Samurai Jack

Genndy Tartakovsky

Hotel Transylvania marks the feature debut of a renowned figure from the world of TV animation, Genndy Tartakovsky, whose work ranges from Samurai Jack to The Powerpuff Girls. Tartakovsky, for those of you who understandably don’t remember this lil gem of a movie, also did the opening prologue for Priest, by far the most ambitious part of that movie. Ambition is certainly something that shows through in a lot of Tartakovsky’s work. There’s an artistry to Samurai Jack work we don’t see in theaters, but Tartakovsky is hoping to change that. To start, he’s made Hotel Transylvania, which the director describes as the “ultimate issue of MAD Magazine.” With all the film’s monsters bolstering with small, playful details, a MAD Magazine reference is surprisingly apt for Hotel Transylvania. Here’s what the film’s director Genndy Tartakovsky had to say about that style of the film, the ups and downs of comedy, and why he isn’t preparing for Popeye by watching Robert Altman’s “classic” over and over again:

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Hotel Transylvania

Hotel Transylvania is an unrestrained, unabashed kids movie. Even with all the classic monsters involved, director Genndy Tartakovsky has no interest in joining this year’s ParaNorman in being unafraid to scare a few kids. Surprisingly, that happens to be Hotel Transylvania‘s most charming trait. As the classic mythology goes, Dracula (Adam Sandler) runs a high-end, invisible hotel for all his fellow monster buddies, from “Frankenstein” to the invisible man. It’s not exactly a business venture, though, as it was mainly created to keep his daughter, Mavis (Selena Gomez), safe from the world of humans. Now, turning 118 years old, Mavis is coming of age and wants to explore the world, and Dracula will do everything he can to make sure that doesn’t happen. With all the talk of humans, it’s no surprise one of them, Jonathan (Andy Samberg), actually turns up to both drive Dracula mad and fall in love with his daughter.

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Sacha Baron Cohen

What is Movie News After Dark? It’s a nightly movie news column that would like to lend apologies to those who despise brevity. Tonight’s just not a quantity kind of night. It is, however, a quality kind of night. Quentin Tarantino is now officially on a casting binge for Django Unchained, reportedly signing up Sacha Baron Cohen to play a gambler who buys Kerry Washington as his companion, thus angering the titular slave played by Jamie Foxx. I love it when he plays the villain.

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