Rob Cordry

Rapturepalooza

Will Rapturepalooza actually be funny? Even after watching its entire red band trailer, which is chock-full of gags, the answer to that question still doesn’t really become clear. There are so many jokes that fly by here, some good and some bad, that it’s near impossible to tell what the hit-to-miss ratio is going to be like when you actually sit down to watch the thing in the theater. Has this trailer basically given away every joke the film makes, or are there still plenty more waiting to be discovered? Are the jokes we do see the broadest, silliest ones, meant to attract a general audience, or is broad silliness all the movie has to offer? It’s tough to say. But what’s clear is that director Paul Middleditch and writer Chris Matheson haven’t pulled any punches with what they’re willing to satirize. They shoot Jesus out of the sky with a laser cannon. They make light of Orlando being decimated in a nuclear explosion. You don’t have to go into Rapturepalooza worried about it half-stepping as far as the comedy is concerned.

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Warm Bodies Trailer

Zombies don’t exactly lend themselves to teen romance stories as well as vampires do, what with their flesh being all gross and decaying, like a jack o’ lantern in November, rather than pale and smooth, like a porcelain doll. But that’s not going to stop the creators of Warm Bodies from capitalizing on the current zombie crazy by making a teen zombie romance anyway. Ridiculous idea or not, one has to admit that the zombie apocalypse genre can get pretty homogenous and predictable, and could use some sprucing up. It feels kind of refreshing to see a zombie movie where the walking dead have thoughts and emotions, but have trouble acting on them due to their newly unresponsive bodies and overpowering craving to consume living flesh. Not only does the conceit seem to make for good comedy, but there are hints in this new Warm Bodies trailer that it could make for an effective character moment or two as well; which kind of makes sense, because this one is being brought to us by Jonathan Levine, the director of the funny, yet affecting cancer drama 50/50.

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Hot Tub Time Machine is one of the most profound mirrors of our postmodern culture to be realized on mainstream cinema screens in quite some time. Discuss.

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