Sanctum

This Week in Blu-ray

Welcome back to This Week in Blu-ray, a column that usually runs on Tuesday. Due to a fantastic and relentlessly voluminous assortment of Blu-ray releases this week, it’s a little late. So we’ll dispense with all of the apologies and long-winded lead-ins, as we’ve got a lot of ground to cover. Beginning with the best storytelling the small-screen has to offer… Breaking Bad: The Complete Third Season Lets just lay it out there: the final two episodes of Breaking Bad‘s third season could be two of the greatest, most intensely dramatic and incredibly well-written episodes in the era of color. But it’s the build to those two episodes, one that you don’t even notice as it’s happening, that is brilliant. What Vince Gilligan and team have created in the story of Walter White (Emmy winner Bryan Cranston) is one of the fascinating good guy gone bad, but for (sometimes) good reasons stories of all-time. Season three brings in the Mexican cartel, sends Walter’s partner (Emmy winner Aaron Paul) off the deep end and delivers its big guy punch in the end. For those who are experiencing it fresh now on Blu-ray (something you should do, if it’s not clear just yet), count yourselves among the lucky ones. Those who watched it live have been waiting for more than a year to see what happens next. As for the Blu presentation, it’s loaded with more than 10 hours of add-ons, a reward for those who have patiently awaited the release. Three […]

read more...

This Week in DVD

Three good to great films we first enjoyed at last year’s Fantastic Fest are making their DVD debut this week, and they’re all worth a rental or a purchase. Rubber and The Housemaid are both automatic purchases in my book, but there are plenty of other releases this week worth a look including the Coen Brothers’ very funny True Grit, Adam Sandler’s ever so slightly better than usual Just Go With It, the James Cameron-produced disaster Sanctum, the LARP filled thriller (?) The Wild Hunt, the Le Tigre concert film Who Took the Bomp?, and many more. As always, if you see something you like, click on the image to buy it. Rubber A discarded tire gains sentience and discovers a taste for murder when it rolls into a small desert town and begins using telekinesis to blow up peoples’ heads. And then the movie gets weird. Normally when people dislike films I love I know it’s because they’re most likely utter tools, but with Rubber? Well, I completely understand it. It’s an absolutely absurd comedy that goes the meta route to comment on films and audiences alike. It’s laugh out loud funny and very smart, has a great score, and features some of the best remote controlled tire work you’ve ever seen. Check out my full review here.

read more...

Boiling Point

Most of the time I try not to revisit past boiling points. Once I get it out of my system, I like to pretend I’ve cast out the anger. This, however, is not true. The anger never subsides. No. It grows. Grows and grows and boils over again and again. Still, to keep things fresh, I try to point my anger in new directions. But sometimes thinks deserve a second chance. With that said, I’d like to take a second to just remind everyone that putting a big name on top of a movie is complete and utter horseshit.

read more...

The Reject Report

Not really. However, this week does see the release of concert footage from the Bieb (along with his life-long struggle to become famous and have Ellen Degeneres’ haircut). Plus, Adam Sandler adds to his tally of generic romantic comedies and Ed Helms finally makes it out of the house. The big question – which one of these masterpieces will take the top spot?

read more...

The Reject Report

Good for Leighton Meester, Minka Kelly, Cam Gigandet, and all the other oddly named people involved in The Roommate. Not only did it come out #1 on this Super Bowl weekend, not only was it able to beat out the James Cameron-backed Sanctum, but it was the only film this weekend to even get into double digits. I’m not sure if that says a lot for The Roommate, the current slate of movies available for the masses, or the power of the Super Bowl draw away from the movie theaters. You can’t really put much of the blame for the weekend’s weak numbers. The past three years have had films open in the $20 or $30-million area. In 2009, Taken opened on Super Bowl weekend with $24.7 million, and that can’t even be considered counter-programming to the big game. Not like last year or 2007 when Dear John and Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour opened to a $30.4 and $31.1 million, respectively. So the Super Bowl was a draw away from the movies.

read more...

The Week That Was

A lot can happen in a week. Since we last met for this very column, a Superman has been cast, the calendar has flipped over to a new month and a mostly non-famous podcast celebrated a big episode. We also closed down our coverage of Sundance 2011, reviewed the week’s releases, talked Oscars and beat the living puss out of the aforementioned Superman casting. What can a hard-working movie blogging team do? Superman casting rumors are the new Batman casting rumors. It’s all part of our week-ending spot, affectionately known as The Week That Was.

read more...

The Reject Report

A year ago last week, James Cameron’s groundbreaking Avatar beat out Titanic to be the highest domestic grossing film of all time. Cameron just happened to be the director on the monstrously successful Titanic, too. You all know this. What you might not have known is that Cameron is back, and this time, he’s going spelunking. Sanctum is sure to be Cameron’s next grand excursion into box office glory and could very well beat even Avatar’s record breaking numbers. What’s that? Cameron didn’t direct Sanctum? He just produced it? But the trailers…oh, never mind. Tank.

read more...

This week, Fat Guy Kevin Carr is heading off to college and crossing his fingers that his new roommate looks vaguely like Minka Kelly… or Leighton Meester. He’s not picky. He also puts an ad in the paper for “SWF Seeking Same” just to cover all of his bases. But before he does that, he shoots a quick DM to his buddy @JimCameron and spelunks into unexplored territory, saving himself from the terrors that Mother Nature throws at him. Then, after the fun with Sanctum and The Roommate, he takes a nap.

read more...

From this day forward, when you think of large, dark, smelly holes that entice with both their mystery and their danger, you will think of James Cameron’s Sanctum. That’s the ill-advised hope anyway on behalf of Cameron and friends as they toss what amounts to a glorified 3D tech demo onto thousands of movie screens across the country. He didn’t direct this film, but his Executive Producer stamp is all over it (as the marketing is happy to remind you). It’s playing under the guise of being an action/adventure, and while there are some tense scenes scattered throughout it’s mostly a beautiful-looking misfire populated by characters you won’t give two shits about speaking dialogue that would embarrass even Cameron himself.

read more...

We realize that you’re probably sitting at home right now, chewing your own nails off and wondering what movies are coming out this month. Maybe you’re even wondering why no one on the entire internet has said anything about them. Strange, we know. Fortunately, Rob Hunter and Cole Abaius spent the entire month of January combing through Wikileaks, calling Cleo, and building balsa wood trailers to make sure that you, dear reader, are in the know about what’s coming out in February. You watch movies, so this guide’s for you.

read more...
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3