Salesman

Criterion Files

Of the 600+ films in The Criterion Collection, almost 200 are listed as from the United States. While not all of these films are explicitly thematically based  around life in the US, the American selections for the Collection do make up a mosaic of diverse perspectives on life in this country, proving that there is no sustainable solitary understanding of what it means to be an “American,” but there exists instead an array of possibilities for interpreting American identity. What the American films do have in common, though, is provide proof that excellent films have been made in the US for quite some time. So, after exhausting yourself with Independence Day Parades, firecracker-lighting, and Budweiser, settle down with a great American movie. Here are a dozen great titles from the Criterion Collection about “America” and “freedom” in the many senses of those terms.

read more...

Criterion Files

I had the privilege of seeing the surviving Maysles brother, Albert, do a Q&A after a public screening of Grey Gardens (1976). During the discussion, somebody asked him the inevitable question regarding how the presence of the camera changed the very subject he was documenting. It’s an interesting and essential question for any documentary filmmaker to consider, especially when one is engaging in the direct verite style rather than a traditional retrospective style, because it’s simplistic for the filmmaker to consider themselves “objective” or “invisible” when putting a camera on their subject: the presence of the camera changes things. Albert Maylsles responded with an amusing story about how the conversations the brothers heard between “Big Edie” and “Little Edie” outside the house when not filming were exactly the same as when they were inside. While this is no doubt the case as the eccentric Beales would certainly “be themselves” no matter the occasion or circumstance, with all due respect Mr. Maysles’s assessment of the question was a bit too narrow. Putting cameras within the aging walls of Grey Gardens did, in fact, change everything.

read more...
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
SXSW 2014
Game of Thrones reviews
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3