Rounders

Macon Blair in

From the very start, the thesis of this monthly column has been that there’s plenty of great stuff always being added to Netflix, if you just dig for it a little. While we still stand by that statement, it’s also true that the last few weeks worth of new additions have felt a little light—not quite up to the standards of recent months. N ot to worry though, as we’ve still been able to sort through the rubble and find 16 good movies to stream that all range from being worth your time to downright exceptional, so we should all be able to survive until the next big title dump. As always, click on the movie’s title to be taken to its Netflix page. Pick of the Month: Blue Ruin (2013) Most revenge movies are escapist stories that deal in a black and white, eye for an eye morality and feature over-the-top protagonists who go to extreme lengths in order to avenge wrongs that have been done to them. They’re pretty simple, but they’re pretty satisfying. Blue Ruin isn’t like those movies. While it is, essentially, a revenge movie, it manages to raises itself a step or two above the rest of the rabble by being smarter and more interesting than the films that stick to the usual formula. First off, the protagonist here isn’t a killing machine. He’s an in-over-his-head everyman who’s reacting to his situation more like a wounded animal than a terminator. And the revenge he takes isn’t treated like […]

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Hollywood

All this week, Film School Rejects presents a daily dose of our favorite articles from the archive. Originally published in September 2011, Ashe Cantrell pulls back the curtain on the Hollywood conspiracy machine… You may already be a film industry cynic. Maybe you think Hollywood is a barren wasteland, devoid of creativity and originality. Maybe you’re sick of seeing talented people get ignored and vapid hacks get splashed all over the trades. Maybe you’re tired of 3D everything and having to re-buy your movies every five to ten years. I’m not here to dissuade you of any of that. Hell no, I’m here to make it worse. Get ready, because this is some of the rottenest shit of which the film industry is capable. These are the things so terrible that Hollywood has to cover them up, lest God see their sin and smite them accordingly (and keep various government entities and lawyers off their backs, of course). If you still had any kind thoughts toward Hollywood, I suggest you prepare yourself for crushing disappointment. But first, I’d like to give a very huge shout out and thank you to writers C. Coville and Maxwell Yezpitelok for their help on this article. You guys are great! And now back to the shit storm, already in progress:

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12 Years a Slave Violin

The best movie culture writing from around the internet-o-sphere. Just leave a tab open for us, will ya?

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It was sort of heartbreaking earlier in the year when The Weinstein Company failed to purchase Miramax back. It would have been a homecoming of sorts for both companies, and it promised a return to form for Miramax after struggling through the latter part of the 2000s with fewer titles (and far less edge). The two companies have announced the next best thing – a long-term partnership. Unfortunately, that partnership is built upon producing and releasing a blight on the cinematic community. The two companies plan on releasing sequels to long-forgotten titles. Unnecessary sequels are planned for Bad Santa, Rounders, and Shakespeare in Love. There’s something harmless about seeing Billy Bob Thornton back in the Santa suit, but do they expect to nab Matt Damon and Ed Norton back? Do they plan on getting Gwyneth Paltrow back into drag? Those aren’t necessary components, but without those main actor ties, the sequels – coming a decade late – would be In Name Only sequels. The worst case scenario is Miramax becoming the National Lampoon of indie companies.

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published: 12.19.2014
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published: 12.18.2014
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published: 12.17.2014
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