man’s dying motel into a brothel. For a small portion of the film, Byzantium becomes the Risky Business […]

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In 2007 newcomers got noticed and some veterans got their chance to shine in breakout performances from actors, screen writers and directors.

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